More ecstasy than agony in Daisey's Steve Jobs

It’s interesting that Mike Daisey chooses not to talk about current events in The Agony and the Ecstasy of Steve Jobs, the second of two monologues running in repertory on Berkeley Repertory Theatre’s Thrust Stage.

The very title of the show implies that Jobs will factor largely in the two-hour, intermission-free show. But Daisey never mentions that on Jan. 17, Apple announced that Jobs has taken medical leave from the company. Following other health issues – pancreatic cancer in 2004, a liver transplant in 2009 – the departure isn’t a huge surprise, but it’s a very big deal in the world of Apple and, consequently, in the world of technology.

Daisey wrote about Jobs’ leave on his blog: “It is almost impossible to imagine Apple without him, and there's a palpable sense of loss and change as the tech industry struggles to know what this will mean for its future.”

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Taken in by the Cult of Mike Daisey

I’ve seen Mike Daisey before on the Berkeley Repertory Theatre’s Thrust Stage. The country’s foremost monologist has entertained and captivated me on several occasions.

But at Wednesday’s opening of The Last Cargo Cult, I felt like I really got to see Mike Daisey. His story has to do, among many other things, with a live volcano, and that’s what he’s like on stage. He erupts in ways that are frightening and so dazzling you just can’t turn away.

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