Threats of totalitarianism have never been so fun

Dec 08

Threats of totalitarianism have never been so fun

Our sorry political state may be sending the country down the toilet, but it sure is inspiring some grand entertainment. Veep and House of Cards offer two distinct points of view on the absurdity of Beltway power mongering. Lauren Gunderson's The Taming was a comic highlight of last year's local theater scene (review here) in its exploration of political game playing.

Now we have Peter Sinn Nachtrieb's The Totalitarians, a Z Space production in association with Encore Theatre Company and the National New Play Network.

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A Kinky kick in the pants

Dec 04

A <i>Kinky</i> kick in the pants

Kinky Boots is the kind of musical comedy that leaves no unpleasant aftertaste. There's no guilt in enjoying its pleasures, and though it's not exactly an emotional feast, neither is it empty calories. This is a well-crafted, tuneful show whose only aim is to entertain and uplift. It succeeds on both counts.

A huge hit on Broadway, where it racked up six Tony Awards and is well into its second year, Kinky Boots is based on the 2005 film of the same name, one of those distinctly British underdog feel-good movies they do so well over there. Harvey Fierstein, adapted the movie, Cyndi Lauper made her Broadway composing debut with the score, and Jerry Mitchell (last seen in these parts with the Broadway-bound Legally Blondereview here) directs and choreographs in his typically efficient, ebullient manner.

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Kathleen Turner kicks ass in Red Hot Patriot

Nov 26

Kathleen Turner kicks ass in <i>Red Hot Patriot</i>

The moral of the story seems to be: if you're going to kick some political ass, make sure you're wearing red cowboy boots – and it helps to have a brain, a fire in your belly (fueled, no doubt, by some hooch) and a sense of humor fueled by a larger-than-average intellect.

It seems Molly Ivins had all of the above, at least the Molly we meet in Red Hot Patriot: The Kick-Ass Wit of Molly Ivins now on stage at Berkeley Repertory Theatre's Roda Theatre. Ostensibly a one-woman play about Texas' leading red-haired liberal crusader with a typewriter, the play stars Kathleen Turner as Ivins

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Breakfast of champions? Aurora chills with Mugabe

Nov 21

Breakfast of champions? Aurora chills with <i>Mugabe</i>

EXTENDED THROUGH DEC. 20 Dr. Peric (Dan Hiatt, center) looks to make an exit from his breakfast meeting with Robert Mugabe (L. Peter Callender, left) as presidential bodyguard Gabriel (Adrian Roberts) stands watch in Aurora Theatre Company’s Breakfast with Mugabe. Below: Hiatt’s Dr. Peric has a run in with Mrs. Mugabe (Leontyne Mbele-Mbong). Photos by David...

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Cirque’s Kurios: Happy, happy, joy, joy

Nov 15

Cirque’s <i>Kurios</i>: Happy, happy, joy, joy

An acrobatic act called “Banquine” is part of the latest Cirque du Soleil touring show, Kurios – Cabinet of Curiosities, written and directed by Michel Laprise and running through Jan. 18 under the blue-and-yellow-striped tent in the parking lot at AT&T Park. Below: A prelude to the act “Rola Bola.” Photos by Martin Girard...

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Where’s the remote? Lucy lives again

Nov 13

Where’s the remote? <i>Lucy</i> lives again

Honey, in this town, we're used to our re-runs recreated with drag queens.

After seeing the likes of Sex and the City and The Golden Girls performed by the best drag queens San Francisco has to offer, I Love Lucy Live on Stage comes across as quaint and tame at best and a waste of time at worst.

An expensive exercise in nostalgia, this TV-to-stage project feels like a bloated amusement park show designed for sun-addled tourists who need to rest their feet.

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Here be dragons: Impact fires up fantastical drama

Nov 09

Here be dragons: Impact fires up fantastical drama

Impact Theatre's The Dragon Play breathes fire into what, at first glance, appears to be a fairly standard issue drama. Playwright Jenny Connell Davis blends the worlds of sci-fi/fantasy with Sam Shepard with surprising and wonderful results.

In only 80 minutes, director Tracy Ward creates two powerful worlds in which stories begin to bleed into one another. That's no mean feat in the cramped quarters of La Val's Subterranean, which offers set and lighting designers the ultimate challenge to turn a basement into a compelling performance space. Catalina Niño (sets) and Jax Steager rise to that challenge, even when the action spills off the stage and into the nether parts of the theater.

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