Humming the chandelier: Phantom 2.0

Aug 27

Humming the chandelier: <i>Phantom</i> 2.0

Now we have a "new" production of The Phantom of the Opera with a new director and a (mostly) new design team. Just as he did with Les Misèrables, director Laurence Connor has attempted to freshen up what was definitely becoming a stale property (albeit one that remains as popular as ever). For Les Miz he got ride of the iconic turntable, and guess what? He has made a turntable set the centerpiece of his Phantom!

Back in San Francisco as part of the SHN season, this revamped Phantom scores points for (unlike Les Miz) not...

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Sisters count in SF Playhouse’s 1 2 3

Aug 21

Sisters count in SF Playhouse’s <i>1 2 3</i>

The three daughters of domestic terrorists – activists, as the eldest girl insists on calling them – have moved so often and changed their names so many times they can't really remember who they are exactly. The easiest thing to do is simply number themselves. 1 will be the eldest. 2 will be the middle child and 3 will be the baby.

When we meet these three smart, malleable children, in the world premiere of Lila Rose Kaplan's 1 2 3, they are in a new town about to head to a new school. Again.

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Cal Shakes scares up big laughs in vivacious Vep

Aug 20

Cal Shakes scares up big laughs in vivacious <i>Vep</i>

How appropriate to go (high) camping under the stars in the Orinda hills with the California Shakespeare Theater. One doesn't think of Charles Ludlam's The Mystery of Irma Vep as a play for the great outdoors, but now-former Artistic Director Jonathan Moscone and his dynamic actor duo make a strong case for Ludlam being funny anywhere.

As swan songs go, Moscone picked a doozy, if only because he leaves them laughing.

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A toast to Champagne and her wily Poon

Aug 02

A toast to Champagne and her wily <i>Poon</i>

Just when it seems all the colorful characters are fleeing San Francisco, along comes an Oasis of launch and glitter. Yes, Oasis, the new South of Market nightclub, has defied the real estate odds and become a haven for performers of all stripes, including impresario D'Arcy Drollinger, a co-owner of the club along with drag legend Heklina and several other partners.

Drollinger has to be one of the most interesting people working in Bay Area theater.

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Trickle down theory: parallel lives in Now for Now

Jul 20

Trickle down theory: parallel lives in <i>Now for Now</i>

I've never seen anything quite like Now for Now, the new theatrical work devised and performed by Mark Jackson and Megan Trout now at Z Below through July 26 (time is short – go see it). As two dynamic and acutely interesting theater people, Mark Jackson and Megan Trout make for an intriguing combination on paper and, happily, that intrigue (and a whole lot more) extends to the work they have created.

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Delightful Matilda mostly avoids chokey

Jul 19

Delightful <i>Matilda</i> mostly avoids chokey

What is it about Roald Dahl that makes his books so ripe for adaptation? Probably the most famous book-to-screen-to-stage example from his canon is Charlie and the Chocolate Factory, which became a beloved movie musical in 1971 (with the title shifted to Willy Wonka and the Chocolate Factory). The 2005 remake by Tim Burton is much less beloved, and the splashy 2013 West End stage musical has been a big, long-running hit and will hit Broadway in the upcoming season.

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Music makes good Company at SF Playhouse

Jul 17

Music makes good <i>Company</i> at SF Playhouse

Robert (Keith Pinto, center) suffers his friends and their attempts to fix him up Stephen Sondheim and George Furth’s 1970 musical Company now at San Francisco Playhouse. Below: Amy (Monique Hafen) continues to have second thoughts as her fiancé Paul (John Paul Gonzalez) stands by. Photos by Jessica Palopoli The summer musical Company at San Francisco...

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