Finding Neverland: never found, never lands

Jan 19

<i>Finding Neverland</i>: never found, never lands

I'm calling it: the use of Peter Pan as an automatic trigger for poignant reflections on lost youth and the emotional cruelty of aging is officially over. It's been over for a while, but apparently word has not spread to those still hoping to cash in on Captain Hook, Tinkerbell and the whole Neverland crew. That's unfortunate for the musical Finding Neverland.

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Glickman prize forJulia Cho’s Aubergine

Jan 13

Glickman prize forJulia Cho’s <i>Aubergine</i>

Julia Cho's Aubergine is the winner of the 2016 Glickman Award for the best new play to make its world premiere in the Bay Area. Aubergine was developed at Berkeley Repertory Theatre' Ground Floor, Center for the Creation and Development of New Work. The drama about a terminally ill father and his chef son opened in February at Berkeley Rep and was the first production in the newly refurbished and renamed Peet's Theatre.

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Irwin illuminates Beckett at ACT

Jan 12

Irwin illuminates <i>Beckett</i> at ACT

Bill Irwin wants to address everything you've ever wanted to know about Samuel Beckett but were afraid to ask. His casual one-man show On Beckett, now in a short run at American Conservatory Theater's Strand Theater, provides an excellent opportunity to explore the enigmatic Beckett from a safe distance and through utterly delightful filter of the inimitable Irwin.

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Theater Dogs’ Best of 2016

Dec 28

Theater Dogs’ Best of 2016

The theater event that shook my year and reverberated through it constantly didn't happen on Bay Area stage. Like so many others, I was blown away by Hamilton on Broadway in May and then on repeat and shuffle with the original cast album (and, later in the year, the Hamilton Mix Tape) ever since. Shifting focus back home, theater in the San Francisco Bay Area continues to be a marvel, which is really something given the hostile economic environment arts groups are facing around here.

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Madwoman drives a Volvo through ‘the change’

Dec 17

<i>Madwoman</i> drives a Volvo through ‘the change’

If the idea of an NPR-ready take on the challenges and complexity of menopause appeals to you, get yourself to Berkeley Repertory Theatre's Peet's Theatre to see The Madwoman in the Volvo, Sandra Tsing Loh's disarmingly humorous exploration of her midlife mania. If the combo of NPR and menopause raises your hackles, stay away.

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Fences comes home to the Curran Theatre

Dec 16

<i>Fences</i> comes home to the Curran Theatre

Hard to know which was more exciting: the art or the venue. Let's go with both.

The Curran Theatre formally reopened Thursday, Dec. 15, after more than a year of renovations and refurbishments, and it's gorgeous. In shades of elegance and Curran red, Carole Shorenstein Hays' palace has once again cast open its doors.

The first official event, preceding the January bow of the Fun Home tour (get tickets now), was a homecoming of sorts: the San Francisco premiere of Denzel Washington's screen adaptation of August Wilson's Fences.

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A dreamy White Christmas at the Golden Gate

Dec 15

A dreamy <i>White Christmas</i> at the Golden Gate

Eleven years ago, our holiday entertainment bandwidth grew a little wider with the stage adaptation of White Christmas, the 1954 movie that solidified the evergreen popularity of Irving Berlin's holiday ballad.

That production was pure delight, the kind of instant Christmas classic that would inevitably be taking its place alongside the Christmas Carols and Nutcrackers. Sure enough, White Christmas is a perennial, and this year's touring production has returned back to San Francisco

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