Berkeley Rep's tart and tangy Tartuffe keeps the faith

Faith is one of the most valuable and powerful things human beings have to give away, and anyone who takes advantage of that faith with anything less than sincerity and devotion qualifies as the most heinous of villains. That's why Molière's Tartuffe is so damn funny...and dark...and unsettling.

The oft-banned 1667 satirical comedy has had a long history of production and controversy over the last 350 years, and director Dominique Serrand's new production – a co-production of South Coast Repertory (where it opened), Berkeley Repertory Theatre and Shakespeare Theatre Company in Washington, D.C. – add an admirable chapter to the play's history.

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