Party People at Berkeley Rep: Necessary
There are ovations and there are ovations. The opening of an envelope gets a standing ovation these days, so the stand and clap doesn't really mean much anymore. But at the opening night of UNIVERSES' Party People at Berkeley Repertory Theatre, the audience was instantly on its collective feet at show's end, applauding thunderously, shouting and hooting. The appreciative cast bowed, expressed gratitude and exited the stage. The house lights came on, and still the clamor continued. A few audience members exited the theater, but mostly the noise grew in intensity until the surprised cast had to return to the stage and bow yet again.
It seemed a fittingly over-the-top reaction to an ambitious, over-the-top show that leaves you feeling moved by the wheels of history and the vagaries of the human heart.
IPH... a picture paints a thousand words
One general problem I have with Greek tragedy is that I’m not Greek and, most days, not terribly tragic. I’ve experienced, a time or two, the feeling of catharsis that can come from being immersed in godly and ungodly troubles. Fiona Shaw as Medea comes to mind, and Berkeley Repertory Theatre’s The Oresteia had its acutely emotional moments.