Kathleen Turner kicks ass in Red Hot Patriot

The moral of the story seems to be: if you're going to kick some political ass, make sure you're wearing red cowboy boots – and it helps to have a brain, a fire in your belly (fueled, no doubt, by some hooch) and a sense of humor fueled by a larger-than-average intellect.

It seems Molly Ivins had all of the above, at least the Molly we meet in Red Hot Patriot: The Kick-Ass Wit of Molly Ivins now on stage at Berkeley Repertory Theatre's Roda Theatre. Ostensibly a one-woman play about Texas' leading red-haired liberal crusader with a typewriter, the play stars Kathleen Turner as Ivins

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Kathleen Turner – up and down in High

Cringe No. 1 came early in Matthew Lombardo's unsustained High at the Curran Theatre. Kathleen Turner was standing center stage in character as Sister Jamison Connelly, a nun and drug rehab counselor. That great Turner voice, all basso notes and gravel, sounded a little like it was under water. But there she was, standing in front of a backdrop filled with stars telling us about a younger sister named Theresa and the bedtime story she liked so much about a boy who liked to fly. Why does the little sister like the story so much, the older sister queries in her memory. "Because I want to be high."

That was actually Cringe No. 1 and Cringe No. 2. Not having read or experienced this play in any way before, I immediately knew two things: the fate of little sister Theresa would not be a good one. And that heavily intoned word, "high" – oh, look, dear, it's the title of the play and must be important – would probably be the last word of the play as well. Yup. And yup.

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