Fallaci fascinates at Berkeley Rep, even if her play doesn’t

Oriana Fallaci was a fascinating, riveting person in real life, a crusading, eviscerating journalist whose intensity often made her part of the story. In journalist and playwright Lawrence Wright's world-premeire play Fallaci at Berkeley Repertory Theatre, Fallaci lives again, and true to form, she's a compelling personality whose intelligence, drive and complicated emotional life provide an abundance of drama.

As played by Concetta Tomei, Fallaci may be dealing with illness by shutting herself into her New York apartment, but she's still ferocious and prickly.

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ACT's Perloff aims Higher

This is the season for artistic directors sharing their writing with their audiences. Tony Taccone at Berkeley Repertory Theatre has actually done it twice this season with Rita Moreno: Life Without Makeup and the current Ghost Light.

Now American Conservatory Theater's Carey Perloff is sharing her fourth full-length play as a special non-subscription production at the Theater at the Children's Creativity Museum (formerly Zeum). In both cases, the artistic directors are making bold moves to put their work out there -- a brave gesture, to say the least. And they've both wisely handed over the directorial reins to trusted cohorts. In Taccone's case it's Jonathan Moscone and in Perloff's case, it's ACT Associate Artistic Director Mark Rucker.

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