Ramping up the teenage angst in Crowded Fire’s Truck Stop

Oct 06

Ramping up the teenage angst in Crowded Fire’s <i>Truck Stop</i>

The whole time I was watching Lachlan Philpott's Truck Stop, a Crowded Fire Theater production at Thick House, I was working myself into a state of anxiety imagining being the parent of a teenage girl. How do you fight the global objectification of women and instill a sense of self-worth that comes as much from intellectual, spiritual, emotional places and not just the physical and sexual, which it seems is all the world cares about if you're watching TV or movies, reading magazines or listening to music.

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Uneven tone tilts ACT’s Monstress double bill

Oct 03

Uneven tone tilts ACT’s <i>Monstress</i> double bill

Two of the Bay Area's most interesting theater artists, Philip Kan Gotanda and Sean San José, were asked to adapt a short story from Lysley Tenorio's 2012 collection Monstress for American Conservatory Theater's Strand Theater as part of the company's San Francisco Stories initiative and the New Strands play development and commissioning program.

The results make up the double bill Monstress now at the Strand, and while both plays...

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Ferocious Lotus unfolds a lovely Crane

Sep 22

Ferocious Lotus unfolds a lovely <i>Crane</i>

The Ferocious Lotus world premiere of JC Lee's Crane is the kind of theater that makes me happy. Here's a small company taking a step up with its first solo production. They're tackling a notable playwright (Lee's work has been seen locally at Impact Theatre and Sleepwalkers Theater and he's a writer for ABC's "How to Get Away with Murder" and HBO's "Looking"), and with a small budget in a small theater (NOHspace), they're making something beautiful.

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Cal Shakes closes with apocalyptic King Lear

Sep 20

Cal Shakes closes with apocalyptic <i>King Lear</i>

When California Shakespeare Theater ended the 2007 season with a heavy, industrial-looking King Lear, opening night was a cold one in the Bruns Amphitheater (read my review here). Eight years later, Cal Shakes once again ends the season with another heavy, industrial-looking Lear, but opening night was one of the rare ones when you could have worn short sleeves throughout (most of) the 2 1/2-hour tragedy. There's just something delicious about...

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Flying high in Aurora’s Mud Blue Sky

Sep 18

Flying high in Aurora’s <i>Mud Blue Sky</i>

There's easy comedy and titillation to be had in choosing to explore the lives of flight attendants. You could blithely whip up a story detailing the lives we imagine those high-fliers live, with their easy access to great cities, hot coworkers and the occasional randy passenger. That story might be fun, but in truth, the days of "coffee, tea or me" are long past, and flying is a grind for everyone, from passengers to crew, and that may actually be the more interesting story.

Marisa Wegrzyn's Mud Blue Sky, now in an extended run through Oct. 3 at Berkeley's Aurora Theatre Company, tries to have it both ways.

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Crazy about Guirgis’ Riverside at ACT

Sep 10

Crazy about Guirgis’ <i>Riverside</i> at ACT

There's a crackling vitality on stage the Geary Theater as American Conservatory Theater opens its 49th season with Stephen Adly Guirgis' Between Riverside and Crazy. The play is this year's Pulitzer Prize winner, which doesn't necessarily guarantee it will be an interesting play, but if you've seen any of Guirgis' previous work – produced locally by San Francisco Playhouse and Custom Made Theatre Company – you know that this is a muscular, compassionate and deeply interesting writer.

If Riverside isn't as gritty as some of his other work, it more than makes up for that with its fresh approach to the classic American dream-type play.

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