Nine justices ponder pasties, g-strings and nudity in Arguendo

Oct 31

Nine justices ponder pasties, g-strings and nudity in <i>Arguendo</i>

For those of us with no ear for legalese, for whom courtroom scenes in TV shows and movies induce narcolepsy, the premise of Elevator Repair Service's Arguendo does not sound promising. This celebrated and intrepid New York company, most famous for its word-for-word production of The Great Gatsby (the eight-hour Gatz), turns its attention to our highest court for a verbatim account of a 1991 case, Barnes v. Glen Theatre Inc., that dealt with issues of public nudity, more specifically the nude dancers at the South Bend, Ind., Kitty Kat Lounge and Glen Theatre.

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Party People at Berkeley Rep: Necessary

Oct 25

<i>Party People</i> at Berkeley Rep: Necessary

There are ovations and there are ovations. The opening of an envelope gets a standing ovation these days, so the stand and clap doesn't really mean much anymore. But at the opening night of UNIVERSES' Party People at Berkeley Repertory Theatre, the audience was instantly on its collective feet at show's end, applauding thunderously, shouting and hooting. The appreciative cast bowed, expressed gratitude and exited the stage. The house lights came on, and still the clamor continued. A few audience members exited the theater, but mostly the noise grew in intensity until the surprised cast had to return to the stage and bow yet again.

It seemed a fittingly over-the-top reaction to an ambitious, over-the-top show that leaves you feeling moved by the wheels of history and the vagaries of the human heart.

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A Whale of a (heartbreaking) tale in Marin

Oct 08

A <i>Whale</i> of a (heartbreaking) tale in Marin

Samuel D. Hunter's The Whale, now at Marin Theatre Company is a difficult play to watch. That description might not make you want to run out and buy a ticket, but hold on. Difficult doesn't preclude greatness.

At first glance, the play, winner of MTC's 2011 Sky Cooper New American Play Prize, involves a guy in a fat suit. Granted, it's a really good fat suit (Christine Crook is the costume designer), but faking a 600-pound guy and watching an actual 600-pound guy are very different experiences. But here's the thing: what actor Nicholas Pelczar brings to that suit is extraordinary.

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Ideation redux: still smart, thrilling, funny

Sep 28

<i>Ideation</i> redux: still smart, thrilling, funny

Bay Area playwright Aaron Loeb's award-winning play Ideation returns to San Francisco Playhouse, this time on the main stage. The play features the cast and director from its SF Playhouse Sandbox premiere last year, and some changes have been made to the play, but the results are as they should be. Ideation is the must-see play of the fall.

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I do? Crowded Fire finds fractured bliss in Late Wedding

Sep 23

I do? Crowded Fire finds fractured bliss in <i>Late Wedding</i>

San Francisco playwright Christopher Chen doesn't mind narrating his audience members' experience of his play while they're watching his play. That's part of the fun. It's also a tip of the fabulist's hat to Italian novelist Italo Calvino the inspiration for Chen's experiment with theatrical form and function in the world premiere of his The Late Wedding.

We've been here before, more or less. Chen is once again working with Crowded Fire Theater, the company behind his award-winning 2012 hit The Hundred Flowers Project (read my review here). Crowded Fire Artistic Director Marissa Wolf is at the helm of this intentionally bumpy ride...

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Battle cocks ruffle feathers in Impact’s rowdy Rooster

Sep 12

Battle cocks ruffle feathers in Impact’s rowdy <i>Rooster</i>

For Gil Pepper, the world as he sees it is a "big fuck-you machine." He lives with his aging mother in a crumbling Oklahoma house his late father built. He has a go-nowhere job as a McDonald's cashier, where his name tag is misspelled "Girl." And though his prospects are bleak, there is a sliver of light: cock fighting.

This ancient sport, Gil tells us, goes all the way back to the Greeks, so there's nobility in allowing feathered beasts to do horrible things to each other in the ring. Gil wants to be a winner at something in life, and this just might be his ticket.

What's so interesting about Eric Dufault's Year of the Rooster, the season opener from Berkeley's Impact Theatre.

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