White Noise shocks, ultimately disappoints at Berkeley Rep

Oct 04

<i>White Noise</i> shocks, ultimately disappoints at Berkeley Rep

Suzan-Lori Parks' White Noise is an intensely interesting play. Just not a very good one.

And that's surprising given that Parks, a Pulitzer Prize-winner, has bent, molded and shaped contemporary theater to her will through sheer force of intelligence, powerful writing and the courage to configure theater as she needs it to be configured.

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Churchill is tops in ACT’s Top Girls

Sep 26

Churchill is tops in ACT’s <i>Top Girls</i>

The mind of Caryl Churchill is an extraordinary place to spend an evening. Happily, this theater season, the Bay Area will see an abundance of Churchill, beginning with American Conservatory Theater's season-opening Top Girls from 1982.

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Berkeley Rep’s Great Wave crashes

Sep 20

Berkeley Rep’s <i>Great Wave</i> crashes

Director Mark Wing-Davey layers an intricate sound design (by Bray Poor and even more intricate projection design (by Tara Knight) onto the play in a way that makes it seem he doesn't fully trust Turnly or the actors enough to convey the emotional weight of the show. And he may be right.

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Pointed Rhinoceros stampedes the Geary stage

Jun 06

Pointed <i>Rhinoceros</i> stampedes the Geary stage

There are multiple points in human history when Eugène Ionesco's Rhinoceros would make for funny/terrifying entertainment. Unfortunately, this is one of them.

In Ionesco's 1959 play, a small French village is best by giant horned pachyderms. Or, more accurately, the citizens are, one by one, turning into beasts.

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Berkeley Rep’s Good Book is a revelation

May 04

Berkeley Rep’s <i>Good Book</i> is a revelation

Let's just admit it. The Bible is a clusterf**k. How in the world did such a literary hodgepodge, political football, myth collection become one of the most influential – if not the most influential book – ever created? That is the mammoth question asked by playwrights Lisa Peterson and Denis O'Hare ask in their fascinating play The Good Book now at Berkeley Repertory Theatre.

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A non-traditional Vanity Fair bows at ACT

Apr 25

A non-traditional <i>Vanity Fair</i> bows at ACT

For their adaptation of William Makepeace Thackeray's 1848 novel Vanity Fair, writer Kate Hamill and director Jessica Stone do a little bit of cheating. Hamill has decided to liven things up by making this a play about a play about a novel. We are in American Conservatory Theater's Geary Theater, but on stage, we're told that our actual location is "Strand Musick Hall," and the opening number tells us that seven actors are going to play all the parts for the next 2 1/2 hours.

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