Galaxy of emotions surround Bright Star at the Curran

Dec 01

Galaxy of emotions surround <i>Bright Star</i> at the Curran

Steve Martin and Edie Brickell's Bright Star is a beautiful musical, especially if you have a penchant for bluegrass music and florid stories with twists, turns and not-so-surprising surprises.

It feels like a quintessentially American musical in several ways, the first being that glorious, banjo-heavy bluegrass, which brings to life a story that stretches from the 1920s to the 1940s in North Carolina.

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Shotgun’s Black Rider dances with the devil

Nov 26

Shotgun’s <i>Black Rider</i> dances with the devil

Thirteen years ago – such an appropriate number of years – American Conservatory Theater made some sort of deal with the devil to get The Black Rider onto the stage of the Geary Theater. Now Berkeley's Shotgun Players revive this decidedly adult fairy tale under the guidance of director Mark Jackson, and the results are heartily satisfying.

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Disney’s Aladdin flies high at the Orpheum

Nov 06

Disney’s <i>Aladdin</i> flies high at the Orpheum

There is no question in my mind, that of all Disney's animated film to Broadway adaptations, Aladdin is the most thoroughly successful. For The Lion King stage adaptation, Julie Taymor offered eye-popping spectacle and stagecraft in service to a flimsy story and even flimsier characters. Beauty and the Beast, Disney’s first Broadway venture, was fun and dazzling but only a ride vehicle away from being a theme park attraction. The less said about the misguided Tarzan and missed opportunities of The Little Mermaid the better.

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Succumb to temptation and see Ain’t Too Proud at Berkeley Rep

Sep 15

Succumb to temptation and see <i>Ain’t Too Proud</i> at Berkeley Rep

When Ain't Too Proud: The Life and Times of The Temptations is in its groove, this world-premiere musical at Berkeley Repertory Theatre is absolutely electrifying. Featuring all or part of 30 songs from the '60s and '70s Motown era, the music alone is alone is enough to make this a must-see theatrical event, but it's clear that this musical biography is going places (namely Broadway).

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S’Just All Right: Gershwin score saves American in Paris

Sep 14

S’Just All Right: Gershwin score saves <i>American in Paris</i>

An American in Paris, adapted by writer Craig Lucas and directed and choreographed by a member of ballet world royalty, Christopher Wheeldon, is a decidedly uneven affair. It wants to be part serious musical (the darkness of Paris after World War II and the Nazi occupation), part musical comedy (three guys in love with one girl!) and part contemporary and ballet dance show. Call it a ballet-sical (mullet doesn't quite work). Whatever it is, it doesn't quite work.

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Something wickedly delightful in Something Rotten

Aug 17

Something wickedly delightful in <i>Something Rotten</i>

Thank you, Something Rotten!. I need that.

Sometimes you ned light and froth and delectable show tunes to lift you out of the quagmire of our something-more-than-rotten times, and this musical, now at the Orpheum Theatre as part of the SHN season, is just the ticket.

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