Tension is high in Aurora's audio drama <i>The Flats</i>

Tension is high in Aurora's audio drama The Flats

Sitting in the intimate Aurora Theatre watching great actors close up is one of the great treats of Bay Area theater. Even though we can't be together in that space for a while, the Aurora crew is still storytelling in its inimitably intimate way: with a world-premiere audio play by three Bay Area writers.

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Cricket tests history in ACT's feisty <i>Testmatch</i>

Cricket tests history in ACT's feisty Testmatch

You could say that Kate Attwell's Testmatch, the world premiere play at American Conservatory Theater's Strand Theater, is about cricket. You could also say it's about untangling the gnarly knots of history. But the impact, especially in the savvy way Attwell has constructed the play, comes from its emphasis on the deep interconnection of everything to everything.

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Vivacious <i>Aztec</i> tunefully reclaims, re-writes Latinx history

Vivacious Aztec tunefully reclaims, re-writes Latinx history

After 33 years at Berkeley Repertory Theatre – 22 as artistic director – Tony Taccone is taking a final bow with Kiss My Aztec, a world-premiere musical that serves as a fitting farewell. Hatched from the fervid mind of John Leguizamo, the show hits a lot of Taccone hot spots. It attempts to stick it to the white man (in this case, the Spanish conquistadors who colonized, destroyed and attempted to erase Aztec civilization) while re-writing history with a focus on those who should have had a hand in recording it in the first place. It's a sprawling, inclusive, celebratory explosion of energy that continually lobs truth bombs at its audience through crude, incisive, often hilarious lines and lyrics.

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