The cast of Berkeley Repertory Theatre’s Watch on the Rhine by Lillian Hellman includes (front row from left) Jonah Horowitz as Bodo Muller, Emma Curtin as Babette Muller and Elijah Alexander as Kurt Muller; (back row, from left) Sarah Agnew as Sara Muller and Silas Sellnow as Joshua Muller. Photo courtesy of Kevin Berne/Berkeley Repertory Theatre
The thing I can’t stand about 24-hour cable news networks is that it’s 5% news and 95% talking heads spouting opinions and fighting over those opinions.
The thing I loved about Lillian Hellman’s Watch on the Rhine (a co-production from Berkeley Repertory Theatre and the Guthrie Theatre) is that the author stakes a claim for action. After a certain point, opinions matter a whole lot less than what you choose to do about whatever opinion you hold.
I reviewed the production for TheaterMania.com. Here’s a glimpse.
Though Hellman’s dialogue can be ponderous and stagey, there’s a fervor to it that director Peterson embraces, and the nearly three-hour, three-act drama steadily ratchets up the tension. By the third act, it becomes a thriller that actually delivers.
You can almost feel Hellman trying to rein in her passion by interjecting humor, which usually means the wisecracking Fanny, so sharply performed by [Caitlin] O’Connell, gets off another good line or insult while swanning about in elegant 1940s finery designed by Raquel Barreto. Otherwise, this is pretty serious and grim going.
FOR MORE INFORMATION
Lillian Hellman’s Watch on the Rhine continues through Jan. 14 at Berkeley Repertory Theatre’s Roda Theatre, 2015 Addison St., Berkeley. Tickets are $30-$97. Call 510-647-2949 or visit www.berkeleyrep.org.