42nd Street Moon, the company that specializes in charming productions of classic and lesser-known musicals, has announced a change in its season lineup.
Next March, the previously announced The Baker’s Wife by composer Stephen Schwartz, will be replaced by High Spirits, the musical version of Noel Coward’s Blithe Spirit.
“Unfortunately, director Gordon Greenberg, who had delighted audiences on the East Coast with past productions of The Baker’s Wife, had a conflicting obligation,” said 42nd Street Moon artistic director Greg MacKellan. “His production of Stephen Schwartz’s Working has been scheduled for the Old Globe Theatre at the same time we would have done The Baker’s Wife. We hope to include the show in next season’s lineup, and meanwhile we will replace it with `High Spirits.’ As it happens, there will be a major Broadway revival of Blithe Spirit with Angela Lansbury, Christine Ebersole and Rupert Everett at the same time we are doing the musical version.”
The 42nd Street Moon production will star Megan Cavanagh (so funny in the Moon production of Out of This World) as the eccentric Madame Arcati, a role made famous by Beatrice Lillie in the original 1964 Broadway production. Also on board for the Moon cast are Michael Patrick Gaffney, Maureen McVerry and Dyan McBride.
MacKellan will direct and Dave Dobrusky will serve as musical director, with Mick DiScalla on woodwinds.
The 42nd Street Moon 2008-09 season continues with current hit Girl Crazy through Nov. 16 followed by Ben Franklin in Paris opening Nov. 29. High Spirits begins performances March 19 at the Eureka Theatre, 215 Jackson St., San Francisco. Call 415-255-8207 or visit www.42ndstmoon.org for information.
Encore offers Nachtrieb’s `T.I.C.’
Encore Theatre Company, one of the Bay Area’s most intriguing small companies, has announced that it will present the world premiere of San Francisco playwright Peter Sinn Nachtrieb’s
T.I.C. Trenchcoat in Common in January at the Magic Theatre.
Nachtrieb came to prominence with his 2006 hit Hunter Gatherers, which won the ATCA/Steinberg New Play Award as well as the Glickman New Play Award. Encore commissioned him to create a new play, which turned into T.I.C., the story of a teenage girl publishing a blog about her Tenant-In-Common building. On a boring early-summer night, from her vantage point in the cottage in back of the building, she has a clear view of the building’s rear windows. She captures her neighbors’ private activities on her cell phone and publishes them online with commentary. When strange, menacing events begin to take place at her home, it’s evident that her journal isn’t going unnoticed. Someone is reading, someone is watching and everyone is in danger.
“As one of the leading Bay Area companies dedicated to developing new work, Encore Theatre Company has found an ideal collaborator in Peter Nachtrieb,” said Encore artistic director Lisa Steindler. “From the moment I saw Peter’s work, I knew that I wanted to support and nurture such an extraordinary artist. I am honored to present this new work by one of the most exciting young playwrights on the scene today.”
Developed with support from the Z Space Studio, T.I.C. will be directed by Ken Prestininzi, associate chair of playwriting at Yale School of Drama, and the cast will include Lance Gardner, Arwen Anderson, Michael Shipley, Liam Vincent, Rebecca White and Anne Darragh.
T.I.C. Trenchoat in Common runs Jan. 2 through Feb. 1 at the Magic Theatre, Building D, Fort Mason Center, Marina Boulevard at Buchanan Street, San Francisco. Tickets are $10-$40. Call 800-838-3006 or visit www.encoretheatrecompany.org.
Sleepwalkers extend `March’
Sleepwalkers Theatre has announced the extension of its current world premiere production March to November, now playing now through Nov. 15 at the Phoenix Theatre. Performances have been added for Nov. 13, 14, and 15 at 8pm.
Additionally, anyone who brings a program from Boxcar Theatre’s current production of Animal Kingdom to Sleepwalkers on the 13, 14, or 15 can see March to November for $5 at the door.
Inspired by SF Weekly theatre critic Chloe Veltman’s Jan. 9th article “Election Stage Left,” which challenged Bay Area playwrights and theatre companies to create more “political” works, Sleepwalkers answers the call to arms with a classic hero story that assess the relevance of overtly political theatre. With the 2008 election as a backdrop, March to November, by Sleepwalkers co-founder Tore Ingersoll-Thorp, is an examination of one artist’s search to find political responsibility in her work.