This is the time: Anna Deavere Smith at Berkeley Rep

Jul 16

This is the time: Anna Deavere Smith at Berkeley Rep

If you've ever seen a show by our foremost docudramatist, Anna Deavere Smith, you know the power she has over an audience. She conducts extensive interviews on her chosen topic, then she re-creates portions of those interviews an a cannily crafted show that is theatrical in its presentation and righteous in its political and emotional power. She makes her audience think, feel and converse for days (and beyond). Now, with Notes from the Field: Doing Time in Education, The California Chapter at Berkeley Repertory Theatre, she is going even further. She's turning her show into a full-blown seminar.

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The delights of TheatreWorks’ time-twisting Triangle

Jul 14

The delights of TheatreWorks’ time-twisting <i>Triangle</i>

In the wake of my review of TheatreWorks' world premiere musical Triangle someone tweeted a link to the review and suggested that the show could make it to Broadway. I have some thoughts about that.

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Cal Shakes dreams a Dream under the stars

Jul 12

Cal Shakes dreams a <i>Dream</i> under the stars

There's so much talk about nature and stars in Life Is a Dream that it seems perfectly natural to be sitting outside on a temperate summer night watching Pedro Calderón de la Barca's 1635 play about thwarting destiny and connecting to the deepest truths of human existence.

California Shakespeare Theater's production of Dream, a beautiful if thorny play, offers the chance to see a work that is all too rarely performed.

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Shout to the top with Shotgun’s Girls

Jul 11

Shout to the top with Shotgun’s <i>Girls</i>

Would that Caryl Churchill's 1982 play Top Girls was something of a dated relic in its details of the horrors, tribulations, indignities and injustices suffered by women through the ages. Things may have changed in the 33 years since the play's London debut in the era of Margaret Thatcher, but they haven't changed enough. The play, now being given a sterling production by Shotgun Players feels deeper and more relevant than ever.

It's fascinating to see Top Girls in such close proximity to a much more recent Churchill play, Love and Information ...

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Flames lick the American dream in Aurora’s Detroit

Jun 26

Flames lick the American dream in Aurora’s <i>Detroit</i>

There's a particular kind of fear that grips those who have all the things we're "supposed" to have – jobs, houses, marriages, ideals. The fear, of course, is not in the having of it all but in the potential loss of it all (or even in part). That brutal terrain shaped by anxiety is the real setting of Lisa D'Amour's Detroit, now receiving its Bay Area premiere from Berkeley's Aurora Theatre Company.

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Reveling in the rambling genius of Eddie Izzard

Jun 20

Reveling in the rambling genius of Eddie Izzard

p>Eddie Izzard was back in town this week with his Force Majeure tour. His San Francisco stop at the Golden Gate Theatre offered congratulations to audience members for being the smartest audiences in town (because they were there, naturally), and allowed fans the opportunity to offer depthless adoration to Izzard, the queenly king of the non-sequitur.

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Fractured tales confound in ACT’s Love and Information

Jun 18

Fractured tales confound in ACT’s <i>Love and Information</i>

Confounding and captivating in equal measure, American Conservatory Theater's debut production in the newly renovated Strand Theater certainly lives up to its title. Caryl Churchill's Love and Information sounds like a generic title for just about anything in our short-attention-span world, on or off line, and that seems to be part of the point.

More like a curated collection of scenes and short films than an actual play...

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