Parks finds poetry, drama in epic Father

May 02

Parks finds poetry, drama in epic <i>Father</i>

There's some epic myth-making happening on the stage of American Conservatory Theater's Father Comes Home from the Wars (Parts 1, 2 & 3). Playwright Suzan-Lori Parks – one of those great American playwrights whose mere name should always inspire you to check out her work – nods in the direction of other great epics, most notably The Odyssey, but also, as she has said, The Oresteia and The Mahabharata as she tells the story of a slave who reluctantly follows his master into the Civil War.

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Lost in the stars with Annaleigh Ashford

Apr 30

Lost in the stars with Annaleigh Ashford

Anyone who laments the lack of spectacular new Broadway stars need look no further than Annaleigh Ashford, a bona fide star if ever there was one. A Tony Award-winner for You Can't Take It with You and former star of Wicked, Kinky Boots and, most recently, Sunday in the Park with George opposite Jake Gyllenhaal, Ashford is smart, charismatic and so loaded with talent it's almost an embarrassment of riches.

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Hymns of praise for Kushner’s Angels at Berkeley Rep

Apr 29

Hymns of praise for Kushner’s <i>Angels</i> at Berkeley Rep

Angels in America is back in the Bay Area, this time at Berkeley Repertory Theatre, where it is directed by Tony Taccone, who, with Oskar Eustis helped bring this play into the world when it premiered at their Eureka Theatre in 1991. The play's staggering genius is on full display in Taccone's marvelous production, as is Kushner's prescience (Russia, Republican politics, the environmental crisis).

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Ga-ga for Go-Go’s in giddy Head Over Heels

Apr 19

Ga-ga for Go-Go’s in giddy <i>Head Over Heels</i>

Taylor Iman Jones as Mopsa (center) and the company perform “We Got the Beat,” the opening number of the new musical Head Over Heels, which features songs by the Go-Go’s. (below) Peppermint (center) is Pythio, The Oracle of Delphi, in the number “Vision of Nowness.” Photos by Joan Marcus My love for the Go-Go’s began with my first Sony Walkman...

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Vietgone at ACT

Mar 12

<i>Vietgone</i> at ACT

Bold, irreverent, and laugh-out-loud funny, Qui Nguyen's Vietgone, at American Conservatory Theater's Strand Theater, can also be frustratingly scattershot and amateurish.

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Complex, human look at gun violence in Berkeley Rep Hours

Mar 02

Complex, human look at gun violence in Berkeley Rep <i>Hours</i>

Julia Cho is exactly the kind of playwright I crave. She's thoughtful, adventurous and fanciful in a way that relates directly to reality (she's not a fantasist – her flights mean something in the day to day). She cares about people and their messes, both internal and external. Her Aubergine at Berkeley Repertory Theatre was a revelation (read my review here) and has become one of my favorite plays in recent memory. Her play Office Hour, now at Berkeley Rep's Peet's Theatre, is a thorny piece of work.

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Floating on air in rock musical Weightless

Mar 01

Floating on air in rock musical <i>Weightless</i>

In this version of the story, adapted by Dan Moses and Kate Kilbane, the horrible things aren't quite as godawful as they are in Ovid (the cannibalism, for instance, is absent), but they're still pretty bad, and they (surprise surprise) fit right into our collective #MeToo moment.

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