Shout to the top with Shotgun’s Girls

Jul 11

Shout to the top with Shotgun’s <i>Girls</i>

Would that Caryl Churchill's 1982 play Top Girls was something of a dated relic in its details of the horrors, tribulations, indignities and injustices suffered by women through the ages. Things may have changed in the 33 years since the play's London debut in the era of Margaret Thatcher, but they haven't changed enough. The play, now being given a sterling production by Shotgun Players feels deeper and more relevant than ever.

It's fascinating to see Top Girls in such close proximity to a much more recent Churchill play, Love and Information ...

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Flames lick the American dream in Aurora’s Detroit

Jun 26

Flames lick the American dream in Aurora’s <i>Detroit</i>

There's a particular kind of fear that grips those who have all the things we're "supposed" to have – jobs, houses, marriages, ideals. The fear, of course, is not in the having of it all but in the potential loss of it all (or even in part). That brutal terrain shaped by anxiety is the real setting of Lisa D'Amour's Detroit, now receiving its Bay Area premiere from Berkeley's Aurora Theatre Company.

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Reveling in the rambling genius of Eddie Izzard

Jun 20

Reveling in the rambling genius of Eddie Izzard

p>Eddie Izzard was back in town this week with his Force Majeure tour. His San Francisco stop at the Golden Gate Theatre offered congratulations to audience members for being the smartest audiences in town (because they were there, naturally), and allowed fans the opportunity to offer depthless adoration to Izzard, the queenly king of the non-sequitur.

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Fractured tales confound in ACT’s Love and Information

Jun 18

Fractured tales confound in ACT’s <i>Love and Information</i>

Confounding and captivating in equal measure, American Conservatory Theater's debut production in the newly renovated Strand Theater certainly lives up to its title. Caryl Churchill's Love and Information sounds like a generic title for just about anything in our short-attention-span world, on or off line, and that seems to be part of the point.

More like a curated collection of scenes and short films than an actual play...

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TheatreWorks delights with devilish Angels

Jun 08

TheatreWorks delights with devilish <i>Angels</i>

Boredom, desire and champagne make for a potent cocktail in Noël Coward's 1925 comedy Fallen Angels, now receiving a lively production from TheatreWorks at the Mountain View Center for the Performing Arts.

Director Robert Kelley delivers an elegant outing for this zesty comedy that keeps its focus on two live wire ladies – Jane and Julia, best friends since grammar school.

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Women rock the Night at Cal Shakes season opener

May 31

Women rock the <i>Night</i> at Cal Shakes season opener

Last year, California Shakespeare Theater offered an off-season touring production of Twelfth Night that featured an all-women cast and made stops in prisons, homeless shelters, senior communities and the like. It was a stripped-down, wonderful production, and apparently its impact was strong enough that outgoing artistic director Jonathan Moscone (he bids adieu in August after he directs The Mystery of Irma Vep) decided to pull the play into the company's 41st season.

With a different director (Christopher Liam Moore), this is a very different Twelfth Night but with two key returning players and one overriding concept.

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Ladies’ night at ACT’s Music

May 28

Ladies’ night at ACT’s <i>Music</i>

In the 1970s, Stephen Sondheim was on some kind of roll. From Company to Follies to Pacific Overtures to Sweeney Todd, the decade found at the peak of his considerable powers. He was – and is – a musical theater superhero, but in the midst of all that musical and lyrical genius, he dropped a nearly perfect show that was at once a classic musical – operetta almost – and completely contemporary.

A Little Night Music is a dazzling combination of light and funny, clever and romantic with sharp and incisive, deep and dark. The show has elegance and a light touch with an undercurrent of regret, sorrow and misery to keep it from floating away.

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