Chad Jones’ Theater Dogs

April 11, 2008

Arielle Jacobs: From Half Moon Bay to `High School Musical’


Arielle Jacobs is Gabriella Montez and John Jeffrey Martin is Troy Bolton in the touring production of Disney’s High School Musical coming to San Francisco’s Orpheum Theatre. Photo Credit: Joan Marcus

Growing up in Half Moon Bay, Arielle Jacobs wanted to be a pop singer – the next Mariah or Whitney. She’s not there yet, but she did manage to snag a leading role in one of the hottest properties of the 21st century.

Jacobs is starring as Gabriella Montez. If you’re a tween (around the ages of 9 to 12), that name is enough to elicit squeals of delight. For those of you a little out of that demographic, Gabriella Montez is one half of “Troy and Gabriella,” the jock and the brain, the Romeo and Juliet if you will, of Disney’s cultural phenomenon known as High School Musical.

HSM, as it’s known in cyberspace, was an original musical made for the Disney Channel. No one quite expected the level of popularity it found. The TV movie sequel, aptly titled High School Musical 2, became the most-watched TV program ever on cable.

There’s an entire HSM empire as only Disney could create it replete with every product imaginable, burgeoning pop careers for all the movie’s young stars (Zac Efron, who plays Troy in the movies, even has potential as a breakout movie star after his star turn in last summer’s Hairspray movie) and even a touring ice show (which played the Bay Area last year).

Jacobs’ take on Gabriella can be seen beginning April 15 at San Francisco’s Orpheum Theatre when the touring stage production of High School Musical opens for a two-week run as part of the SHN/Best of Broadway season.

On the phone from a tour stop in Des Moines, Iowa, the chipper Jacobs, 24, says she and her family lived in Half Moon Bay until she was 14, when the Jacobs clan moved to New Jersey.

But Jacobs has fond memories of our little coastal hamlet. “I remember the pumpkin festival, of course,” she says. “To this day I’m obsessed with pumpkins. At one of our tour stops, we went to a glass-blowing factory, and I blew a glass pumpkin.”

Jacobs also recalls clam chowder at Barbara’s Fish Wrap as “the best in the whole world” and remembers riding horses on the beach and through the eucalyptus forest.

“That smell still reminds me of the beach there,” she says. “And you can’t beat those sunsets.”

As a kid, Jacobs was truly serious about being a singer. She took voice with Teddi Lightfoot in San Francisco, and she and her brother, Adam, joined a group called Razzle Dazzle Kids and did little cabaret and Christmas shows around the Bay. One year she was Raggedy-Ann then worked her way up to Mrs. Claus.

She also studied music at the San Francisco Conservatory, and though guided toward classical music, she fell in love with show music.

“I really liked performing and communicating story through song,” she says. “I started to lean in the musical theater direction, and my parents were really supportive, and I have to tell you, I was famous for starting something and getting bored half-way through. I started playing soccer because my brother played soccer. My parents took me to all the practices and bought the equipment. I was 7 or so. I went to the first game and quite at half-time.”

Luckily her interest in theater remained constant. And so did her brother’s. Apparently the Jacobs family ate show-tune Wheaties for breakfast. The two Jacobs siblings made their professional theater debuts in 1994 in TheatreWorks’ Honor Song for Crazy Horse. Adam was Little Hawk and Arielle was Blue Swan. Jump ahead a few years, and while Arielle tours the country in High School Musical, her brother recently finished a gig on Broadway in Les Miserables.

“My parents don’t know quite what they did, but they’re really proud of us,” Jacobs says.

Even before there was a stage version of HSM, Jacobs says she was alerted to the movie because friends and casting directors kept telling her she looked like the original Gabriella (played by Vanessa Hudgens). So when auditions rolled around, Jacobs felt primed.

“I could relate to Gabriella,” Jacobs says. “I didn’t just look like her, I am a lot like her.”

Being on the inside of the HSM phenomenon, Jacobs says she can understand why the show has become such a hit. “The story is very universal,” she says. “It’s very much a model for kids to show them what high school is going to be like and how it’s possible to pursue different things and follow your dreams and get the support of friends, family and teachers.”

Keen HSM observers will notice differences between the TV and stage versions. For instance, onstage there’s a new narrator character, Jack Scott, the school announcer. There are also some new songs – “Cellular Fusion” recalls “The Telephone Hour” from Bye Bye Birdie as the students of East High blaze up their cell phones spreading rumors about Troy and Gabriella and the school talent show – and some new complexity in the relationships, most notably between brother and sister Ryan and Sharpay. Drama teacher Ms. Darbus and basketball coach Bolton also have a new level of adult interaction.

Touring to cities large and small has been a wearying but ultimately satisfying experience for Jacobs, who also paints and takes photos. When she’s done with the tour, she’s heading to Brooklyn, where she just bought an apartment. Her next goal: to star in a Broadway show, of course. But there are other things to do first.

“I’m going on an artist’s retreat,” she says. “I’m going to paint for four days during a break in the tour. I’m also hoping to write some music. I wrote a children’s book and want to get that published as well.”

As if she weren’t busy enough touring and maintaining an official backstage blog (highschoolmusicalblog.com), she also has her own Web site (www.ariellejacobs.com) and an environmental site called www.helphealtheearth.com, which opens with a photo of Jacobs literally hugging a tree.

“I like to direct a lot of the HSM fans to that site,” she says. “It’s all about helping the environment and appreciating nature. It’s really hard on the road to find people who care about recycling. I’m trying not to get depressed too much that people don’t seem to care.”

Spoken like a true Half Moon Bay kid.

High School Musical runs April 15-27 at the Orpheum Theatre, 1192 Market St., San Francisco. Tickets are $23-$85. Call 415-512-7770 or visit www.shnsf.com or www.ticketmaster.com for information.

April 3, 2008

You can’t stop the beat!


Brooklynn Pulver (above center) is Tracy Turnblad in the touring production of Hairspray. Photo by Phil Martin

Last summer, it was yet another musical breathing new life into the revival of movie musicals.

This summer, it’s an actual, three-dimensional live musical happening before your very eyes.

Hairspray, one of the happiest musicals around, is returning to the Bay Area. The show — described as “Broadway’s big fat musical comedy hit” — will play San Francisco’s Orpheum Theatre June 10 through 22.

This tour — the same one that was in Cupertino in February — is based on Jack O’Brien’s original direction and Jerry Mitchell’s original choreography, recreated, respectively, by Matt Lenz and Danny James Austin.

Sorry to report that John Travolta, Michelle Pfeiffer, Queen Latifah and Zac Efron are unavailable for the tour and will, for the moment, confine their performances to the silver screen. But wouldn’t it be fun to see if they could do it as well LIVE?

For information visit www.shnsf.com or www.hairsprayontour.com.

December 4, 2007

‘High School Musical’ coming to SF

Let the squealing begin.

Disney’s tween entertainment behemoth High School Musical has just been announced as a “special spring engagement” in SHN’s Best of Broadway season in San Francisco.

HSM, as the kids call it, has already been two phenomenally successful made-for-TV musicals on the Disney Channel, a string of best-selling soundtrack, sing-along and scream-along CDs and innumerable spin-off products from backpacks to makeup kits to kissable Zac Efron posters.

Though we’ve seen numerous community and school productions of HSM in the Bay Area, the production arrriving in April of 2008 to the Orpheum Theatre will be the first professional version of the show.

HSM on stage has a book by David Simpatico (adapted from the original movie script by Peter Barsocchini) and a score that has all the songs from the original soundtrack plus two new songs. The live orchestra and cast numbers 34.

Says Disney Theatrical Productions president Thomas Schumacher (also a San Mateo native): “Our stage version of this great property has been mounted as a direct response to overwhelming demand. As someone who has been passionate about theater since I was a kid, I am thrilled that we are touring this remarkably popular title as a fully realized stage production, and most certainly introducing countless young people to the world of theater for the very first time. You can’t ask for more than that. It’s a great joy and privilege for us to be able to produce and present the Disney Channel’s enormously popular property on stage.”

The creative team includes director Jeff Calhoun (Big River), choreographer Lisa Stevens and music supervisor Bryan Louiselle.

And no, Mr. Efron, Vanessa Hudgens nor Corbin Bleu will be in the cast.

Tickets will range from $23 to $85 and will go on sale Dec. 17. Visit www.shnsf.com for information. For tickets call 415-512-7770 or visit www.ticketmaster.com.

October 19, 2007

Ice, ice, baby

Filed under: Chucky Klapow, Disney, High School Musical, Zac Efron, backstage, theater review — Chad Jones @ 11:28 am

Admit it. You’re wondering what it was like.

Cheesy? Silly? Stultifying? Genius?

Yes, yes, not so much and no.

We’re talking, of course, about Disney’s High School Musical: The Ice Tour, which opened Thursday at the Oracle Arena in Oakland and then heads to San Jose’s HP Pavilion.

The easy answer is High School Musical, the phenomenally successful Disney Channel movie musicals, are as good on the ice as they were on the small screen. Given your age bracket, that could mean many things.

The experience of The Ice Tour is just that – it’s an experience. The on-ice choreography, the pyrotechnics, the gee-whiz positivity of the blandly perky pop score are all fine and dandy. But watching the audience – to borrow from Lily Tomlin here – is the real art.

Looking around the arena, you couldn’t help but be moved by the gazillions of kids – young, mostly girls, ages 8 to 11 I’d guess – singing along with every word, waving their red-and-white East High School pennants with the abandon of a junior pep squad. The screams were ratcheted up to Beatles ’64 intensity.

And what’s even funnier, is that a whole lot of the moms (not many dads, though there were an intrepid few) had equally big smiles on their faces and were also singing along in between bites of popcorn and nachos.

The pop-culture phenomenon of High School Musical really is something to see – and hear.

As for the show itself, directed by Broadway veteran Jeff Calhoun and choreographed by Chucky Klapow and Cindy Stuart (faithfully following the movie moves created by Klapow, director Kenny Ortega and Bonnie Story), is a fast-moving re-creation of both HSM movies. Act 1 finds Troy meeting Gabriella on New Year’s Eve, their romance and their split alliances – to the school musical, to each other and to Academic Decathlon (her) and the basketball team (him). Act 2 is a summertime fling, with the East High Wildcats working at a luxurious resort and the Paris Hilton-y Sharpay making a move for Troy.

All the songs are squeezed into the nearly two-hour show, and the momentum of the piece cannot be denied. By sheer force of cheerfulness, everyone – even the reluctant adults – has a good time.

Jordan Brauninger and Lane Walker are suitably adorable as Troy and Gabriella, though I must confess I was fonder of Sandy Rucker and Peter Bonard Muck as weirdly intimate brother-sister team Sharpay and Ryan.

The one big improvement over the movies is Troy’s big solo, “Bet On It.’’ In the movie Zac Efron bounces through the ultra-green golf links like a junior Kevin Bacon trying to cut footloose. But on the ice, Brauninger (lip-synching the movie soundtrack, as all the skaters do) gets to show his moves in a much more impressive manner.

I could live another day without hearing “You Are the Music in Me” or “Get’cha Head in the Game” again, but every time I’m exposed to HSM, I react retroactively: my 10-year-old self would have flipped for this squeaky-clean Disney phenom.

Visit the official High School Musical: The Ice Tour here.

P.S.
In the interest of full disclosure, I must tell you that I gleefully accepted Disney HSM swag including red-framed glasses that blink red lights; a souvneir program that plays “We’re All in This Together” when you open it; red-and-white pompoms; and a sign to cheer for my favorite character (no, I didn’t choose Troy or Gabriella or even Ryan — I picked the one that said CHAD in big, bold letters. All of the swag, except for the sign, has been passed on to fans under the age of 10.

June 28, 2007

`Hairspray’ clips

Filed under: Hairspray, Zac Efron, backstage, movies, musicals — Chad Jones @ 10:48 am

Excitement is mounting for the movie version of Hairspray, which opens July 20.

I know several people who have seen early screenings of the movie and they LOVE it, so push all thoughts of lousy Broadway-to-movie musicals aside (hit the skids Rent, back to the basement Phantom, off to summer stock Producers).

First up is a clip of Zac Efron as Link Larkin singing a song written for the movie, “Ladies’ Choice.”

And here’s the movie trailer:

Here’s the official “Hairspray” movie site: www.hairspraymovie.com