In this version of the story, adapted by Dan Moses and Kate Kilbane, the horrible things aren't quite as godawful as they are in Ovid (the cannibalism, for instance, is absent), but they're still pretty bad, and they (surprise surprise) fit right into our collective #MeToo moment.

There are so many great moments in The Making of a Great Moment, the new play from the scintillating San Francisco playwright Peter Sinn Nachtrieb, that it's hard to decide if the best ones are from the comic side or the more dramatic one. Certainly Nachtrieb, one of the sharpest, funniest playwrights working in this or any city, knows his way around a great line, and Great Moment, a Z Space production at Z Below, packs its 90 minutes with memorable lines and some big laughs.

The theater event that shook my year and reverberated through it constantly didn't happen on Bay Area stage. Like so many others, I was blown away by Hamilton on Broadway in May and then on repeat and shuffle with the original cast album (and, later in the year, the Hamilton Mix Tape) ever since. Shifting focus back home, theater in the San Francisco Bay Area continues to be a marvel, which is really something given the hostile economic environment arts groups are facing around here.

A very personal play, BootStrap Theater Foundation's Arctic Requiem: The Story of Luke Cole and Kivalina is both educational and emotional. You'll learn more about Native Alaskan Inupiat people than you ever knew, and you'll come to care about and feel the tragic loss of Luke Cole the San Francisco environmental lawyer whose good work in the world was ended by a tragic auto accident in Uganda in 2009.

I've never seen anything quite like Now for Now, the new theatrical work devised and performed by Mark Jackson and Megan Trout now at Z Below through July 26 (time is short – go see it). As two dynamic and acutely interesting theater people, Mark Jackson and Megan Trout make for an intriguing combination on paper and, happily, that intrigue (and a whole lot more) extends to the work they have created.

Leave it playwright Lauren Yee to bring clear definition to the sub-genre "existential slasher comedy." That's exactly what her Hookman is, a fascinating world-premiere play from Encore Theatre Company that draws laughs from teen speak and the usual first year of college tropes but blends in a rich and disturbing examination of loss, responsibility, maturity and what it is to be a young woman in the 21st century.

Is the man with the hook a real serial killer?