The delights of TheatreWorks’ time-twisting Triangle

Jul 14

The delights of TheatreWorks’ time-twisting <i>Triangle</i>

In the wake of my review of TheatreWorks' world premiere musical Triangle someone tweeted a link to the review and suggested that the show could make it to Broadway. I have some thoughts about that.

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TheatreWorks delights with devilish Angels

Jun 08

TheatreWorks delights with devilish <i>Angels</i>

Boredom, desire and champagne make for a potent cocktail in Noël Coward's 1925 comedy Fallen Angels, now receiving a lively production from TheatreWorks at the Mountain View Center for the Performing Arts.

Director Robert Kelley delivers an elegant outing for this zesty comedy that keeps its focus on two live wire ladies – Jane and Julia, best friends since grammar school.

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Blitz bombs but TheatreWorks’ Sweeney still soars

Oct 12

Blitz bombs but TheatreWorks’ <i>Sweeney</i> still soars

Tory Ross' sublime performance as Mrs. Lovett, maker of the "worst pies in London," threatens to hijack the TheatreWorks production of Sweeney Todd: The Demon Barber of Fleet Street and turn it into Nellie Lovett: People Who Eat People Are the Luckiest People.

There's no escaping the genius of Angela Lansbury's indelible performance (captured on video) in the original production of what composer Stephen Sondheim describes as a "dark operetta," but that star turn was a Victorian cartoon, a manically genial grotesque with shadings of a real flesh-and-bone woman under all the goofiness.

But Ross is a whole lot less cartoon and a whole lot more human being.

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Grief, puppets collide in TheatreWorks’ great Pretender

Jul 13

Grief, puppets collide in TheatreWorks’ great <i>Pretender</i>

You don't often think of puppets and drama together, but playwright David West Read makes a strong case for the combination in the world premiere of his The Great Pretender, the first show of TheatreWorks' 45th season.

Original, funny and genuinely moving, Pretender is set in a very specific world – a "Captain Kangaroo"-like children's television program with a mild-mannered host interacting with spunky puppets – and discovers universal strains of grief, comfort and emotional evolution.

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Sondheim marries love & lyrics in melodic TheatreWorks revue

Jun 09

Sondheim marries love & lyrics in melodic TheatreWorks revue

Even Stephen Sondheim's cast-offs are sturdy enough to carry a show on their own. At least that's the case with Marry Me a Little, a 1980 revue created by Craig Lucas and Norman René. The show collects odds and ends from Sondheim's career, including songs cut from some of his big shows (Follies seems to have lost an extraordinary number of good songs), written for one-off projects or salvaged from flops.

The resulting show, using only songs and no dialogue, tells the story of two lonely neighbors on a Saturday night. The original location was New York, but the new TheatreWorks production directed by Sondheim-o-phile Robert Kelley moves the action to San Francisco and takes every opportunity to have its attractive actors shed clothing. In other words, it's aiming to be young, hip and sexy, and by and large, that tact succeeds.

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Bouncy Island breezes blow at TheatreWorks

Mar 12

Bouncy <i>Island</i> breezes blow at TheatreWorks

Last Saturday I reviewed the TheatreWorks production of Once on This Island, the charming musical fairy tale by the Ragtime/Rocky team of Lynn Ahrens and Stephen Flaherty. My review ran in the San Francisco Chronicle, and you can read it here.

Director Robert Kelley's production captures much of the show's charm and energy, and the cast is delightful. But I've been thinking about...

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