Complex, human look at gun violence in Berkeley Rep Hours

Mar 02

Complex, human look at gun violence in Berkeley Rep <i>Hours</i>

Julia Cho is exactly the kind of playwright I crave. She's thoughtful, adventurous and fanciful in a way that relates directly to reality (she's not a fantasist – her flights mean something in the day to day). She cares about people and their messes, both internal and external. Her Aubergine at Berkeley Repertory Theatre was a revelation (read my review here) and has become one of my favorite plays in recent memory. Her play Office Hour, now at Berkeley Rep's Peet's Theatre, is a thorny piece of work.

Read More

Riveting drama in Morisseau’s Skeleton Crew

Feb 01

Riveting drama in Morisseau’s <i>Skeleton Crew</i>

What an incredible talent to balance the dark weight of tragedy and the electrifying light of hope. That's what playwright Dominique Morisseau does in Skeleton Crew, a powerful play now at Marin Theatre Company (in a co-production with TheatreWorks Silicon Valley).

Read More

Party on, Pinter! ACT throws a Birthday bash

Jan 30

Party on, Pinter! ACT throws a <i>Birthday</i> bash

There's a lot to love about American Conservatory Theater's The Birthday Party, a funny, slightly freaky Harold Pinter. The cast is uniformly strong, director Carey Perloff (essaying her last directorial effort as ACT's artistic director) deftly balances the unease and the humor. But for me, the joy, the electrical charge, the bright light of the production is ...

Read More

Love doth evade Marin’s Shakespeare in Love

Dec 02

Love doth evade Marin’s <i>Shakespeare in Love</i>

The Bay Area finally gets to see Shakespeare in Love on stage thanks to Marin Theatre Company, and while the cast boats some of the Bay Area's best actors – Stacy Ross, Lance Gardner, Megan Trout, Mark Anderson Phillips, L. Peter Callender – the production flails under the direction of Jasson Minadakis.

Read More

Shotgun’s Black Rider dances with the devil

Nov 26

Shotgun’s <i>Black Rider</i> dances with the devil

Thirteen years ago – such an appropriate number of years – American Conservatory Theater made some sort of deal with the devil to get The Black Rider onto the stage of the Geary Theater. Now Berkeley's Shotgun Players revive this decidedly adult fairy tale under the guidance of director Mark Jackson, and the results are heartily satisfying.

Read More

Disney’s Aladdin flies high at the Orpheum

Nov 06

Disney’s <i>Aladdin</i> flies high at the Orpheum

There is no question in my mind, that of all Disney's animated film to Broadway adaptations, Aladdin is the most thoroughly successful. For The Lion King stage adaptation, Julie Taymor offered eye-popping spectacle and stagecraft in service to a flimsy story and even flimsier characters. Beauty and the Beast, Disney’s first Broadway venture, was fun and dazzling but only a ride vehicle away from being a theme park attraction. The less said about the misguided Tarzan and missed opportunities of The Little Mermaid the better.

Read More