Of mice and music: Berkeley Rep’s Despereaux charms

Nov 26

Of mice and music: Berkeley Rep’s <i>Despereaux</i> charms

There are so many charming, astonishing, inspiring moments in PigPen Theatre Co.'s The Tale of Despereaux you have to stop logging them and simply realize that, from beginning to end, this is exactly the show we need this holiday season.

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Cricket tests history in ACT’s feisty Testmatch

Nov 08

Cricket tests history in ACT’s feisty <i>Testmatch</i>

You could say that Kate Attwell's Testmatch, the world premiere play at American Conservatory Theater's Strand Theater, is about cricket. You could also say it's about untangling the gnarly knots of history. But the impact, especially in the savvy way Attwell has constructed the play, comes from its emphasis on the deep interconnection of everything to everything.

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For the love of STOMP

Nov 07

For the love of <i>STOMP</i>

After a seven-year absence, STOMP has returned to San Francisco, but only for five days at American Conservatory Theater's Geary Theater. This touring production is top notch, and the two new routines – one involving rolling suitcases, the other involving a musician playing avortex of objects in motion – are thrilling.

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White Noise shocks, ultimately disappoints at Berkeley Rep

Oct 04

<i>White Noise</i> shocks, ultimately disappoints at Berkeley Rep

Suzan-Lori Parks' White Noise is an intensely interesting play. Just not a very good one.

And that's surprising given that Parks, a Pulitzer Prize-winner, has bent, molded and shaped contemporary theater to her will through sheer force of intelligence, powerful writing and the courage to configure theater as she needs it to be configured.

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Churchill is tops in ACT’s Top Girls

Sep 26

Churchill is tops in ACT’s <i>Top Girls</i>

The mind of Caryl Churchill is an extraordinary place to spend an evening. Happily, this theater season, the Bay Area will see an abundance of Churchill, beginning with American Conservatory Theater's season-opening Top Girls from 1982.

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Berkeley Rep’s Great Wave crashes

Sep 20

Berkeley Rep’s <i>Great Wave</i> crashes

Director Mark Wing-Davey layers an intricate sound design (by Bray Poor and even more intricate projection design (by Tara Knight) onto the play in a way that makes it seem he doesn't fully trust Turnly or the actors enough to convey the emotional weight of the show. And he may be right.

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