Shavian wit still dwells in Aurora’s Houses

Feb 04

Shavian wit still dwells in Aurora’s <i>Houses</i>

George Bernard Shaw's Widowers' Houses last played Berkeley's Aurora Theatre Company more than 20 years ago, and though the theater company has come up on the world (bigger, spiffier theater), the satirical world of Shaw's play still reflects badly on our own lack of evolution where greed, poverty and decency are concerned.

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Party on, Pinter! ACT throws a Birthday bash

Jan 30

Party on, Pinter! ACT throws a <i>Birthday</i> bash

There's a lot to love about American Conservatory Theater's The Birthday Party, a funny, slightly freaky Harold Pinter. The cast is uniformly strong, director Carey Perloff (essaying her last directorial effort as ACT's artistic director) deftly balances the unease and the humor. But for me, the joy, the electrical charge, the bright light of the production is ...

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Watch on the Rhine at Berkeley Rep

Dec 08

<i>Watch on the Rhine</i> at Berkeley Rep

The thing I can't stand about 24-hour cable news networks is that it's 5% news and 95% talking heads spouting opinions and fighting over those opinions.

The thing I loved about Lillian Hellman's Watch on the Rhine (a co-production from Berkeley Repertory Theatre and the Guthrie Theatre) is that the author stakes a claim for action. After a certain point, opinions matter a whole lot less than what you choose to do about whatever opinion you hold.

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Love doth evade Marin’s Shakespeare in Love

Dec 02

Love doth evade Marin’s <i>Shakespeare in Love</i>

The Bay Area finally gets to see Shakespeare in Love on stage thanks to Marin Theatre Company, and while the cast boats some of the Bay Area's best actors – Stacy Ross, Lance Gardner, Megan Trout, Mark Anderson Phillips, L. Peter Callender – the production flails under the direction of Jasson Minadakis.

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Galaxy of emotions surround Bright Star at the Curran

Dec 01

Galaxy of emotions surround <i>Bright Star</i> at the Curran

Steve Martin and Edie Brickell's Bright Star is a beautiful musical, especially if you have a penchant for bluegrass music and florid stories with twists, turns and not-so-surprising surprises.

It feels like a quintessentially American musical in several ways, the first being that glorious, banjo-heavy bluegrass, which brings to life a story that stretches from the 1920s to the 1940s in North Carolina.

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Shotgun’s Black Rider dances with the devil

Nov 26

Shotgun’s <i>Black Rider</i> dances with the devil

Thirteen years ago – such an appropriate number of years – American Conservatory Theater made some sort of deal with the devil to get The Black Rider onto the stage of the Geary Theater. Now Berkeley's Shotgun Players revive this decidedly adult fairy tale under the guidance of director Mark Jackson, and the results are heartily satisfying.

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