Hamilton continues to dazzle in new #AndPeggy tour

Feb 22

<i>Hamilton</i> continues to dazzle in new #AndPeggy tour

If anything, the current company – known as the #AndPeggy company – of Hamilton now at the SHN Orpheum Theatre through Sept. 8, is even better than the one we saw at the same theater in 2017. Maybe it's because this company got to perform for three weeks in Puerto Rico with the show's creator, Lin-Manuel Miranda, reprising the lead role. Or maybe the Hamilton machine, with productions in New York, Chicago and London and with tours here, Tampa and Cincinnati, has just become so incredibly efficient that it has collected all the best performers in all the land(s).

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Well, well helloooo, Dolly!

Feb 21

Well, well helloooo, <i>Dolly</i>!

The Broadway revival of Hello, Dolly! has spawned a national tour with the marvelous Betty Buckley as Dolly, and while the erstwhile star of Cats, The Mystery of Edwin Drood and Sunset Boulevard may not be the first person you think of when you think of musical comedy, she attacks the material as a serious actor and delivers a deeply felt performance full of life and love.

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Just add water: Metamorphoses returns to Berkeley Rep

Feb 01

Just add water: <i>Metamorphoses</i> returns to Berkeley Rep

Nearly 20 years later, Metamorphoses returns to Berkeley Rep, this time to the Peet's Theatre. The show remains stunning – still gorgeous, still moving, still an example of theater at its sumptuous best. There are moments that are stunning, thrilling, funny and breathtaking. After Berkeley Rep, the show ended up on Broadway, where Zimmerman won a Tony.

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ACT’s deep dive into Albee’s Seascape

Jan 31

ACT’s deep dive into Albee’s <i>Seascape</i>

As directing debuts go, Pam MacKinnon's for American Conservatory Theater is pretty auspicious. Her production of Seascape by Edward Albee is her first on the Geary Theater stage since taking over as artistic director last year. A Tony Award-winner (for Albee's 2012 revival of Who's Afraid of Virginia Woolf?) who has worked on other Bay Area stages (Berkeley Rep, Magic), MacKinnon seems to have landed quite comfortably in the world of institutional regional theater.

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Candlestick resurrected in new Campo Santo drama

Jan 26

<i>Candlestick</i> resurrected in new Campo Santo drama

It was with trepidation that I went to opening night of the world premiere drama Candlestick by Bennett Fisher and produced by Campo Santo, long one of the Bay Area's best incubators of new plays.

The premise is that a group of Bayview friends spend eight home games tailgating in the parking lot of Candlestick Park in its final season as home to the 49ers and its final days as a standing stadium.

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Aside from dancing, Berkeley Rep Square is far from paradise

Jan 11

Aside from dancing, Berkeley Rep <i> Square</i> is far from paradise

There are actually two competing musicals in Paradise Square: A New Musical now having its world premiere at Berkeley Repertory Theatre. One of them is much better than the other.

Incredibly ambitious and overstuffed, Paradise Square wants to create excitement about a particular moment in American history with a wonderfully diverse cast and a score that blends show music, traditional music and contemporary sounds (sound familiar? can't blame producers for not wanting to throw away their shot). But this show, many years in the making, is still fuzzy, unfocused and only intermittently interesting.

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