Ideation redux: still smart, thrilling, funny

Sep 28

<i>Ideation</i> redux: still smart, thrilling, funny

Bay Area playwright Aaron Loeb's award-winning play Ideation returns to San Francisco Playhouse, this time on the main stage. The play features the cast and director from its SF Playhouse Sandbox premiere last year, and some changes have been made to the play, but the results are as they should be. Ideation is the must-see play of the fall.

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Pippin in the center ring: razzle-dazzling!

Sep 25

<i>Pippin</i> in the center ring: razzle-dazzling!

Now this is how you revive a musical.Sure, you could set Les Misérables or Sunday in the Park with George in a circus with results that would likely be as baffling as they are entertaining. But when Diane Paulus was inspired to set her revival of Pippin under the big top, she was going for something more than a bright and shiny gimmick. Working with "circus creator" Gypsy Snier of the acclaimed Montréal-based theatrical circus company 7 doigts de la main, Paulus crafted a physical production that mirrored the emotional journey of the show's central character.

It's a brilliant concept and one that reenergizes the 1972 show and features its score by Stephen Schwartz and book by Roger O. Hirson off to their greatest advantage. Pippin still feels a little like a hippy '70s musical (a good thing in my book), but this production finds something even more universal...

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I do? Crowded Fire finds fractured bliss in Late Wedding

Sep 23

I do? Crowded Fire finds fractured bliss in <i>Late Wedding</i>

San Francisco playwright Christopher Chen doesn't mind narrating his audience members' experience of his play while they're watching his play. That's part of the fun. It's also a tip of the fabulist's hat to Italian novelist Italo Calvino the inspiration for Chen's experiment with theatrical form and function in the world premiere of his The Late Wedding.

We've been here before, more or less. Chen is once again working with Crowded Fire Theater, the company behind his award-winning 2012 hit The Hundred Flowers Project (read my review here). Crowded Fire Artistic Director Marissa Wolf is at the helm of this intentionally bumpy ride...

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Irwin and Shiner: Old Hats are the best hats

Sep 18

Irwin and Shiner: <i>Old Hats</i> are the best hats

I will be the first to admit that clowns have never been a favorite of mine. Not circus clowns, not hobo clowns, not mimes, not even a lot of commedia dell'arte rigamarole. Occasionally, however, I get it – I get the comedy, I get the poignancy, I get the masterful balance of comedy and tragedy in the pursuit of laughs. And by far my favorite clowns – the ones who do it better than just about anybody – are Bill Irwin and David Shiner.

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Berkeley Rep’s Meow Meow: It’s all feline and dandy

Sep 13

Berkeley Rep’s <i>Meow Meow</i>: It’s all feline and dandy

You get the impression, watching An Audience with Meow Meow that the star, a self-styled international singing sensation, and director Emma Rice would like nothing better than to destroy the theater and finish the show from the rubble. While audience members wipe blood from their faces and grapple with their broken bones, Meow Meow will persist in singing, making jokes and lamenting the state of the world. Stripped of all theatrical artifice, artist and audience will become one, and art will have saved the world.

That doesn't happen – well, not exactly. But Meow Meow and Rice do what they can to deconstruct a nightclub act and turn it into a substantial piece of theater.

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Battle cocks ruffle feathers in Impact’s rowdy Rooster

Sep 12

Battle cocks ruffle feathers in Impact’s rowdy <i>Rooster</i>

For Gil Pepper, the world as he sees it is a "big fuck-you machine." He lives with his aging mother in a crumbling Oklahoma house his late father built. He has a go-nowhere job as a McDonald's cashier, where his name tag is misspelled "Girl." And though his prospects are bleak, there is a sliver of light: cock fighting.

This ancient sport, Gil tells us, goes all the way back to the Greeks, so there's nobility in allowing feathered beasts to do horrible things to each other in the ring. Gil wants to be a winner at something in life, and this just might be his ticket.

What's so interesting about Eric Dufault's Year of the Rooster, the season opener from Berkeley's Impact Theatre.

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