Freaks, ogres and lowered expectations
Dec 02
I wanted to love Shrek The Musical because it’s an unlikely underdog. I didn't love it.
Here you have a big Hollywood studio, DreamWorks, with a hit movie franchise (that, by the way, they pretty much ran into the ground) making its first foray onto Broadway – hoping for the success Disney had with The Lion King and Mary Poppins or that Universal had with Wicked.
So DreamWorks did what any big Hollywood studio would do in this situation: they threw money at some of the most talented people on Broadway and said, “Make us a hit.” One of the first people at whom they hurled money was Academy Award-winning director Sam Mendes (American Beauty), who then hurled money at Pulitzer Prize-winning playwright David Lindsay-Abaire (Rabbit Hole).
At this point, Shrek appears to be the opposite of an underdog: a highly capitalized movie studio willing to spend whatever it takes to play with the lions and the witches on Broadway.
But money and talent don’t always add up to success. Shrek The Musical began previews at The Broadway Theatre in November of 2008 and closed a little more than a year later.
The Shrek now on display at the Orpehum Theatre as part of the SHN/Best of Broadway series is an underdog because, aside from the (very happy) kids in the audience, no one expects much from this show. And with those lowered expectations, Shrek is enjoyable.
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