Imaginary discomfort rules at Berkeley Rep

Oct 13

<i>Imaginary</i> discomfort rules at Berkeley Rep

The first time I head the title for the new play by Daniel Handler, the San Francisco writer behind the popular Lemony Snicket books, I was confused. Imaginary Comforts, or The Story of the Ghost of the Dead Rabbit is the title, and it wasn't the Snickety-y subtitle that perplexed me. It was the notion that comfort could be imaginary. Isn't comfort comforting no matter where it comes from? You can receive comfort from an external source (a parent, a pet, a narcotic) or you can just imagine comfort (memory, dream, hallucination), but as long as you are comforted, job done...at least for a little while, right?

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Berkeley Rep’s warning: it can so happen here

Oct 01

Berkeley Rep’s warning: it can <i>so</i> happen here

Berkeley Repertory Theatre’s It Can’t Happen Here is a nightmare on so many levels, and that’s mostly a good thing in the world-premiere adaptation of Sinclair Lewis’ 1935 novel.

This is the right story at the right time, and therein lies the dark heart of this nightmare.

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Fractured tales confound in ACT’s Love and Information

Jun 18

Fractured tales confound in ACT’s <i>Love and Information</i>

Confounding and captivating in equal measure, American Conservatory Theater's debut production in the newly renovated Strand Theater certainly lives up to its title. Caryl Churchill's Love and Information sounds like a generic title for just about anything in our short-attention-span world, on or off line, and that seems to be part of the point.

More like a curated collection of scenes and short films than an actual play...

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Cal Shakes sculpts a vital, vivacious Pygmalion

Aug 06

Cal Shakes sculpts a vital, vivacious <i>Pygmalion</i>

When real life comes in and smacks Prof. Henry Higgins across the face, it's a wonderful thing to see this brilliant yet stunted man consider, perhaps for the first time in his life, that kindness may have worth akin to genius.

The force representing the real world – a world of messiness and emotion and connection – takes the form of Eliza Doolittle, an extraordinary young woman who is the intellectual if not social equal of Higgins and his superior when it comes to living life as most of humanity experiences it.

One of the great things about the California Shakespeare Theater production of George Bernard Shaw's Pygmalion is how balanced it is.

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In praise of Anthony and Sharon and Lorri and Spike

Sep 26

In praise of Anthony and Sharon and Lorri and <i>Spike</i>

If you spend any time at all going to theater in the San Francisco Bay Area, you soon see that we have some extraordinary homegrown talent populating our local stages. That's not empty boosterism – rah, Bay Area! – but something nearing actual fact – rah, working Bay Area actors in it for the long haul! In just the last month or so, Marin Theatre Company, TheatreWorks, Aurora Theatre Company, American Conservatory Theater and Magic Theatre have opened their seasons with at least one dazzling, shake-your-head-in-wonder performance by a Bay Area actor.

Now Berkeley Repertory Theatre gives a triple scoop of local actor goodness in Vanya and Sonia and Masha and Spike, the local premiere of Christopher Durang's Tony Award-winning comedy.

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A Night to remember as Cal Shakes opens season

Jun 02

A <i>Night</i> to remember as Cal Shakes opens season

Spring and early summer 2013 may well be remembered as the Great Montoya Surge.

In April, Richard Montoya – one third of the legendary San Francisco-born comedy trio Culture Clash – premiered a play with Campo Santo called The River (read the review here), and it was funny and brash and heartfelt and messy and pretty wonderful. It had to do with, among other things, death and immigration, and it made you crave more Montoya work.

We didn't have to wait long. Montoya's American Night: The Ballad of Juan José opened the California Shakespeare Theater season Saturday on a night so warm and beautiful under the stars in Orinda you wonder why every play can't be done outdoors (how quickly we forget those freezing cold, windy, foggy nights when nary a star is visible).

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