Cal Shakes musters a forceful Glass Menagerie

Jul 09

Cal Shakes musters a forceful <i>Glass Menagerie</i>

Except for large proscenium frame, the stage of California Shakespeare Theater's Bruns Amphitheater is mostly bare. There's no back wall to the stage, so the light from the setting sun on the Orinda hills is spectacular. It will be dark soon – in more ways than one.

On a gorgeous Saturday night, complete with a warm breeze and, eventually, a full moon, Cal Shakes opened The Glass Menagerie, marking the Bruns debut of Tennessee Williams.

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Campo goes seriously sci-fi with Hookers on Mars

Jul 02

Campo goes seriously sci-fi with <i>Hookers on Mars</i>

What's the last great work of dramatic science fiction you saw on a stage? Maybe you'll have to get back to me on that one. Sci-fi, while stellar (in every sense) in comics, games, books, big screens and small screens, has not generally been a successful theatrical genre. Shakespeare, Eugene O'Neill, Arthur Miller and Tennessee Williams all neglected to set any of their dramas in space, which does seem a shame.

For whatever reason – maybe it's just too much a suspension of disbelief to be in the same roof with actors pretending to be in space, in the future, etc. without feeling a kitschy '70s flashback – sci-fi will likely remain successful outside the theater. But then again there's H.O.M.E. (Hookers on Mars Eventually), a world-premiere play by Star Finch now receiving its world premiere from Campo Santo.

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Uneven tone tilts ACT’s Monstress double bill

Oct 03

Uneven tone tilts ACT’s <i>Monstress</i> double bill

Two of the Bay Area's most interesting theater artists, Philip Kan Gotanda and Sean San José, were asked to adapt a short story from Lysley Tenorio's 2012 collection Monstress for American Conservatory Theater's Strand Theater as part of the company's San Francisco Stories initiative and the New Strands play development and commissioning program.

The results make up the double bill Monstress now at the Strand, and while both plays...

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Cal Shakes dreams a Dream under the stars

Jul 12

Cal Shakes dreams a <i>Dream</i> under the stars

There's so much talk about nature and stars in Life Is a Dream that it seems perfectly natural to be sitting outside on a temperate summer night watching Pedro Calderón de la Barca's 1635 play about thwarting destiny and connecting to the deepest truths of human existence.

California Shakespeare Theater's production of Dream, a beautiful if thorny play, offers the chance to see a work that is all too rarely performed.

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Magic’s Five Minutes misses the mark

Apr 06

Magic’s <i>Five Minutes</i> misses the mark

I loved Linda McLean's Any Given Day so much that I proclaimed it my favorite show of 2012 (read my review here). And that makes it all the harder to convey just how much I disliked her world premiere Every Five Minutes at the Magic Theatre.

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Sam Shepard feels a Holy song coming on

Jan 12

Sam Shepard feels a <i>Holy</i> song coming on

The new year begins with an intriguing, nearly under-the-radar collaboration. American Conservatory Theater and Campo Santo have jumped into the ring formed by Magic Theatre and dubbed Sheparding America, a far-ranging celebration of Sam Shepard that promises to flare for years to come.

Co-directed by Campo Santo's Sean San José and ACT's Mark Rucker and performed in the near-round at ACT's Costume Shop, Holy Crime: Rock 'n' Roll Sam Shepard is an amalgam of Shepard texts with an infusion of live music. The prologue and epilogue come from 1969's Holy Ghostly and the big chunk in the middle comes from 1972 Tooth of Crime (which Shepard revised in 1997).

The best part of the 85-minute show is...

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