Waving through Evan Hansen’s remarkable window

Dec 07

Waving through <i>Evan Hansen’s</i> remarkable window

It's absolutely astonishing that a musical about pain, that is in itself a painful experience, can be so enjoyable. But that's what Dear Evan Hansen is: a deeply felt show that wrings tears but is so artfully crafted that is pain is also a pleasure.

This is also a show that managed, in the shadow of Hamilton a season before it, to become its own kind of phenomenon. Much of the credit went to original star Ben Platt, who originated the role of the title character, a high school senior whose discomfort in his own skin much less the world around him is palpable.

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If/Then? No/Thanks.

Nov 13

<i>If/Then</i>? No/Thanks.

If/Then is not a musical I like much. I saw it on Broadway because I was enthusiastic about creators Tom Kitt and Brian Yorkey after their powerhouse effort on Next to Normal (a show that I had problems with but admired). My reaction – meh – was very much the same when I saw the show in its touring incarnation featuring much of the original cast, including star Idina Menzel.

There are some pretty melodies, good songs and affecting moments in the show, primarily courtesy of an excellent cast working hard to make something of this rather mushy tale.

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Ripley, believe it or not, still rocks Normal

Jan 28

Ripley, believe it or not, still rocks <i>Normal</i>

When I saw Next to Normal on Broadway, I was of two minds. For much of the first act, I glowered in my seat, overwhelmed by the Tom Kitt/Brian Yorkey score – too many lyrics, loud music of the pop-rock-showtune mega-mix variety and super-slick storytelling and direction by Michael Greif.

But somewhere in Act 2, I got completely caught up in the story of Diana, a bipolar woman whose illness has dominated and in some ways warped her husband, Dan, and their 16-year-old daughter, Natalie. From the song “Maybe (Next to Normal),” a duet for mother and daughter, to the end of the show, I was in tears.

It was the story more than the staging that got to me, and it wasn’t so much the music but the characters and the choices they make that was ultimately so moving.

So I left with the question: why does this show have to be a musical? The Pulitzer committee didn’t seem to mind when they handed out awards.

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