Wilson’s Fences hits hard at Marin Theatre Co.

Apr 16

Wilson’s <i>Fences</i> hits hard at Marin Theatre Co.

I've always been moved by August Wilson's Fences, the 1950s installment of his extraordinary Century Cycle of plays depicting African-American life in the 20th century. But the current production of the play at Marin Theatre Company under the direction of Derrick Sanders made me feel the play in a whole new way.

This has largely to do with Carly Lumbly's wrenching central performance as Troy Maxson.

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Fifty shades of Wonder in Marin Theatre Co.’s Lasso

Feb 26

Fifty shades of Wonder in Marin Theatre Co.’s <i>Lasso</i>

You're bound to like Carson Kreitzer's Lasso of Truth if you like Wonder Woman...and a heaping helping of S&M on the side.

If you didn't know the two were related, first of all, think about it for a minute (the golden lasso, the bustier, the metal bracelets, etc.), and second of all, has Kreitzer got an origin story for you. Commissioned by Marin Theatre Company, the play is part of the National New Play Network, which means this is what they call a "rolling world premiere." The show begins in Mill Valley then heads to Atlanta and Kansas City.

So where did Wonder Woman come from (and we're not talking about Paradise Island, home of the Amazons)? For many of us, she sprung fully formed in the 1970s looking like Lynda Carter in a patriotic bathings suit and gold accessories. That famous TV show is actually a jumping-off point for Kreitzer's play.

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2013: The year’s best Bay Area theater

Dec 23

2013: The year’s best Bay Area theater

If you’re looking for the year’s best, you can shorten your search by heading directly to Word for Word, that ever-amazing group that turns short works of fiction into some of the most captivating theater we see around here. This year, we were graced with two outstanding Word for Word productions. You Know When the Men Are Gone – Word for...

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Marin Theatre Co. gets its yawp on with I and You

Oct 16

Marin Theatre Co. gets its yawp on with <i>I and You</i>

Call it the Great Gunder-splosion of 2013. And 2014. San Francisco playwright Lauren Gunderson has taken over the local theater scene with more productions than you can shake a dramaturg at. Only last week she opened The Taming with Crowded Fire Theatre Company (see my review here), and here she here is, barely a week later, with another world premiere, I and You with Marin Theatre Company (like The Taming, I and You is part of the National New Play Network and will receive several more productions as part of what they call a "rolling world premiere").

Here's what these two plays have in common:

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Good People is good theater at Marin Theatre Co.

Aug 28

<i>Good People</i> is good theater at Marin Theatre Co.

There's something to be said for a play that is simply good. Not earth shattering or even profound. It may not take the form of drama in new and exciting directions or reinvent the notion of entertainment, but a good play does indeed entertain.

David Lindsay-Abaire is a smart, funny, compassionate writer who makes good plays (and happens to have a Pulitzer Prize on his shelf for the play Rabbit Hole). They have depth and feeling and almost always a good laugh or two (or three). His most recent arrival in the Bay Area is Good People, a slice-of-life comedy/drama receiving its local premiere as the season-opener for Marin Theatre Company.

And here's what's really interesting: not only is the play about something – choices, luck and the American class system – but also manages to be heartfelt, thoroughly entertaining and, at times, even a little unsettling.

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Marin offers a real beauty of a Queen

May 29

Marin offers a real beauty of a <i>Queen</i>

Watching Joy Carlin work her magic Mag Folan in Martin McDonagh's The Beauty Queen of Leenane is the epitome of theatrical delight. Here you have one of the great Bay Area actors offering a sly, darkly humorous, even compassionate portrayal of a woman who could easily be described as a nightmare. Carlin, like the character she's playing, appears to be a lovely older woman. But perhaps unlike Carlin, Mag is something of a sociopath. And that's a trait she's passed along to the youngest of her three daughters, Maureen, played with sinewy gusto by Beth Wilmurt.

That mother-daughter relationship is the crux of Beauty Queen, and the source of its humor, its drama and its horror. Director Mark Jackson's production for Marin Theatre Company etches that relationship with realism and a savory dash of melodrama.

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