A Whale of a (heartbreaking) tale in Marin

Oct 08

A <i>Whale</i> of a (heartbreaking) tale in Marin

Samuel D. Hunter's The Whale, now at Marin Theatre Company is a difficult play to watch. That description might not make you want to run out and buy a ticket, but hold on. Difficult doesn't preclude greatness.

At first glance, the play, winner of MTC's 2011 Sky Cooper New American Play Prize, involves a guy in a fat suit. Granted, it's a really good fat suit (Christine Crook is the costume designer), but faking a 600-pound guy and watching an actual 600-pound guy are very different experiences. But here's the thing: what actor Nicholas Pelczar brings to that suit is extraordinary.

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When Muhammad Ali met Stepin Fetchit

Aug 22

When Muhammad Ali met Stepin Fetchit

Playwright (and former San Franciscan) Will Power knows a potent match-up when he sees it. In this corner we have young, preening world heavyweight champion Muhammad Ali who, in the last year of his life, has shed his former identity as Cassisus Clay to become a member of the Nation of Islam with a new name and a new wife. And in this corner we have actor Lincoln Perry, better known as his show business alter ego, Stepin Fetchit, a lazy comic character that became a polarizing force in the realm of African-American stereotypes.

This pairing seems to good to be true, the invention of a clever dramatist, but no. It's true.

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MTC’s Failure blends death, music and whimsy

Jun 11

MTC’s <i>Failure</i> blends death, music and whimsy

Philip Dawkins writes about the inevitable ending of all our stories in Failure: A Love Story, but his version of death is pretty darn upbeat. His beguiling play, now having its West Coast premiere at Marin Theatre Company

, is technically a "play with music," but there's a LOT of music, and it's charmingly played and sung by the five-person cast. I reviewed the play for the San Francisco Chronicle:

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Wilson’s Fences hits hard at Marin Theatre Co.

Apr 16

Wilson’s <i>Fences</i> hits hard at Marin Theatre Co.

I've always been moved by August Wilson's Fences, the 1950s installment of his extraordinary Century Cycle of plays depicting African-American life in the 20th century. But the current production of the play at Marin Theatre Company under the direction of Derrick Sanders made me feel the play in a whole new way.

This has largely to do with Carly Lumbly's wrenching central performance as Troy Maxson.

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Fifty shades of Wonder in Marin Theatre Co.’s Lasso

Feb 26

Fifty shades of Wonder in Marin Theatre Co.’s <i>Lasso</i>

You're bound to like Carson Kreitzer's Lasso of Truth if you like Wonder Woman...and a heaping helping of S&M on the side.

If you didn't know the two were related, first of all, think about it for a minute (the golden lasso, the bustier, the metal bracelets, etc.), and second of all, has Kreitzer got an origin story for you. Commissioned by Marin Theatre Company, the play is part of the National New Play Network, which means this is what they call a "rolling world premiere." The show begins in Mill Valley then heads to Atlanta and Kansas City.

So where did Wonder Woman come from (and we're not talking about Paradise Island, home of the Amazons)? For many of us, she sprung fully formed in the 1970s looking like Lynda Carter in a patriotic bathings suit and gold accessories. That famous TV show is actually a jumping-off point for Kreitzer's play.

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2013: The year’s best Bay Area theater

Dec 23

2013: The year’s best Bay Area theater

If you’re looking for the year’s best, you can shorten your search by heading directly to Word for Word, that ever-amazing group that turns short works of fiction into some of the most captivating theater we see around here. This year, we were graced with two outstanding Word for Word productions. You Know When the Men Are Gone – Word for...

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