Jonesing for cosmic connection in ACT’s Joneses

Mar 17

Jonesing for cosmic connection in ACT’s <i>Joneses</i>

The topic is: things that have happened. That broad, yet somehow quite specific, statement comes from a character in Will Eno's The Realistic Joneses now on stage at American Conservatory Theater's Geary Theater. Another broad yet specific topic might be: lives that are lived.

Eno is one of those playwrights whose gift seems to be making raising the bizarre, often absurd experience of human existence to the level of cosmic grace and beauty.

Read More

Cal Shakes dreams a Dream under the stars

Jul 12

Cal Shakes dreams a <i>Dream</i> under the stars

There's so much talk about nature and stars in Life Is a Dream that it seems perfectly natural to be sitting outside on a temperate summer night watching Pedro Calderón de la Barca's 1635 play about thwarting destiny and connecting to the deepest truths of human existence.

California Shakespeare Theater's production of Dream, a beautiful if thorny play, offers the chance to see a work that is all too rarely performed.

Read More

Slow, thoughtful Silence at the Magic

Nov 05

Slow, thoughtful <i>Silence</i> at the Magic

In Naomi Wallace's And I and Silence now at the Magic Theatre we meet two interesting women, Dee and Jamie, who became friends while in prison. Both are in for nine-year stints, and as their bond intensifies, they begin to train one another for a life after prison – a life that will include the two of them together. As lovers? As friends? Not quite clear. But given that Jamie is black and Dee is white and their release will occur in the late '50s, there are all kinds of complications to contemplate.

Rather strangely, the flashback scenes to the prison feel...

Read More

Magic’s Five Minutes misses the mark

Apr 06

Magic’s <i>Five Minutes</i> misses the mark

I loved Linda McLean's Any Given Day so much that I proclaimed it my favorite show of 2012 (read my review here). And that makes it all the harder to convey just how much I disliked her world premiere Every Five Minutes at the Magic Theatre.

Read More

Wonky tone buries Magic’s Buried Child

Sep 18

Wonky tone buries Magic’s <i>Buried Child</i>

By all rights, the Magic Theatre's season-opening production of Buried Child by Sam Shepard, the man who helped build the Magic's national reputation during his 12-year stay from the mid-'70s into the early '80s, should be a triumph. Continuing the five-year Sheparding America celebration of the writer's work, the production should be a potent reminder of just how electrifying, unsettling and beautiful Shepard's writing can be.

This is not that production.

Read More

Magic’s Se Llama Cristina or What’s in a name?

Jan 31

Magic’s <i>Se Llama Cristina</i> or What’s in a name?

There are moments when Octavio Solis' darkly poetic writing leaves me breathless. Take this passage from his world-premiere play Se Llama Cristina as two lovers are driving down a lonely highway. The driver looks at his sleeping passenger and says: "And your head is leanin' against the window and the passing cars light up your face like a Hollywood starlet. Famous, then not. Famous, then not."

Truth be told, there are also moments when Solis' writing leaves me befuddled, and that happens, too, in Se Llama Cristina. But confusion and mystery is part of the foundation – albeit rocky a rocky one – on which this intriguing drama is built.

Read More