Glorious Weightless soars back to SF

May 03

Glorious <i>Weightless</i> soars back to SF

Last year I fell in love with Weightless, the rock musical by The Kilbanes, when it had a triumphant world premiere at Z Space. The show had muscle and heart and passion and staggering beauty. The experience of watching the show was so thrilling it felt like something important was beginning – a new hit musical on its way along the lines of Hadestown or Once but on a slightly different scale, one that finds an intriguing balance between rock concert and rock musical.

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ACT’s deep dive into Albee’s Seascape

Jan 31

ACT’s deep dive into Albee’s <i>Seascape</i>

As directing debuts go, Pam MacKinnon's for American Conservatory Theater is pretty auspicious. Her production of Seascape by Edward Albee is her first on the Geary Theater stage since taking over as artistic director last year. A Tony Award-winner (for Albee's 2012 revival of Who's Afraid of Virginia Woolf?) who has worked on other Bay Area stages (Berkeley Rep, Magic), MacKinnon seems to have landed quite comfortably in the world of institutional regional theater.

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Shooting the rapids and tweaking history in ACT’s Men on Boats

Nov 02

Shooting the rapids and tweaking history in ACT’s <i>Men on Boats</i>

Oars up! Oars out! We're going adventuring.

The first thrill of our adventure is the sheer delight of seeing 10 women on stage – 10! – in the American Conservatory Theater production of Men on Boats by Jaclyn Backhaus now at The Strand Theater. How often do we get to see that many marvelous women on a stage together? Hardly ever.

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Slammed door opens in Doll’s House, Part 2 at Berkeley Rep

Sep 14

Slammed door opens in <i>Doll’s House, Part 2</i> at Berkeley Rep

Playwright Lucas Hnath imagines what happened to Nora after she stepped through that door in the audaciously titled A Doll's House, Part 2, which opens the Berkeley Repertory Theatre season in a razor-sharp, vital and funny production directed by Les Waters.

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ACT’s musical Moon never quite achieves lift off

Jun 16

ACT’s musical <i>Moon</i> never quite achieves lift off

There's a better musical struggling to emerge from the overgrown but amiable mess that is A Walk on the Moon, the world premiere that American Conservatory Theater is launching on the Geary Theater stage.

Based on the 1999 movie of the same name and featuring a book by Pamela Gray, who also wrote the screenplay, the musical is...

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Parks finds poetry, drama in epic Father

May 02

Parks finds poetry, drama in epic <i>Father</i>

There's some epic myth-making happening on the stage of American Conservatory Theater's Father Comes Home from the Wars (Parts 1, 2 & 3). Playwright Suzan-Lori Parks – one of those great American playwrights whose mere name should always inspire you to check out her work – nods in the direction of other great epics, most notably The Odyssey, but also, as she has said, The Oresteia and The Mahabharata as she tells the story of a slave who reluctantly follows his master into the Civil War.

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