Vietgone at ACT

Mar 12

<i>Vietgone</i> at ACT

Bold, irreverent, and laugh-out-loud funny, Qui Nguyen's Vietgone, at American Conservatory Theater's Strand Theater, can also be frustratingly scattershot and amateurish.

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Complex, human look at gun violence in Berkeley Rep Hours

Mar 02

Complex, human look at gun violence in Berkeley Rep <i>Hours</i>

Julia Cho is exactly the kind of playwright I crave. She's thoughtful, adventurous and fanciful in a way that relates directly to reality (she's not a fantasist – her flights mean something in the day to day). She cares about people and their messes, both internal and external. Her Aubergine at Berkeley Repertory Theatre was a revelation (read my review here) and has become one of my favorite plays in recent memory. Her play Office Hour, now at Berkeley Rep's Peet's Theatre, is a thorny piece of work.

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Shavian wit still dwells in Aurora’s Houses

Feb 04

Shavian wit still dwells in Aurora’s <i>Houses</i>

George Bernard Shaw's Widowers' Houses last played Berkeley's Aurora Theatre Company more than 20 years ago, and though the theater company has come up on the world (bigger, spiffier theater), the satirical world of Shaw's play still reflects badly on our own lack of evolution where greed, poverty and decency are concerned.

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Riveting drama in Morisseau’s Skeleton Crew

Feb 01

Riveting drama in Morisseau’s <i>Skeleton Crew</i>

What an incredible talent to balance the dark weight of tragedy and the electrifying light of hope. That's what playwright Dominique Morisseau does in Skeleton Crew, a powerful play now at Marin Theatre Company (in a co-production with TheatreWorks Silicon Valley).

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Watch on the Rhine at Berkeley Rep

Dec 08

<i>Watch on the Rhine</i> at Berkeley Rep

The thing I can't stand about 24-hour cable news networks is that it's 5% news and 95% talking heads spouting opinions and fighting over those opinions.

The thing I loved about Lillian Hellman's Watch on the Rhine (a co-production from Berkeley Repertory Theatre and the Guthrie Theatre) is that the author stakes a claim for action. After a certain point, opinions matter a whole lot less than what you choose to do about whatever opinion you hold.

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Shotgun’s Black Rider dances with the devil

Nov 26

Shotgun’s <i>Black Rider</i> dances with the devil

Thirteen years ago – such an appropriate number of years – American Conservatory Theater made some sort of deal with the devil to get The Black Rider onto the stage of the Geary Theater. Now Berkeley's Shotgun Players revive this decidedly adult fairy tale under the guidance of director Mark Jackson, and the results are heartily satisfying.

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