Humanity shines in ACT’s Splendid Suns

Feb 16

Humanity shines in ACT’s <i>Splendid Suns</i>

Let's be honest: sitting in a beautiful theater watching a well-crafted play is an absolute privilege, so where better to challenge our very notions of privilege and confront the reality that much of the world's population is having a very different experience than those of us sitting in the velvet seats? With a play like A Thousand Splendid Suns, the world-premiere adaptation of Khaled Hosseini's 2007 novel now at American Conservatory Theater's Geary Theater.

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Sacred and profane: much to mull in Playhouse’s Christians

Jan 29

Sacred and profane: much to mull in Playhouse’s <i>Christians</i>

While the San Francisco Playhouse audience was delving into Lucas Hnath's The Christians, a powerful, fraught examination of faith and organized religion, protestors were shutting down airports in demonstrations against the Trump administration's ban on immigrants from countries whose religions posed a perceived threat to our nation. In other words, the spiritual and emotional chaos inside and outside the theater were well matched.

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Lost in Austen with Marin’s Christmas at Pemberly

Nov 30

Lost in Austen with Marin’s <i>Christmas at Pemberly</i>

We're all in need of some genuine Christmas cheer this year, and that's exactly what Marin Theatre Company's Miss Bennet: Christmas at Pemberley provides. It's sweet without being sappy. It's sharp, clever and funny with a warm undercurrent of genuine emotion. What more could you want from a holiday show (except maybe passed eggnog and a round of carols)?

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Wonderful women in Word for Word’s Aunt Hagar

Nov 20

Wonderful women in Word for Word’s <i>Aunt Hagar</i>

What you remember from Word for Word's production of All Aunt Hagar's Children, a full theatrical adaptation of the short story by Edward P. Jones, are the women. Such women. They make an impression on the audience the way they make an impression the story's narrator, a nameless young man who returned to his native Washington, D.C., nine months ago after serving in the Korean War.

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Freedom, dreams clash in Aurora’s Safe House

Nov 12

Freedom, dreams clash in Aurora’s <i>Safe House</i>

There are several ways to interpret the title of Keith Josef Adkins' Safe House now at Berkeley's Aurora Theatre Company. One way sees cobbler Addison Pedigrew, a free man of color in Kentucky, aiming for his version of the American dream: a thriving shoe making/repairing business run out of his home to support his Aunt Dorcas and his brother, Frank, so that they can be truly free to thrive and expand their families. The other way, according to Frank and Dorcas, is to provide shelter and assistance to fugitive slaves on the Underground Railroad. Both co-exist, but not easily in this 2014 drama, which takes much of its first act to really get going.

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Making friends with Golden Thread’s Enemies

Nov 07

Making friends with Golden Thread’s <i>Enemies</i>

When you go to a show from a specialized company like Golden Thread Productions, which focuses on plays from and about the Middle East, you expect your perspective to be expanded, to have your assumptions challenged and to encounter voices you may not hear enough. In its 20 years, Golden Thread has earned a strong reputation for accomplishing all of the above and more...

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