SF Playhouse offers a sweet, satisfying Kiss

Nov 22

SF Playhouse offers a sweet, satisfying <i>Kiss</i>

San Francisco Playhouse puckers up and offers a nice juicy kiss for the holidays in Stage Kiss a delightfully daffy theatrical spin with a touch of real-life melancholy.

This is the first time we've seen Ruhl's play in San Francisco, but the whole Bay Area is alive with the sounds of Ruhl's empathetic, intelligent, often mystical take on life.

There's a reason Ruhl reigns over theater here (and across the country)...

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Aurora builds a mighty (funny) Monster

Nov 19

Aurora builds a mighty (funny) <i>Monster</i>

When salsa splatters across the unsealed Carrara marble, the horror of the architect played by Danny Scheie resounds through the intimate Aurora Theatre Company. An hors d'oeuvre has fallen on the floor, and after admonishing the clumsiness of his girlfriend, the architect demands a napkin and some vodka to clean it up. The marble is not stained, and the architect, one Gregor Zobrowski, calms down enough to say, "Crisis averted." But is the crisis averted? Not even a little bit, and that's the fun of Amy Freed's The Monster Builder, a very funny riff on Ibsen's The Master Builder (which the Aurora produced in 2006).

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Cal Shakes gets terrifically Tempest tossed

Nov 14

Cal Shakes gets terrifically <i>Tempest</i> tossed

On a day when terrible things were happening in the world, being immersed in William Shakespeare's The Tempest was sweet balm, especially as performed by the fine actors of California Shakespeare Theater's "All the World's a Stage" tour of the show, which, in classic traveling players mode, is being performed in senior centers, homeless shelters, federal prison, rehab centers and the like. It's hard not to agree with Caliban when he says, "Hell is empty. All the devils are here." But dark notions of revenge, which so inform the play itself, are soothed by virtue, and Prospero's exquisite speech, “We are such stuff as dreams are made on, and our little life is rounded with a sleep,” is practically heartbreaking in its beauty.

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MTC’s Mañana captures real-life struggles, passions

Nov 04

MTC’s <i>Mañana</i> captures real-life struggles, passions

Elizabeth Irwin's My Mañana Comes cuts through any pretense and gets right to the heart of real life in these United States. In so much of the entertainment we consume (and, truth be told, in the lives we lead), the people Irwin writes about here are on the fringes, working diligently to make modern life run smoothly and efficiently but without much consideration from those whose lives their work benefits. In this case, the focus is on four bus boys in a busy Manhattan restaurant.

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42nd Street Moon hits the high seas with Coward’s Sail Away

Nov 01

42nd Street Moon hits the high seas with Coward’s <i>Sail Away</i>

Sail Away, the last musical for which the great Noël Coward wrote the whole shebang (book, music, lyrics), had two things going for it when it premiered on Broadway in 1961. First was the customary Coward wit, which shone in numbers like "The Passenger's Always Right" and "Why Do the Wrong People Travel?" And then there was the show's star, Elaine Stritch for whom Coward created the role of cruise hostess Mimi Paragon. Any show was better for having Stritch in it (Goldilocks anyone?), and the combination of her personality and Coward's charm should have proven irresistible.

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Sweet transvestite! Ray of Light rocks Rocky Horror

Oct 29

Sweet transvestite! Ray of Light rocks <i>Rocky Horror</i>

lab and see what's on the slab. Any prospect of a live Rocky Horror Show makes us shiver with antici................pation, And the good news is this Rocky is a rollicking ride through one of the most beloved cult musicals of all time.

Jason Hoover, Ray of Light's artistic director, is at the helm of this full-scale production, which Ray of Light last produced in 2008 when Hoover...

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