Aurora’s Leni asks: Great artist, Nazi sympathizer or both?

Mar 17

Aurora’s <i>Leni</i> asks: Great artist, Nazi sympathizer or both?

As a dramatic work, Sarah Greenman's Leni about the German filmmaker Leni Riefenstahl, has to juggle history, artistry and, now, discomfiting parallels to our own time. Was Riefenstahl the right artist at the wrong time? Was her extraordinary talent as a filmmaker overshadowed by Hitler and the Nazi party? Or was she a Nazi sympathizer and, consequently, as the show puts it, "a willing architect of Nazi mythology and, worse, an accomplice to genocide?

There aren't any easy answers in this 85-minute one-act play now at the intimate Harry's UpStage space at the Aurora Theatre Company.

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Sisters’ paths diverge in Crowded Fire’s You for Me for You

Mar 14

Sisters’ paths diverge in Crowded Fire’s <i>You for Me for You</i>

Sort of an Alice in Wonderland for our topsy-turvy times, Mia Chung's You for Me for You takes us through a very specific lookingglass: a refugee's experience attempting to flee North Korea.

Like any good leap of imagination, this one begins grounded in reality.

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A spooky, funny slow burn in ACT’s John

Mar 10

A spooky, funny slow burn in ACT’s <i>John</i>

There are two Johns in Annie Baker's John, neither of whom we actually meet. One wreaked mental havoc on another person and the other is wreaking havoc on a relationship. Both feel like sinister external forces, but they are just two of many in this wonderfully bizarre, engrossingly enigmatic play by one of our country's most original and captivating voices.

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Humanity shines in ACT’s Splendid Suns

Feb 16

Humanity shines in ACT’s <i>Splendid Suns</i>

Let's be honest: sitting in a beautiful theater watching a well-crafted play is an absolute privilege, so where better to challenge our very notions of privilege and confront the reality that much of the world's population is having a very different experience than those of us sitting in the velvet seats? With a play like A Thousand Splendid Suns, the world-premiere adaptation of Khaled Hosseini's 2007 novel now at American Conservatory Theater's Geary Theater.

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Sacred and profane: much to mull in Playhouse’s Christians

Jan 29

Sacred and profane: much to mull in Playhouse’s <i>Christians</i>

While the San Francisco Playhouse audience was delving into Lucas Hnath's The Christians, a powerful, fraught examination of faith and organized religion, protestors were shutting down airports in demonstrations against the Trump administration's ban on immigrants from countries whose religions posed a perceived threat to our nation. In other words, the spiritual and emotional chaos inside and outside the theater were well matched.

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Lost in Austen with Marin’s Christmas at Pemberly

Nov 30

Lost in Austen with Marin’s <i>Christmas at Pemberly</i>

We're all in need of some genuine Christmas cheer this year, and that's exactly what Marin Theatre Company's Miss Bennet: Christmas at Pemberley provides. It's sweet without being sappy. It's sharp, clever and funny with a warm undercurrent of genuine emotion. What more could you want from a holiday show (except maybe passed eggnog and a round of carols)?

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