Safe to say you're not going to see anything like Mark O'Rowe's Terminus, the aptly named conclusion to Magic Theatre's 46th season. If you saw O'Rowe's last show at the Magic, the extraordinary Howie the Rookie 13 years ago, you'll know to expect vivid, visceral language delivered in monologues. That seems to be O'Rowe's specialty, along with depicting the rougher edges of Dublin with a strange sort of compassion and a gift for elemental storytelling that grabs hold and won't let go.
While Howie operated in a familiar street thug/crime world setting, Terminus is something altogether different. Like one of his three characters in the play, O'Rowe pushes himself out on a precarious limb and leaps. There's a distinct criminal element here as well, along with descriptions of violence that are somehow more vivid and horrific than if we were actually seeing them, but there's also a supernatural, even spiritual, aspect to the play that is remarkably moving.