Live from Las Vegas: `Jersey Boys’ opening night bash

What a party! You expect big things in Las Vegas, and that’s what you get.

The Palazzo put on quite a show before and after the show as Jersey Boys officially opened on May 3, becoming the first show at the Palazzo hotel, which officially opened last January.

The requisite red carpet arrivals saw the surviving Four Seasons — Frankie Valli, Bob Gaudio and Tommy DeVito, along with producer Bob Crewe — as well as a few celebrities, including John Cleese, Michael Urie (of “Ugly Betty” fame) and Willie Garson (of “Sex and the City” fame) as well as some Vegas celebs: Rita Rudner, Wayne Brady and John O’Hurley (in the soon-to-close Spamalot).

The most moving moment of the evening was when the real Four Seasons went on stage at the curtain call to take a bow with their musical theater counterparts. Read about that and see a photo in my review below.

The opening-night party, held in one of the Palazzo/Venetian airplane hangar-like ballrooms, was a scene. Classic ’60s cars, complete with go-go dancers, adorned the corners of the room where the food tables were, and in the center of the room, like an air traffic control tower, also complete with go-go dancers, was the DJ.

Opening night also happened to be Frankie Valli’s 74th birthday, so when the onstage Four Seasons — Erich Bergen, Rick Faugno, Jeremy Kushnier and Jeff Leibow — arrived at the party, they announced Valli’s birthday then sang a beautiful four-part harmony version of “Happy Birthday to You.” After the stage was cleared, the back “wall” of the ballroom came swooshing down to reveal a dance floor and a stage adorned with — you guessed it! — go-go dancers grooving to a ’60s beat.

Here are some photos of Valli’s birthday tribute:

At the party I ran into Jeff Leibow (who plays Nick Massi) and his lovely wife, Melody, both formerly residents of East Palo Alto and now Las Vegans. They looked fantastic:

I also ran into Joyce Chittick, who plays multiple roles, including Frankie’s wife. Her real-life love is Rick Faugno, who happens to play Frankie. I’ve known Joyce since she was in high school (my mother was her high school principal at Sparks High School), when she performed in a top-notch performance choir called Skyfire. She and Rick were beaming, and rightfully so. They’re in a hit show, and they’re both superb in it.

Live from Las Vegas! `Jersey Boys’

Opened May 3 at the Palazzo Las Vegas

OK, so technically we’re not “live” in Las Vegas anymore (6:05 a.m. flight from LV to SFO – ouch). But given that it feels like I’m still at the opening-night party of Jersey Boys at the Venetian (next door to the Palazzo, where the show actually resides), I feel as live as is humanly possible.

There’s only good news for fans of Jersey Boys. The show has not been Vegas-ized. The creative team, headed by director Des McAnuff has been creative about making cuts and getting the show down to a brisk 2 hours and 10 minutes. The biggest cut is in the intermission, which here is called a “pause.” At the end of Act 1, after the reprise of “Walk Like a Man,” the audience is instructed via a projection that they have eight minutes do with what they please. Now, eight minutes is not a lot of time to run to the restroom or the bar (especially for slower-moving folks), so the wise people simply stand up, chat and watch the projections on the giant video screens (projections of a cross-country tour circa 1964, including footage of a trip across the Golden Gate Bridge and a glimpse of the Transamerica Pyramid-less San Francisco skyline).

Co-writers Rick Elice and Marshall Brickman have artfully trimmed their book here and there, but only purists (and there are plenty of them out there!) will notice. All the songs are there, albeit some of them have also been shortened (not detrimentally and none of the big Four Seasons numbers are noticeably shorter).

Act 1 does feel rushed at times, though audiences will likely appreciate getting through the early stages of the Four Seasons’ development so they can get to the meaty hits such as “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “December 1963 (Oh What a Night),” “My Eyes Adored You” and “Dawn (Go Away).” Act 2 feels more like it did at the Curran Theatre in San Francisco.

Speaking of the Curran, I must say the theater at the Palazzo, which seats 1,700, is quite nice, if unadorned. The sound system, which is what really counts, is phenomenal and is a great improvement over the Curran’s.

The cast, a blend of the casts we saw in San Francisco (but primarily comprised of the performers we saw last fall), is more than up to the high standards we Bay Area fans are used to. The sad news is that John Altieri, whose primary role is producer Bob Crewe, had to leave the cast for health reasons, and his role is now being played by John Salvatore, who’s terrific.

The Four Seasons have meshed nicely. Rick Faugno, who we first saw in the role of Joe Pesci with the first national tour, has really grown into the central role of Frankie Valli. His voice – already strong – has gotten even better and smoother, and dramatically, he’s spot on, especially in his scenes with Joyce Chittick as Frankie’s wife, Mary. Their “My Eyes Adored You” post-break-up scene packs a wallop.

Erich Bergen, also from the first national tour, has evolved as Bob Gaudio, the musical mastermind (with Crewe) of the Four Seasons sound. Bergen is a charmer and a fine singer. He’s also extremely tall, so to say his talent is giant seems fairly accurate.

Jeremy Kushnier, from the second San Francisco cast (the one that headed to Chicago), makes the somewhat despicable character of Tommy DeVito not only appealing but somewhat understandable. He’s not necessarily a bad guy. He sort of means well and just lets his ego do its dirty work. Kushnier’s performance is incisive, and his section as narrator (each of the Four Seasons takes a turn narrating) crackles with New Jersey wit.

Last but not least is the Bay Area’s own Jeff Leibow as Nick Massi, the “Ringo” of the Four Seasons as he says toward the end. Leibow was in the final San Francisco cast (rumored to be the Vegas cast, which turned out only partly to be true), and though he was strong then, he’s even better now. Nick’s mostly contained emotions register more now, and his explosion – geared mainly toward Tommy – is seismic.

The nine-piece band, headed by Keith Thompson, sounds sharp, and Sergio Trujillo’s choreography is as smooth and sexy as ever.

Now that I’ve seen Jersey Boys five times (which is nothing compared to the real fans), I feel it’s necessary to mention the Jersey Girls every time. The three women in the show play all the women in the show, and they work really hard. The expert Chittick is joined by the multitalented Natalie Bradshaw and Julia Krohn in making sure the men don’t completely take over the show.


(above from left) Real life Jersey Boys meet Las Vegas Jersey Boys during the curtain call on opening night at the Palazzo: John Salvatore and Bob Crewe, Bob Gaudio and Erich Bergen, Frankie Valli and Rick Faugno, Jeremy Kushnier and Tommy DeVito and Jeff Leibow.

As has become the custom for a big opening night, the surviving Seasons show up for the curtain call and hug the actor who played them. The Vegas opening was no different. After the rousing closer of “Who Loves You,” Faugno introduced the surviving guys: Valli, Gaudio and DeVito as well as producer Crewe, who all took the stage. DeVito, who is dramatically banished to Las Vegas in the show, still lives in Sin City, and I had to wonder what it was like for him to sit through this show yet again and hear about what a slime bag crook he is – but now in his hometown. But then again, I have to wonder what it’s like for Valli and Gaudio, too, to relive those moments in their past over and over again. They’re probably inured to it now, but I can’t imagine what it’s like for Valli to have to repeatedly watch his stage self go through the death of his daughter Francine.

But at the curtain call in Vegas, it was all smiles. DeVito seemed as robust as ever, and I was only disappointed that Joe Pesci, who was also in the audience, didn’t get to go on stage and hug the actor (Jonathan Gerard Rodriguez) who played him.

As beautifully and as expertly as this show is put together, and with so many great songs and performances, Jersey Boys is mighty satisfying and sets a new standard for musical theater in Las Vegas.

For information about Jersey Boys at the Palazzo, visit http://www.jerseyboysinfo.com/vegas/.

 

 

Local `Jersey’ boy

It’s not often that a performer goes from gigs at the Willows Theatre Company in Concord, TheatreWorks in Mountain View and Pleasanton Playhouse in Pleasanton to one of the hottest Broadway musicals in recent memory.

That’s exactly what has happened to Jeff Leibow (above, left), a former Pleasanton resident who now lives with his wife, Melody, in East Palo Alto.

But he won’t be spending much time at home. Leibow is currently onstage at the Curran Theatre in San Francisco, where he’s playing Nick Massi, one of the Four Seasons in the hit musical Jersey Boys.

The musical, which ran for nearly a year at the Curran before closing in September, is back for a short run with a new company before heading to Las Vegas.

This is Leibow’s big break. After an exhausting audition process that took him from Las Vegas to Los Angeles to New York, Leibow received word that he got the gig while having lunch with his wife.

“I threw my arms up in the air, like Rocky, and wanted to scream, but we were in a restaurant, and I didn’t want to seem like a crazy man,” Leibow says.

Rehearsals in New York have been intense. The new cast learned the score in two days with one day of review, then immediately started blocking. The company flew to San Francisco last week, and performances began Tuesday.

So far, Leibow says he’s bonding with his fellow Seasons _ Rick Faugno (Frankie Valli), Bryan McElroy (Tommy DeVito) and Andrew Rannells (Bob Gaudio).

“Honestly, I’ve never been in a cast so humble, so easy to work with,” Leibow says. “Usually there’s one or two actors who need to be at the top of he hierarchy, who wave their arms and shout, `I’m the best.’ But this group is so focused on making this show good. They’re so easy to get along with and so incredibly talented. Maybe I’m just in a dream state because this is such a great experience.”

Jersey Boys continues through Dec. 30 at the Curran Theatre, 445 Geary St., San Francisco. Tickets are $30 to $99. Call 415-512-7770 or visit www.ticketmaster.com or www.shnsf.com for information.