Bright and bouncy, Moon’s Sunshine radiates charm

Apr 13

Bright and bouncy, Moon’s <i>Sunshine</i> radiates charm

The song titles say a lot about what this musical is like: "Livin' in the Sunlight," "You Hit the Spot," "Sweeping the Clouds Away." If it seems there's a rosy glow emanating from these titles, that's exactly right. You'll find no more glowing show in town than 42nd Street Moon's first original musical in its two-decade history, Painting the Clouds with Sunshine.

This is a stage musical in love with movies. Creators Greg MacKellan and Mark D. Kaufmann have learned a whole lot from the passing parade of lost, forgotten and banal-to-brilliant musicals...

Read More

Moon’s Carnival: midway between comedy, drama

Apr 06

Moon’s <i>Carnival</i>: midway between comedy, drama

Watching the 1961 musical Carnival!, a hit on Broadway, it's fairly easy to see why the show was never a candidate for major Broadway revival or a staple of community theaters. The score, by Bob Merrill, has real charm and beauty mixed with pleasant mediocrity. The standout song, "Love Makes the World Go Round," is used to great effect, although the most poignant song in the score is a longing-for-home number called "Mira" that perfectly captures what the show wants to be: a sweet, melodic story with melancholy and pain running not too far under the surface. And therein lies the tricky part. This musical, with a book by Michael Stewart, looks like a happy mainstream musical, but it's much more complex than that. In many ways, it succeeds in being musical comedy and drama, but the creators didn't have quite the sophistication to pull it off – or maybe they felt they were offering as much sophistication or complexity as an early '60s Broadway audience could handle.

Whatever the reason, Carnival! Remains a curiosity, and thanks to 42nd Street Moon, the great reviver of Broadway curiosities, treasures and castoffs, we get to explore Carnival! games in a production that lets us experience what the show does best.

Read More

One more walk around Carmelina

Nov 11

One more walk around <i>Carmelina</i>

Charming — that's the word that kept running through my brain while watching the 42nd Street Moon production of Carmelina, the largely forgotten 1979 musical by Alan Jay Lerner (of My Fair Lady and Camelot fame) and Burton Lane (of Finian's Rainbow and On a Clear Day You Can See Forever fame).

It's easy to see why this gently old-fashioned show didn't make it in the late '70s. Based on the Gina Lollobrigida comedy Buena Sera, Mrs. Campbell (the same inspiration for Mamma Mia!), the musical feels as if it's from a different time.

Read More

Russian dressing: The vintage charms of Silk Stockings

May 09

Russian dressing: The vintage charms of <i>Silk Stockings</i>

How in the world do you follow Strike Up the Band? 42nd Street Moon’s last outing was a spectacularly charming and tuneful production of a Gershwin show that has been unjustly sidelined by musical theater history.

The problem with doing such a bang-up job with Band is that there’s still a final show in the season with which to contend.

And may I say, the finale is no Strike Up the Band. But it’s Cole Porter, so all is not lost.

Silk Stockings, a 1955 musical adaptation of the Greta Garbo film Ninotchka, is a minor work with a wildly unfocused book and a hit-and-miss Porter score.

You don’t see a lot of Silk Stockings revivals, so we have yet another reason to celebrate 42nd Street Moon’s dedication to dusting off shows that we’d never otherwise get to experience.

Read More

Latest celebrity couple: Lukern

Oct 29

Latest celebrity couple: Lukern

You know that annoying habit we have of combining couples' names to form one idiotic name – you know, Brangelina, TomKat, Bennifer.

Well, I have a new one. After last night's 42nd Street Moon salon saluting the work of Jerome Kern, I'd like to introduce you to Lukern. There's no more beautiful soprano on Broadway than Rebecca Luker's, and as the evening's host, Greg MacKellan, pointed, nobody short of Richard Rodgers had Kern's gift for gorgeous melody. So when Rebecca meets Jerome, beauty ensues. Hence, Lukern.

Read More

A funny Megan Cavanagh happened on the way to this Forum

Oct 12

A funny Megan Cavanagh happened on the way to this <i>Forum</i>

Anybody's enjoyment of the 1962 Stephen Sondheim/Burt Shevelove/Larry Gelbart musical farce A Funny Thing Happened on the Way to the Forum depends largely on the actor playing Pseudolus, the lie-spouting slave and comedy motor at the center of the show.

Zero Mostel originated the role – did anyone have a bigger comic motor than Zero? – Phil Silvers played it in 1972 and Nathan Lane and Whoopi Goldberg took turns in the most recent Broadway revival in 1996. I've seen several productions of Forum and experienced what the Romans used to call Pseudolus annoyaolus, which is to say, the actors in the role were working so laboriously to be funny that I never laughed. It's not surprising that Pseudolus breaks a sweat, but I really don't want to.

The 42nd Street Moon production of Forum now at the Eureka Theatre is the first where I didn't grow to dread the ever-expanding machinations of Pseudolus, who never met a lie he couldn't enlarge. The reason is simple: Megan Cavanagh. She's doing a little gender bending to play the scheming slave, and she's marvelous. The old vaudevillian aspect of the role doesn't escape her, nor does she belabor it. She's a natural comic, so she doesn't have to force the laughs. And she's absolutely charming. She has grace where other Psuedolii have goals. She makes you laugh while they want to make you laugh.

Read More