Chad Jones’ Theater Dogs

Dan Hoyle knows how to liven up a party.

On Sunday afternoon, Theatre Bay Area hosted the Glickman New Play Award reception at the home of Nancy Quinn (a TBA board member) and Tom Driscoll (purveyor of a stunning wine cellar). All the usual award-event elements were in place: the honoree (Dan Hoyle, writer and performer of Tings Dey Happen), his associates (Stephanie Weisman, founder and artistic director of The Marsh, where Tings was born, and director Charlie Varon, himself a Glickman award winner for Rush Limbaugh in Night School).

Hoyle’s parents, Mary and Geoff (as in beloved Bay Area actor Geoff Hoyle, currently in ACT’s The Government Inspector), were in attendance, as was his girlfriend.

(above from left) Charlie Varon, director of Tings Dey Happen, Stephanie Weisman, artistic/executive director of The Marsh and Glickman Award-winner Dan Hoyle, author and performer of Tings.

After hors d’oeuvres and visits to the cool, inviting environs of the wine cellar, TBA’s executive director, Brad Erickson presented Hoyle with the plaque and a check for $4,000. Weisman, as producer of the show, also received a plaque. The five members of the Glickman committee — theater critics all — said nice things about Hoyle’s show and why they thought it was the best play to have its premiere in the Bay Area last year.

Then Hoyle said a few words and got all choked up when he tried to thank his parents. He shook off the tears and, much to the delight of the crowd, he performed a scene from Tings, which happens to be running at The Marsh through April 19. Click here for information.

Hoyle’s performance was, not surprisingly, the highlight of the evening — even better than the wine cellar. Go see him in action at The Marsh and learn a thing or two about Nigerian oil politics and about the wonder of theatrical storytelling.

And finally, here’s the winner with the critics — one of those rare, once-a-year meetings of artist and critic.

From left: Robert Avila of the SF Bay Guardian, Chloe Veltman of the SF Weekly, Chad Jones of Theater Dogs (go bloggers!), Glickman Award-winner Dan Hoyle, Robert Hurwitt of the San Francisco Chronicle and Karen D’Souza of the San Jose Mercury News.

Tings certainly do happen when you’re Dan Hoyle.

The young performer, both author and performer of Tings Dey Happen, is this year’s winner of the Will Glickman Playwright Award, which brings with it a check for $4,000. The award is given annually to a playwright whose work makes its world premiere in the Bay Area.

In Tings, the dynamic Hoyle (son of great Bay Area actor/clown Geoff Hoyle) told the story of his experiences in Nigeria studying that country’s complicated — and dangerous — oil indsutry and its political fallout. The play had its premiere at San Francisco’s The Marsh, one of the country’s top theaters for the development of new solo work, and then went on to a well-received run in New York. Charlie Varon, a previous Glickman winner himself (for Rush Limbaugh in Night School), directed.

The Marsh, as producer of the work, will receive a plaque in honor of Hoyle’s achievement.

The Glickman Award, named for comedy writer and theater lover Will Glickman, is administrated by Theatre Bay Area, and the award committee comprises yours truly, Rob Hurwitt of the San Francisco Chronicle, Rob Avila of the Bay Guardian, Chloe Veltman of the SF Weekly and Karen D’Souza of the San Jose Mercury News.

Peter Sinn Nachtrieb’s Hunter Gatherers is the 2006 winner of the Will Glickman Playwrights Award.

The annual award — given to the author of the best play to make its world premiere in the Bay Area — comes with a $4,000 check.

An esteemed group of theater critics _ including me, naturally _ met to discuss the merits of some 200 new plays that took a bow last year. And, as they say, cream rises to the top. The critical contingent, which also includes Karen D’Souza of the San Jose Mercury News, Robert Hurwitt of the San Francisco Chronicle, Robert Avila of the SF Bay Guardian and Chloe Veltman of the SF Weekly, wasted no time in selecting Nachtrieb’s dark comedy as the best of 2006.

The first full-length play by San Francisco sketch comedy troupe Killing My Lobster, Hunter Gatherers ran last summer (and ran and ran) at the Thick House. The show was by turns hilarious, sexy and a little scary. It’s the story of two young Bay Area couples and their IKEA-cozy lives. One night, after the slaughter of a lamb for a dinner party, things fall apart, and everyone gives in to their most primal urges. Here’s what I said about the play when I included it in my Top 10 list:

Of all this year’s comedies, Peter Sinn Nachtrieb’s world premiere for sketch troupe Killing My Lobster was the meatiest. Maybe it had something to do with the onstage slaughter of a lamb at the play’s start. Or maybe it was the huge chunk of roasted meat that factors into the play’s bloody end. Whatever, this was an aggressively funny play about our primal, cave-man impulses, man’s need to hump (or kill) everything in sight and woman’s need for chocolate.

The Glickman award, named for the late comedy writer and playwright Will Glickman, has been bestowed since 1984 and is administered by the Will Glickman Foundation and Theatre Bay Area. The award was created to encourage the development of new work. Previous Glickman winners have included last year’s winner, The People’s Temple by Leigh Fondakowski and her team of writers, Liz Duffy Adams’ Dog Act , Denis Johnson’s Soul of a Whore and Tony Kushner’s Angels in America.

For information about Peter Sinn Nachtrieb, visit his Web site at www.petersinnnactrieb.com.