Women rock the Night at Cal Shakes season opener

May 31

Women rock the <i>Night</i> at Cal Shakes season opener

Last year, California Shakespeare Theater offered an off-season touring production of Twelfth Night that featured an all-women cast and made stops in prisons, homeless shelters, senior communities and the like. It was a stripped-down, wonderful production, and apparently its impact was strong enough that outgoing artistic director Jonathan Moscone (he bids adieu in August after he directs The Mystery of Irma Vep) decided to pull the play into the company's 41st season.

With a different director (Christopher Liam Moore), this is a very different Twelfth Night but with two key returning players and one overriding concept.

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Orinda hills, young lovers captivate in Cal Shakes’ Romeo and Juliet

Jul 07

Orinda hills, young lovers captivate in Cal Shakes’ <i>Romeo and Juliet</i>

What's immediately striking about California Shakespeare Theater's Romeo and Juliet, the second show of the season, is the apparent absence of a set. When the company last dipped into this romantic Shakespearean tragedy (in 2009 – read the review here), director Jonathan Moscone erected an enormous, cement-looking wall scrawled with graffiti to evoke the mean streets of Verona. For this production, director Shana Cooper and designer Daniel Ostling have opted for minimalism to glorious effect.

Ostling has built no walls, only platforms of rough wood, leaving the full beauty of the gold and green Orinda hills to dominate the sightline until the sun sets and Lap Chi Chu's lights help give the open space on stage some architectural form (the columns of light stretching into the sky to convey a tomb are especially, eerily effective). With so much space to fill, you'd think this cast – also minimalist with only seven actors playing all the roles – might have trouble filling it, but that turns out not to be the case. Somehow the epic feel of the landscape only trains more attention on the flawed, flailing, ferociously romantic people at the heart of this oft-told tale.

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High on Cal Shakes’ spiffy Spirit

Aug 16

High on Cal Shakes’ spiffy <i>Spirit</i>

Noël Coward was a man of his time in many ways and maybe even ahead of his time in others. For instance, in the delightful 1941 play Blithe Spirit, now gracing the Orinda Hills in a handsome and well-tuned production from California Shakespeare Theater, Coward was way ahead of the ghastly Twilight curve.

No, he wasn't dealing with pale but attractive vampires and shirtless werewolves, but he did understand a little something about mixing mortality and romance. In the play, the ghost of a dead wife returns to haunt her husband and his new wife, but her real aim is to get her beloved to join her on the other side, and she's not above trying to kill him herself to accomplish that goal. To love someone enough to want to spend eternity with them is an intriguing concept, and thankfully Coward played it for laughs, with only a trace of the shadows poking through the peaked meringue of his comedy.

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Marvelous Much Ado closes Cal Shakes season

Sep 26

Marvelous <i>Much Ado</i> closes Cal Shakes season

Much Ado About Nothing can be one of Shakespeare’s trickier romantic comedies. It’s full of sparring lovers, great lines and thoroughly entertaining comic bits. But it also contains some harsh drama, faked death and edgy mischief making. Capturing just the right tone can help ease the audience through all those shifts, and that’s what eludes so many directors of the play.

Thankfully, California Shakespeare Theater Artistic Director Jonathan Moscone finds fresh ways to meld all of Shakespeare’s fragments into a seamless and captivating whole.

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Review: `Pericles’

Jun 01

California Shakespeare Theater production opened May 31, 2008, Bruns Amphitheater, Orinda The eight-member cast of California Shakespeare Theater’s Pericles puts on a jousting pageant on stage at the Bruns Memorial Amphitheater in Orinda. Photos by Kevin Berne Cal Shakes season opens with radiant romp«««« Rich, rewarding, adventurous Presented as a...

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