Catching up with Colette & Cyrano

Apr 21

Catching up with Colette & Cyrano

So many shows, so little time!

Herewith, a petite voyage to France, first to check in with the writer Colette and then to catch up with the swashbuckling Cyrano de Bergerac. I reviewed both Colette Uncensored at The Marsh, a solo show starring and co-written by Lorri Holt (with Zack Rogow, and Cyrano, a new adaptation of Rostand's tale at TheatreWorks Silicon Valley for the San Francisco Chronicle.

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Brian Copeland enters a compelling Period

Feb 28

Brian Copeland enters a compelling <i>Period</i>

There's nothing unusual about the following statement: Brian Copeland is a funny, funny man. He has proved that time and time again over the course of his stand-up career and his TV work. We started to see more of Copeland in his extraordinarily successful solo show Not a Genuine Black Man, which ran for more than 700 performances then became a book. Though about something serious – the extreme racism of San Leandro in the 1970s – the show offered abundant laughter and gave audiences the unique experience of dealing with real-world problems in a funny and theatrical way.

Copeland takes that notion a step further with his new solo work, The Waiting Period. Like his previous show, this one is co-developed and directed by David Ford, and it has sprung to life at The Marsh in San Francisco. But unlike his previous outing, this is no comedy. Far from it.

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Review: `Towle’s Hill’

Oct 18

COOL DISCOUNT TICKET OFFER FOR THEATER DOGS READERS! SEE BELOW! The Marsh is delving into theater of a whole new vintage these days. Best known as a breeding ground for great solo shows, The Marsh usually pairs enterprising writer/performers with directors who know the ins and outs of one-person shows. For one of its latest projects, The Marsh followed that model...

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