Watching August Strindberg's The Ghost Sonata at Cutting Ball Theater, it becomes clear that without Strindberg, we probably would not have the wonderfully weird worlds of Samuel Beckett or Harold Pinter or Edward Albee or, in the film world, David Lynch or Spike Jonze. Strindberg, though famous for the naturalism of his Miss Julie, pushed into expressionism later in his career and helped redefine modern theater.
During this, the 100th anniversary year of Strindberg's death, Cutting Ball has launched an ambitious celebration of one of Sweden's greatest pre-Abba exports. The Strindberg Cycle collects all five of the chamber plays Strindberg wrote in 1907 that were performed in The Intimate Theater, which had about 150 seats, not unlike the EXIT on Taylor, where Cutting Ball is in residence. This cycle marks the first time all five of these plays have been performed together in an any language.