I do? Crowded Fire finds fractured bliss in Late Wedding

Sep 23

I do? Crowded Fire finds fractured bliss in <i>Late Wedding</i>

San Francisco playwright Christopher Chen doesn't mind narrating his audience members' experience of his play while they're watching his play. That's part of the fun. It's also a tip of the fabulist's hat to Italian novelist Italo Calvino the inspiration for Chen's experiment with theatrical form and function in the world premiere of his The Late Wedding.

We've been here before, more or less. Chen is once again working with Crowded Fire Theater, the company behind his award-winning 2012 hit The Hundred Flowers Project (read my review here). Crowded Fire Artistic Director Marissa Wolf is at the helm of this intentionally bumpy ride...

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Far from mangy, this Mutt is a gut buster

May 09

Far from mangy, this <i>Mutt</i> is a gut buster

Between the Shakespearean twists of House of Cards and the utter inanity of Veep, you'd think that we'd have Washington politics pretty well covered by pop culture. Well clearly not because we need to make room for Mutt: Let's All Talk About Race!, the absolutely hilarious and crazy smart new comedy from San Francisco playwright Christopher Chen.

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Chen’s Hundred Flowers wins the Glickman

Jan 22

Chen’s <i>Hundred Flowers</i> wins the Glickman

This being awards season, it's nice to temper all the movie accolades with a homegrown theater award. The Glickman Award, presented each year to the best play that had its world premiere in the Bay Area, comes with a $4,000 cash prize and the honor of having your work set alongside other Glickman winners like Tony Kushner, Denis Johnson and Octavio Solis.

This year's winner is...

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2012 flasback: 10 to remember

Dec 21

2012 flasback: 10 to remember

One of the things I love about Bay Area theater is that picking a Top 10 list is usually a breeze. My surefire test of a great show is one I can remember without having to look at anything to remind me about it. The entire list below was composed in about five minutes, then I had to go look through my reviews to make sure they were all really this year. They were, and it was a really good year.

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Crowded Fire: Please sir, may I have some Mao?

Oct 30

Crowded Fire: Please sir, may I have some Mao?

If Apple or some other high-tech giant was really smart, really forward thinking, they'd head down to the Thick House and check out the West Coast premiere of Christopher Chen's The Hundred Flowers Project, a play that not only has a lot to say about our instantly archived society and its millions of digital histories but also utilizes technology in a fascinating way.

There's something utterly primal about the premise of this Crowded Fire/Playwrights Foundation co-production: members of a San Francisco theater collective gather to create, in the most organic, zeitgeist-melding way, a dazzling piece of theater about the life and rule of Mao Tse Tung that has deep metaphorical connection to our own times. These theater folk are pretentious – the words "zeitgeist" and "congealing" are used so often they may cause indigestion – but they're also real artists trying to create something new and interesting and meaningful.

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