Division on display in fascinating Roe at Berkeley Rep

Mar 11

Division on display in fascinating <i>Roe</i> at Berkeley Rep

There is so much event and detail in Lisa Loomer's Roe – a brisk re-telling of the events and people involved in the landmark 1973 Supreme Court case Roe v. Wade – that it feels like the world's speediest documentary, something you could only do on a mostly open stage, with actors making their costume quick changes in full view of the audience just so they can keep up. And by attempting to cover the (still unfolding) arc of the case, so much happens that, if it wasn't actually true, you'd never believe it.

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Cal Shakes gets terrifically Tempest tossed

Nov 14

Cal Shakes gets terrifically <i>Tempest</i> tossed

On a day when terrible things were happening in the world, being immersed in William Shakespeare's The Tempest was sweet balm, especially as performed by the fine actors of California Shakespeare Theater's "All the World's a Stage" tour of the show, which, in classic traveling players mode, is being performed in senior centers, homeless shelters, federal prison, rehab centers and the like. It's hard not to agree with Caliban when he says, "Hell is empty. All the devils are here." But dark notions of revenge, which so inform the play itself, are soothed by virtue, and Prospero's exquisite speech, “We are such stuff as dreams are made on, and our little life is rounded with a sleep,” is practically heartbreaking in its beauty.

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Crazy about Guirgis’ Riverside at ACT

Sep 10

Crazy about Guirgis’ <i>Riverside</i> at ACT

There's a crackling vitality on stage the Geary Theater as American Conservatory Theater opens its 49th season with Stephen Adly Guirgis' Between Riverside and Crazy. The play is this year's Pulitzer Prize winner, which doesn't necessarily guarantee it will be an interesting play, but if you've seen any of Guirgis' previous work – produced locally by San Francisco Playhouse and Custom Made Theatre Company – you know that this is a muscular, compassionate and deeply interesting writer.

If Riverside isn't as gritty as some of his other work, it more than makes up for that with its fresh approach to the classic American dream-type play.

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Women rock the Night at Cal Shakes season opener

May 31

Women rock the <i>Night</i> at Cal Shakes season opener

Last year, California Shakespeare Theater offered an off-season touring production of Twelfth Night that featured an all-women cast and made stops in prisons, homeless shelters, senior communities and the like. It was a stripped-down, wonderful production, and apparently its impact was strong enough that outgoing artistic director Jonathan Moscone (he bids adieu in August after he directs The Mystery of Irma Vep) decided to pull the play into the company's 41st season.

With a different director (Christopher Liam Moore), this is a very different Twelfth Night but with two key returning players and one overriding concept.

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Cal Shakes ends season with a vibrant Dream

Sep 07

Cal Shakes ends season with a vibrant <i>Dream</i>

A Midsummer Night's Dream is a landmark play for California Shakespeare Theater. When the company really became the company, then known as Berkeley Shakespeare Company, the first show produced at John Hinkel Park was Midsummer. Since then, the play has been performed seven more times, and now Cal Shakes concludes its 40th anniversary season with a version of the play that feels unlike any other production of it I've seen.

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Cal Shakes sculpts a vital, vivacious Pygmalion

Aug 06

Cal Shakes sculpts a vital, vivacious <i>Pygmalion</i>

When real life comes in and smacks Prof. Henry Higgins across the face, it's a wonderful thing to see this brilliant yet stunted man consider, perhaps for the first time in his life, that kindness may have worth akin to genius.

The force representing the real world – a world of messiness and emotion and connection – takes the form of Eliza Doolittle, an extraordinary young woman who is the intellectual if not social equal of Higgins and his superior when it comes to living life as most of humanity experiences it.

One of the great things about the California Shakespeare Theater production of George Bernard Shaw's Pygmalion is how balanced it is.

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