Imaginary discomfort rules at Berkeley Rep

Oct 13

<i>Imaginary</i> discomfort rules at Berkeley Rep

The first time I head the title for the new play by Daniel Handler, the San Francisco writer behind the popular Lemony Snicket books, I was confused. Imaginary Comforts, or The Story of the Ghost of the Dead Rabbit is the title, and it wasn't the Snickety-y subtitle that perplexed me. It was the notion that comfort could be imaginary. Isn't comfort comforting no matter where it comes from? You can receive comfort from an external source (a parent, a pet, a narcotic) or you can just imagine comfort (memory, dream, hallucination), but as long as you are comforted, job done...at least for a little while, right?

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Freedom, dreams clash in Aurora’s Safe House

Nov 12

Freedom, dreams clash in Aurora’s <i>Safe House</i>

There are several ways to interpret the title of Keith Josef Adkins' Safe House now at Berkeley's Aurora Theatre Company. One way sees cobbler Addison Pedigrew, a free man of color in Kentucky, aiming for his version of the American dream: a thriving shoe making/repairing business run out of his home to support his Aunt Dorcas and his brother, Frank, so that they can be truly free to thrive and expand their families. The other way, according to Frank and Dorcas, is to provide shelter and assistance to fugitive slaves on the Underground Railroad. Both co-exist, but not easily in this 2014 drama, which takes much of its first act to really get going.

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TheatreWorks delights with devilish Angels

Jun 08

TheatreWorks delights with devilish <i>Angels</i>

Boredom, desire and champagne make for a potent cocktail in Noël Coward's 1925 comedy Fallen Angels, now receiving a lively production from TheatreWorks at the Mountain View Center for the Performing Arts.

Director Robert Kelley delivers an elegant outing for this zesty comedy that keeps its focus on two live wire ladies – Jane and Julia, best friends since grammar school.

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Taking Steps toward a lively evening

Jan 26

Taking <i>Steps</i> toward a lively evening

A hit on London’s West End in 2006, The 39 Steps became Broadway’s longest-running comedy two years later. The touring production played San Francisco’s Curran Theatre in December of 2009, and now Mountain View’s TheatreWorks has cast it with a quartet of local favorites.

Under the direction of Artistic Director Robert Kelley, it’s hard to imagine a more enjoyable evening of mystery mayhem and slapstick espionage. Kelley has cast an irresistible quartet of actors to create the whirlwind, and the result is two hours of constant laughs.

Mark Anderson Phillips is Richard Hannay, a Canadian visiting London. Bored, he craves something mindless and trivial, so he goes to the theater. Naturally. There he meets a classic femme fatale, a German named Annabella Schmidt played by Rebecca Dines with an accent think as strudel.

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Theater review: `Distracted’

Apr 08

Rebecca Dines is a harried mother desperately trying to figure out how to help her 9-year-old son, who may have Attention Deficit Disorder, in Lisa Loomer’s Distracted, a TheatreWorks production. Photo by Mark Kitaoka Script’s lack of depth distracts in otherwise enjoyable `Distracted’««« Say this for the TheatreWorks production of...

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