Racism, history and drama in SF Playhouse’s plush Velvet

May 25

Racism, history and drama in SF Playhouse’s plush <i>Velvet</i>

In its West Coast premiere production at San Francisco Playhouse, Red Velvet provides a plum starring role for the great Carl Lumbly, who tackles the role of Ira Aldridge with depth and gravity. This is a serious actor playing a serious actor whose concern is more for getting the role right than playing into the bile being spewed in his general direction for daring to be a black man playing a black man in the ultra-white world of the theater.

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Crazy about Guirgis’ Riverside at ACT

Sep 10

Crazy about Guirgis’ <i>Riverside</i> at ACT

There's a crackling vitality on stage the Geary Theater as American Conservatory Theater opens its 49th season with Stephen Adly Guirgis' Between Riverside and Crazy. The play is this year's Pulitzer Prize winner, which doesn't necessarily guarantee it will be an interesting play, but if you've seen any of Guirgis' previous work – produced locally by San Francisco Playhouse and Custom Made Theatre Company – you know that this is a muscular, compassionate and deeply interesting writer.

If Riverside isn't as gritty as some of his other work, it more than makes up for that with its fresh approach to the classic American dream-type play.

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Hébert’s moving Tree explores family’s tangled roots

Jan 26

Hébert’s moving <i>Tree</i> explores family’s tangled roots

I reviewed Julie Hébert's drama Tree at the San Francisco Playhouse for the San Francisco Chronicle. Here's a sample: "Director Jon Tracy’s powerful and poignant production feels grounded in reality of the siblings and their fraught, fractious attempts at a relationship, but in the realm of the parents, there’s a lyrical quality filled with love and sadness that elevates the play from kitchen-sink drama to something more."

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Wilson’s Fences hits hard at Marin Theatre Co.

Apr 16

Wilson’s <i>Fences</i> hits hard at Marin Theatre Co.

I've always been moved by August Wilson's Fences, the 1950s installment of his extraordinary Century Cycle of plays depicting African-American life in the 20th century. But the current production of the play at Marin Theatre Company under the direction of Derrick Sanders made me feel the play in a whole new way.

This has largely to do with Carly Lumbly's wrenching central performance as Troy Maxson.

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2013: The year’s best Bay Area theater

Dec 23

2013: The year’s best Bay Area theater

If you’re looking for the year’s best, you can shorten your search by heading directly to Word for Word, that ever-amazing group that turns short works of fiction into some of the most captivating theater we see around here. This year, we were graced with two outstanding Word for Word productions. You Know When the Men Are Gone – Word for...

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Say amen – SF Playhouse takes it to Church

Dec 06

Say amen – SF Playhouse takes it to <i>Church</i>

In many ways, John Patrick Shanley's Storefront Church, now at San Francisco Playhouse for a well-timed holiday run, is less about the battle between the material world and the spiritual world and more about finding the most personal of solutions to the stress and pull and darkness of life: being still.

In such a hectic world, stillness seems practically revolutionary, but that's where the Rev. Chester Kimmich (Carl Lumbly) finds himself: in stillness waiting for an answer or a way to cross the giant black hole that has opened up before him.

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