Double good, double fun in Cal Shakes’ Comedy

Jun 29

Double good, double fun in Cal Shakes’ <i>Comedy</i>

A visiting stranger makes a keen observation: "Your town is troubled with unruly boys." The trouble is, he ends up being one of the unruly boys, and that's the fun of Shakespeare's The Comedy of Errors, a masterfully chaotic comedy now at California Shakespeare Theater's Bruns Amphitheater.

As farces go, this Comedy requires us to believe that two sets of not-so-bright twins with the same names – the upper-class set is called Antipholus, the slave set is called Dromio – cause confusion, consternation and furious frustration when roaming the streets of Ephesus of the same day. Once over that hump (and Shakespeare makes it pretty easy), the farce clicks along like a finely tuned laugh machine until brothers are reunited, a father's search is fulfilled and a courtesan gets her diamond ring back.

Director Aaron Posner strikes the right tone from the start...

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Hansberry’s Sun blazes brightly in Cal Shakes opener

Jun 07

Hansberry’s <i>Sun</i> blazes brightly in Cal Shakes opener

If you can't make it to Broadway to see the latest star-studded version of Lorraine Hansberry's classic American drama A Raisin in the Sun, you'll probably do just as well to head out to Orinda and catch California Shakespeare Theater's season-opening production.

Director Patricia McGregor's production offers a superb cast and makes a case for Hansberry's play to be in the pantheon of American dream plays alongside Miller, Williams and O'Neill.

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2013: The year’s best Bay Area theater

Dec 23

2013: The year’s best Bay Area theater

If you’re looking for the year’s best, you can shorten your search by heading directly to Word for Word, that ever-amazing group that turns short works of fiction into some of the most captivating theater we see around here. This year, we were graced with two outstanding Word for Word productions. You Know When the Men Are Gone – Word for...

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Campo Santo, Cal Shakes do some Califas dreaming

Nov 04

Campo Santo, Cal Shakes do some Califas dreaming

There's something extraordinary happening at Intersection for the Arts, and only part of it has to do with theater. Intersection, along with Campo Santo and California Shakespeare Theater have been partners for years, but their current collaboration is kind of staggering.

It began back last April with a production of Richard Montoya's The River directed by Campo Santo's Sean San José (read my review here) and continued with Cal Shakes' season opener, Montoya's American Night: The Ballad of Juan José in June starring San José and directed by Jonathan Moscone (read my review here).

Now we have the culmination of the collaboration in the Califas Festival, a multimedia exploration of what it means to be a Californian.

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Cal Shakes’ lukewarm take on Winter’s Tale

Oct 03

Cal Shakes’ lukewarm take on <i>Winter’s Tale</i>

On a refreshingly brisk autumn night, California Shakespeare Theater's A Winter's Tale aimed to tell a sad story with a happy ending. "A sad story is best for winter," or so we're told by a young boy not long for this earth.

Even by Shakespearean standards, this is a strange play, with its jarring shifts in tone, unexplained fits of jealousy, interference by the gods and living statuary. In other words, it's a director's dream – here's a wacky play that needs lots of interpretation and massaging to make it work for a modern audience.

Cal Shakes previously closed the season with A Winter's Tale in 2002 with a massive production in which the audience moved around to accommodate the shift in action from Sicilia to Bohemia. Director Lisa Peterson hauled out screaming teenagers, a school bus and an all-out rave before audience members headed back into the theater proper for the moving, if fantastical, finale.

This time around, we get a wildly different Tale directed by Patricia McGregor, who returns after the triumph of last season's Spunk.

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Looking at the stars: Cal Shakes fans flames of Wilde’s Winderemere

Aug 18

Looking at the stars: Cal Shakes fans flames of Wilde’s <i>Winderemere</i>

If you want, as Oscar Wilde did, to make cogent and funny points about men and women, husbands and wives and the notion of good people vs. bad people, what better way to do that than by putting Danny Scheie in a dress and letting him unleash his inner Dame Maggie Smith?

Scheie's performance as the Duchess of Berwick in the California Shakespeare Theater's production Lady Windermere's Fan, Wilde's first major theatrical it, is one of many pleasures in director Christopher Liam Moore's beguiling production.

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