Waving through Evan Hansen’s remarkable window

Dec 07

Waving through <i>Evan Hansen’s</i> remarkable window

It's absolutely astonishing that a musical about pain, that is in itself a painful experience, can be so enjoyable. But that's what Dear Evan Hansen is: a deeply felt show that wrings tears but is so artfully crafted that is pain is also a pleasure.

This is also a show that managed, in the shadow of Hamilton a season before it, to become its own kind of phenomenon. Much of the credit went to original star Ben Platt, who originated the role of the title character, a high school senior whose discomfort in his own skin much less the world around him is palpable.

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Enough with the clichés already in A Bronx Tale

Nov 29

Enough with the clichés already in <i>A Bronx Tale</i>

If it feels like we've seen it all before, well, we have. The gangsters, the tormented teens, the tough streets of New York's deeze, dem, dose borough – it's all the same old stuff in the musical version of A Bronx Tale now at the Golden Gate Theatre as part of the SHNChazz Palminteri's autobiographical one-man show or the movie version that served as the feature directing debut of Robert De Niro or the upgraded one-man show that Paminteri took to Broadway and then around the country.

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S’Just All Right: Gershwin score saves American in Paris

Sep 14

S’Just All Right: Gershwin score saves <i>American in Paris</i>

An American in Paris, adapted by writer Craig Lucas and directed and choreographed by a member of ballet world royalty, Christopher Wheeldon, is a decidedly uneven affair. It wants to be part serious musical (the darkness of Paris after World War II and the Nazi occupation), part musical comedy (three guys in love with one girl!) and part contemporary and ballet dance show. Call it a ballet-sical (mullet doesn't quite work). Whatever it is, it doesn't quite work.

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Something wickedly delightful in Something Rotten

Aug 17

Something wickedly delightful in <i>Something Rotten</i>

Thank you, Something Rotten!. I need that.

Sometimes you ned light and froth and delectable show tunes to lift you out of the quagmire of our something-more-than-rotten times, and this musical, now at the Orpheum Theatre as part of the SHN season, is just the ticket.

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Gorgeous, moving Fun Home at the Curran

Jan 27

Gorgeous, moving <i>Fun Home</i> at the Curran

At only about 100 minutes, the musical Fun Home, manages to encapsulate a profoundly moving life experience: coming to terms with your parents as human beings and not just the people who gave you life then messed up that life one way or another.

What an extraordinary show to officially re-open the spectacularly renovated Curran Theatre, now in its 95th year and the ongoing project of Carole Shorenstein Hays and her family.

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Finding Neverland: never found, never lands

Jan 19

<i>Finding Neverland</i>: never found, never lands

I'm calling it: the use of Peter Pan as an automatic trigger for poignant reflections on lost youth and the emotional cruelty of aging is officially over. It's been over for a while, but apparently word has not spread to those still hoping to cash in on Captain Hook, Tinkerbell and the whole Neverland crew. That's unfortunate for the musical Finding Neverland.

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