Funny and chilling, it’s Humans’ nature

Jun 07

Funny and chilling, it’s <i>Humans’</i> nature

There's something so comforting and so terrifying about family. That dichotomy is captured perfectly in Stephen Karam's The Humans, the Tony Award-winning drama that is now touring the country. The superb production is at the Orpheum Theatre as part of the SHN season.

It's a rare enough occurrence these days for a play to go on tour, but to have one this entertaining and unsettling is even more reason for celebration (side note: there are almost four times as many producers listed as actors). Karam's play does something extraordinary by trying to be ultra-ordinary.

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Purple reigns at SHN’s Orpheum

May 03

<i>Purple</i> reigns at SHN’s Orpheum

When I originally reviewed the musical version of The Color Purple based on Alice Walker's Pulitzer Prize-winning novel and the Steven Spielberg's 1985 movie version, I felt the production was too Broadway slick and the score was too bland. The only thing that worked – and indeed the thing that saved that October 2007 touring production – was Walker's story and her powerful characters. (Read the review here.)

That was only 11 years ago, but The Color Purple is back.

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2017 theater in review: Reflections on a powerful year

Dec 28

2017 theater in review: Reflections on a powerful year

If you're a theater fan, 2017 was a very good year. If you're an American, depending on your point of view, 2017 was a terrifying year. Quite often, it seemed, the theatrical stage and the national stage were in direct conversation.

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Disney’s Aladdin flies high at the Orpheum

Nov 06

Disney’s <i>Aladdin</i> flies high at the Orpheum

There is no question in my mind, that of all Disney's animated film to Broadway adaptations, Aladdin is the most thoroughly successful. For The Lion King stage adaptation, Julie Taymor offered eye-popping spectacle and stagecraft in service to a flimsy story and even flimsier characters. Beauty and the Beast, Disney’s first Broadway venture, was fun and dazzling but only a ride vehicle away from being a theme park attraction. The less said about the misguided Tarzan and missed opportunities of The Little Mermaid the better.

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S’Just All Right: Gershwin score saves American in Paris

Sep 14

S’Just All Right: Gershwin score saves <i>American in Paris</i>

An American in Paris, adapted by writer Craig Lucas and directed and choreographed by a member of ballet world royalty, Christopher Wheeldon, is a decidedly uneven affair. It wants to be part serious musical (the darkness of Paris after World War II and the Nazi occupation), part musical comedy (three guys in love with one girl!) and part contemporary and ballet dance show. Call it a ballet-sical (mullet doesn't quite work). Whatever it is, it doesn't quite work.

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Something wickedly delightful in Something Rotten

Aug 17

Something wickedly delightful in <i>Something Rotten</i>

Thank you, Something Rotten!. I need that.

Sometimes you ned light and froth and delectable show tunes to lift you out of the quagmire of our something-more-than-rotten times, and this musical, now at the Orpheum Theatre as part of the SHN season, is just the ticket.

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