Grand adventure awaits at Berkeley Rep’s Treasure Island

Apr 30

Grand adventure awaits at Berkeley Rep’s <i>Treasure Island</i>

Mary Zimmerman's work is consistently thrilling. Since I first saw Journey to the West at Zellerbach Playhouse, I have looked forward to seeing whatever Zimmerman makes next. Luckily, her relationship with Berkeley Reperoty Theatre is such that she keeps coming back and back, always with something intriguing and, quite often, magnificent. Her swimming pool-set Metamorphoses in 1999 (also performed at Zellerbach Playhouse) remains one of my favorite nights in a theater ever.

Zimmerman's latest offering at Berkeley Rep is a zesty staging of Treasure Island, and it's a blast.

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Berkeley Rep’s Macbeth: Double, double dull, in trouble

Feb 27

Berkeley Rep’s <i>Macbeth</i>: Double, double dull, in trouble

Say this for Berkeley Repertory Theatre's Macbeth now on stage at the Roda Theatre: it stars an Oscar winner, a Tony Winner and an Emmy winner. And she's doing some interesting things with Lady Macbeth. People are coming to this production to see Frances McDormand try her hand at one of the juiciest roles in the Shakespearean canon, and it's impossible for McDormand's genius not to shine through despite the uninvolving production that surrounds her.

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Quiet beauty, deep feeling in Berkeley Rep’s Aubergine

Feb 13

Quiet beauty, deep feeling in Berkeley Rep’s <i>Aubergine</i>

Setting aside taxes for the moment, there are two certainties in life: we will eat food (and perhaps have a complicated relationship with food) and we will die (and perhaps have a complicated relationship with death). Food and death. Elemental.

In Julia Cho's Aubergine, now receiving its world premiere at Berkeley Repertory Theatre's newly renovated and renamed Peet's Theatre (formerly the Thrust Stage), those elements – food and death – are being addressed with the utmost compassion, grace and quiet dignity.

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Bay Area theater 2015: some favorites

Dec 22

Bay Area theater 2015: some favorites

One of the best things about the year-end exercise to round up favorite theatergoing memories of the preceding year is that it can be such a powerful reminder of how much good theater we have in the Bay Area and how many really extraordinary theater artists we have working here. Another element jumps out at me this year and that is how, in addition to great homegrown work, our area also attracts some of the best theater artists from around the world to come and share their work (at the behest of savvy local producers, of course). Herewith, some favorites from the year that was.

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Curran brilliance continues with stunning Ghost Quartet

Oct 24

Curran brilliance continues with stunning <i>Ghost Quartet</i>

Before I rhapsodize about the incredible Ghost Quartet now at the Curran Theatre as part of the Curran: Under Construction series, can I just say how extraordinary this series has been so far? This is the third show following The Events (review here) and The Object Lesson (review here), and so far, producer Carole Shorenstein Hays is batting a million (I don't know sports).

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Hypocrites’ Pirates sets sail at Berkeley Rep

Oct 23

Hypocrites’ <i>Pirates</i> sets sail at Berkeley Rep

The Hypocrites' Pirates of Penzance is one part Yo ho! and one part Yo, ho! Which is to say, this is not your great-grandparents' Gilbert and Sullivan, and what a blessed relief that is. No wonder Berkeley Repertory Theatre seized the opportunity to present this Pirates as part of its season.

Not that there's anything wrong with G&S, but I have been tortured by Pirates and Mikados in the past and...

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