Berkeley Rep’s HOME is where the (he)art is

Mar 27

Berkeley Rep’s <i>HOME</i> is where the (he)art is

What Dorothy Gale said is true: there's no place like home. But in this particular instance, there is no place and no show quite like HOME, the creation of the marvelous Geoff Sobelle, whom we last saw rummaging through boxes and file cabinets on stage at the Curran in The Object Lesson (read my review here). Sobelle is back with another inventive, wholly unique theater piece, this time at Berkeley Repertory Theatre, where he and a mighty crew of designers and actors are homing in on the lives we lead.

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Just add water: Metamorphoses returns to Berkeley Rep

Feb 01

Just add water: <i>Metamorphoses</i> returns to Berkeley Rep

Nearly 20 years later, Metamorphoses returns to Berkeley Rep, this time to the Peet's Theatre. The show remains stunning – still gorgeous, still moving, still an example of theater at its sumptuous best. There are moments that are stunning, thrilling, funny and breathtaking. After Berkeley Rep, the show ended up on Broadway, where Zimmerman won a Tony.

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Aside from dancing, Berkeley Rep Square is far from paradise

Jan 11

Aside from dancing, Berkeley Rep <i> Square</i> is far from paradise

There are actually two competing musicals in Paradise Square: A New Musical now having its world premiere at Berkeley Repertory Theatre. One of them is much better than the other.

Incredibly ambitious and overstuffed, Paradise Square wants to create excitement about a particular moment in American history with a wonderfully diverse cast and a score that blends show music, traditional music and contemporary sounds (sound familiar? can't blame producers for not wanting to throw away their shot). But this show, many years in the making, is still fuzzy, unfocused and only intermittently interesting.

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Slammed door opens in Doll’s House, Part 2 at Berkeley Rep

Sep 14

Slammed door opens in <i>Doll’s House, Part 2</i> at Berkeley Rep

Playwright Lucas Hnath imagines what happened to Nora after she stepped through that door in the audaciously titled A Doll's House, Part 2, which opens the Berkeley Repertory Theatre season in a razor-sharp, vital and funny production directed by Les Waters.

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Hymns of praise for Kushner’s Angels at Berkeley Rep

Apr 29

Hymns of praise for Kushner’s <i>Angels</i> at Berkeley Rep

Angels in America is back in the Bay Area, this time at Berkeley Repertory Theatre, where it is directed by Tony Taccone, who, with Oskar Eustis helped bring this play into the world when it premiered at their Eureka Theatre in 1991. The play's staggering genius is on full display in Taccone's marvelous production, as is Kushner's prescience (Russia, Republican politics, the environmental crisis).

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Complex, human look at gun violence in Berkeley Rep Hours

Mar 02

Complex, human look at gun violence in Berkeley Rep <i>Hours</i>

Julia Cho is exactly the kind of playwright I crave. She's thoughtful, adventurous and fanciful in a way that relates directly to reality (she's not a fantasist – her flights mean something in the day to day). She cares about people and their messes, both internal and external. Her Aubergine at Berkeley Repertory Theatre was a revelation (read my review here) and has become one of my favorite plays in recent memory. Her play Office Hour, now at Berkeley Rep's Peet's Theatre, is a thorny piece of work.

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