Ward says he had a “white light” experience during what he calls his “Year of Living/Dying Dangerously.”

“I didn’t realize it was one because I would have never lit or costumed the scene that way!” Ward says, his sense of humor still clearly intact.

While continuing to work in theater, Ward has fought a number of cancers, and this past fall, he had major surgery described as “curative” for his surgically targeted cancers. Ward is still living with hepatocelluar carcinoma, but the disease has been in remission for more than two years. He continues to work as a mentor to actors and writers and is creating what he’s calling an “absurd tragicomedy” that deals with his adventures with cancer. The project, as he puts it, is “more comedy, less tragi.”

The Ockrent nomination, named for British director Mike Ockrent, who died in 1993 from leukemia, was a big deal for Ward.

“The nomination allowed me to take a good look at what being in the theater means to me,” he says. “The process of the Ockrent Fellowship involves an essay, and I was able to review what I’ve done and where I am. It helped me realize that this is my time and that there is much ahead for me. Being engaged in the act of creation is life-renewing, life-affirming, and it helped pull me through a very harrowing year.”

An accomplished writer, director and choreographer, Ward has worked at the Magic Theatre and TheatreWorks among other theaters, and Ward he had his own company with San Francisco playwright Tom W. Kelly called Isis Arts Collective.

Ward recently found out that he was not selected for the Ockrent Fellowship for Broadway, which would have put him to work on the Broadway revival of Promises Promises. But he says he’s grateful for the process.

“It allowed me to sit with what theatre means to me, where I belong in it and where I’m looking at going,” he says. “It made me realize how vital theater is to my life.”

George Furth, a mentor and friend to Ward, would frequently remind him, “It’s not enough to have talent. You have to have a talent for having talent, and you have that.”

While Ward ponders what Furth means by that, the director is satisfied with his journey of late, even with all its ups and downs. “The Ockrent Fellowship and the BATCC let me know that I’m where I should be,” he says, “and I’m heading toward the next place I’m going to.”

From nine high school senior finalists — three in each category of dance, acting and voice — three were selected as recipients of a $10,000 scholarship toward their college education.

The winners:

Dance: Jessica Lester from American High School in Fremont performing “Hernando’s Hideaway” from The Pajama Game.

Acting: Patrick Varner from Montgomery High School in Santa Rosa performing a monologue from Edward Albee’s The Goat or Who Is Sylvia?

Voice: Nikola Prinz from Novato High School in Novato performing “My Man’s Gone Now” from Porgy and Bess.

Visit the Beach Blanket Babylon site for more information.

Beach Blanket Babylon is currently in the midst of an anniversary celebration that involves 35 special performances, each with a new musical number as well as a special tribute to creator Steve Silver.

Visit www.beachblanketbabylon.com for information.

Harold and Mimi Steinberg /ATCA New Play Award

Lee Blessing’s Great Falls and Tracy Letts’ Superior Donuts received Steinberg/ATCA citations and $7,500 each. Both Lewis and Letts are first-time winners, but Blessing previously won the 2006 Steinberg/ATCA Award for A Body of Water, and in 1987 he won the predecessor ATCA New
Play Award for A Walk in the Woods.

The award was started in 1977 to honor plays that debut at regional theaters outside New York City, where there are many new play awards. No play is eligible if it has gone on to a New York production within the award year (in this case, 2008).

Lewis’ Song of Extinction debuted in November at Moving Arts in Hollywood after having been featured in NYU’s hotINK International Festival of New Plays and receiving a reading in the Atlantic Theater’s Next Page series. It has already won several awards, including the EcoDrama playwriting Competition, the L.A. Drama Critics Circle Ted Schmitt Award for a world premiere and the LA Weekly award for production of the year.

Blessing’s Great Falls is a wry drama about a stepfather and his disaffected stepdaughter trying to make connections on a road trip across the American West. It was produced in February 2008 at the Humana Festival of New American Plays at Actors Theatre of Louisville.

Letts’ Superior Donuts is a comic drama portraying the resurrection of a former ‘60s radical who is hiding from disappointments and tragedies by running a tiny Chicago doughnut shop. His isolation is challenged by a young black man seeking a job and running from some secrets of his own. It premiered in June at Steppenwolf Theater.

In Lewis’ Song of Extinction, Max, a musically gifted high school student, is falling off the edge of the world, and his biology teacher is the only one who’s noticed. According to the ATCA New Play committee, it starts as a realistic examination of ecology, genocide, isolation, music, family relationships and more, but it morphs into a dreamscape which weaves the disparate strands into a pattern of inter-connectedness.

“I’d like to thank the Steinberg family and ATCA,” said a visibly excited Lewis. “I feel so honored to receive this award for my play. It is an amazing gift.”

Lewis has accomplished a lot in a short playwriting career. Last year, she won ATCA’s $10,000 Francesca Primus Award for Heads, a hostage drama set against the war in Iraq that Edward Albee called “provocative and wonderfully threatening.” Her Infinite Black Suitcase, a large ensemble play about grief and survival in rural Oregon, received its world premiere in 2007. On her Web site (www.dramatistsguildweb.com/members/emlewis) Lewis quotes James Baldwin: “The purpose of art is to lay bare the questions which have been hidden by the answers.” She comes from Oregon but now lives in Santa Monica.

Some two dozen scripts were nominated by ATCA members, and the winners were chosen by a committee led by Wm. F. Hirschman of the South Florida Sun-Sentinel. Other committee members are Misha Berson, Seattle Times; Bruce Burgun, Bloomington Herald Times and Back Stage; Michael Elkin,
Jewish Exponent (Pa.); Jay Handelman, Sarasota Herald-Tribune; Pam Harbaugh, Florida Today (Melbourne); Leonard Jacobs, New York Press, Back Stage and The Clyde Fitch Report; Chad Jones, TheaterDogs.net; Elizabeth Keill, Independent Press (Morristown, NJ); Elizabeth Maupin, Orlando Sentinel; Wendy Parker, The Village Mill (Midlothian, Va.); Michael Sander, Back Stage (Minn.); and Herb Simpson, Totaltheater.com (Rochester, NY).

Honorees since 1977 have included Lanford Wilson, Marsha Norman, August Wilson, Jane Martin, Arthur Miller, Mac Wellman, Adrienne Kennedy, Donald Margulies, Lynn Nottage, Horton Foote and Craig Lucas. Last year’s winner was Moises Kaufman for 33 Variations, now being staged on Broadway starring Jane Fonda. Each year’s honorees are chronicled in The Best Plays Theater Yearbook, edited by Jeffrey Eric Jenkins, alongside the 10 best plays produced that year in New York City. For a complete list of the 80 plays cited from 1977 through 2008, go to www.americantheatrecritics.org, under Awards.

This Sunday, the Tony Awards will be handed out.
Here’s what you need to know (and get busy organizing your Tony party — we’ve got to get those dismal ratings out of the basement so CBS will continue broadcasting the darn things).

For the first time, there will be pre-ceremony Tony Concert chock full of juicy musical numbers from all the nominated shows. In the Bay Area the concert will be at 1 p.m. Sunday, June 15 on KPIX-TV. Mario Lopez (currently playing Zach in A Chorus Line) hosts, and we’ll see numbers from 10 musicals: A Catered Affair, Cry-Baby, Grease, Gypsy, In The Heights, Passing Strange, South Pacific, Sunday in the Park with George, The Little Mermaid and Xanadu—on stage at the Allen Room at Frederick P. Rose Hall, home of Jazz at Lincoln Center, with its spectacular, floor-to-ceiling views of Central Park South visible to viewers of the telecast.

Nominees who perform on the program include Laura Benanti (Gypsy), Daniel Breaker and Stew (Passing Strange), Kerry Butler (Xanadu), Daniel Evans (Sunday in the Park with George), Faith Prince (A Catered Affair) and Loretta Ables Sayre (South Pacific).

“We’ve tried very hard not to cannibalize anything that will be on the actual Tony telecast, but just to whet people’s appetites for June 15,” says The Broadway League’s Jan Friedlander Svendsen, who is an executive producer of the special. “We purposely didn’t want this in costume, we didn’t want big production numbers. We wanted it to feel very intimate. And we wanted to have those up-close-and-personal profiles.”

Actor nominees who are interviewed during the pre-Tony telecast include Laurence Fishburne, who talks about his role as a Supreme Court justice in Thurgood, and Patrick Stewart and Kate Fleetwood, who reveal a touching story from the casting of their revival of Macbeth. Steppenwolf Theatre Company members Laurie Metcalf (November) and Deanna Dunagan, Amy Morton and Rondi Reed from the Best Play nominee August: Osage County celebrate the success of Steppenwolf-ers on Broadway this season—the roster also includes Martha Plimpton and Kevin Anderson—who all told represent six different Broadway shows.

“One of the issues with the Tonys is, often times, not all of our nominees are as well known as, say, Oscar nominees,” says Svendsen. “It’s great to let audiences be exposed to some of those who aren’t as well known. It’s kind of like the Olympics. Many of those athletes aren’t as famous, and one of my favorite parts of watching the Games is getting to know those athletes from a human interest side. Then I have an emotional connection with them and a more rooting interest in who’s going to win.”

The Awards, hosted by Whoopi Goldberg (thank God someone on “The View” cares about theater since Rosie O’Donnell’s departure) begin at 8 p.m. on TV, but watching the tape delay is so retro. Why not tune into the live Webcast? Past Tony winners Michael Cerveris and Julie White host. Log on to www.tonyawards.com for all the details.

On the broadcast, we’ll get musical numbers from all four of the Best Musical nominees (Cry-Baby, In The Heights, Passing Strange and Xanadu) and the four Best Musical Revival nominees (Grease, Gypsy, Sunday in the Park with George and Rodgers & Hammerstein’s South Pacific).

Also represented will be three other new Broadway musicals: A Catered Affair, The Little Mermaid and The New Mel Brooks Musical Young Frankenstein. And just for good measure, Rent and The Lion King will also make appearances.

Video memories from past Tony winners, clips from nominated shows and a whole lot more await you at www.tonyawards.com, your one-stop shop for Tony Award information.

To whet your appetite, here’s Passing Strange on “The View.”

After San Francisco Mayor Gavin Newsom took his foot out of his mouth (he made an inappropriate comment about gay marriage), and after former SF Mayor Willie Brown introduced a film clip, and after the Beach Blanket Babylon cast throttled a song from Wicked, the Beach Blanket Babylon Scholarship for the Arts competition got under way and did what it has been doing for six years: giving high school seniors money to pursue their passion for the arts.

Monday night’s judging panel, picking a winner from three finalists in each of three categories (dance, acting and singing), included Tracy Chapman, Harry Denton, Gordon Getty, David Gockley, Chuy Gomez, Rita Moreno, Jonathan Moscone, Carey Perloff, Don Sanchez, Tony Taccone, Jan Wahl and Brenda Way. Don Bleu served as master of ceremonies with assists from Silver’s widow, Jo Schuman Silver.

And this year’s winners are, each receiving a $10,000 scholarship, are:

In the dancing category:
CHELSEA McLAUGHLIN - Eastside College Preparatory, East Palo Alto
Chelsea, who danced to Ray Charles’ “Georgia on My Mind,” said she plans to study dance at Fordham University at the Ailey School.

In the acting category:
SHAYLIN HOYE - Novato High School, Novato
Shaylin, who performed a monologue from Peter Shaffer’s Eqqus, said she will attend Concordia University in Irvine. “And will you pursue acting?” Bleu asked. “I might now,” she answered.

In the singing category:
SARA LEMESH - Terra Linda High School, San Rafael
Sara, who sang an aria from A Masked Ball, plans to attend Rice University and said she has been singing opera since she was 12.

Congratulations and well done!

Colman Domingo is starring in the Tony-nominated Passing Strange, which, incidentally, just won three Drama Desk Awards including Best Musical, two Obie Awards including Best New American Theatre Piece, two Theatre World Awards, and the top prize from the New York Drama Critics’ Circle (whew). If that weren’t cause enough to celebrate, Colman will direct New Professional Theatre’s production of Lisa B. Thompson’s Single Black Female, a comedy about “single black women and their search for love, dignity and clothes.” The production will star Soara-Joy Ross and Riddick Marie, at The Duke on 42nd St. in Manhattan. The show will run June 10-29.
Colman first directed the play in March of ‘99 at San Francisco’s Theatre Rhinoceros.

Francis Jue, San Francisco native and a favorite at TheatreWorks in Mountain View (though that’s hardly the only local stage he has graced), won an Obie Award for his featured performance in David Henry Hwang’s Yellow Face.
Here’s a nice story on Francis from AsianConnections.com. No word on whether Francis will be in the production of Yellow Face closing Berkeley Repertory Theatre’s 2008-09 season. Here’s hoping…

Jo Schuman Silver, producer of BBB, announced the nine finalists today, who will then go on to perform at Club Fugazi on Monday, June 9. The winners will be selected that night.

Finalists in the acting category are:
SAIRUS GRAHAM-THILLE - San Francisco School of the Arts, San Francisco
SHAYLIN HOYE - Novato High School, Novato
KEELIN WOODELL - St. Ignatius College Prep, San Francisco

In the dancing category:
CHELSEA McLAUGHLIN – Eastside College Preparatory, East Palo Alto
TAL OPPENHEIMER – Lick-Wilmerding High School, San Francisco
ERIN STAHMER – Homestead High School, Cupertino

In the singing category:
ALEXANDRA AKIN – School of the Arts, San Francisco
SARA LEMESH – Terra Linda High School, San Rafael
ERIN SUTH – Redwood Christian Junior/Senior High School, San Lorenzo

Schuman Silver said in a statement: “I’m really impressed by the quality of the performances that we’ve received and the dedication of the students to their craft. It wasn’t an easy task to narrow down the field to just nine finalists.”

The June 9 master of ceremonies for the evening is Star 101.3’s Don Bleu. The celebrity panel of judges scheduled to appear includes: San Francisco’s Mr. Nightlife Harry Denton, Composer Gordon Getty, San Francisco Opera’s General Director David Gockley, KMEL’s Chuy Gomez, Alice Radio’s Hooman, Actress Rita Moreno, California Shakespeare Theater’s Artistic Director Jonathan Moscone, American Conservatory Theater’s Artistic Director Carey Perloff, ABC7’s Don Sanchez, Berkeley Repertory Theatre’s Artistic Director Tony Taccone, KRON4/KCBS Radio’s Jan Wahl and ODC/Dance’s Artistic & Executive Dance Director Brenda Way.

For information visit www.beachblanketbabylon.com.

Beck first worked on Bock’s play when it was part TheatreWorks’ New Works Festival (the play was developed as part of the company New Works Initiative). Beck was also featured in TheatreWorks’ production of Arthur Miller’s All My Sons, directed by Beck’s husband (and Crowded Fire co-artistic director) Kent Nicholson.

This year’s Theatre World Award winners include:
de’Adre Aziza, Passing Strange
Cassie Beck, Drunken City
Daniel Breaker, Passing Strange
Ben Daniels, Les Liaisons Dangereuses
Deanna Dunagan, August: Osage County
Hoon Lee, Yellow Face
Alli Mauzey, Cry-Baby
Jenna Russell, Sunday in the Park with George
Mark Rylance, Boeing-Boeing
Loretta Ables Sayre, South Pacific
Jimmi Simpson, The Farnsworth Invention
Paulo Szot, South Pacific

The Theatre World Awards ceremony will be held in Manhattan June 10 at Broadway’s Helen Hayes Theatre.

BEST PLAY:
August: Osage County by Tracy Letts
Rock ‘n’ Roll by Tom Stoppard
The Seafarer by Conor McPherson
The 39 Steps by Patrick Barlow

BEST MUSICAL:
Cry-Baby
In The Heights
Passing Strange
Xanadu

BEST BOOK OF A MUSICAL:
Cry-Baby by Mark O’Donnell and Thomas Meehan
In the Heights by Quiara Alegría Hudes
Passing Strange by Stew
Xanadu Douglas by Carter Beane

BEST ORIGINAL SCORE (MUSIC/LYRICS) WRITTEN FOR THE THEATER:
Cry-Baby Music & Lyrics: David Javerbaum & Adam Schlesinger
In the Heights Music & Lyrics: Lin-Manuel Miranda
The Little Mermaid Music: Alan Menken; Lyrics: Howard Ashman and Glenn Slater
Passing Strange Music: Stew and Heidi Rodewald; Lyrics: Stew

BEST REVIVAL OF A PLAY:
Boeing-Boeing
The Homecoming
Les Liaisons Dangereuses
Macbeth

BEST REVIVAL OF A MUSICAL:
Grease
Gypsy
Rodgers & Hammerstein’s South Pacific
Sunday in the Park with George

BEST PERFORMANCE BY A LEADING ACTOR IN A PLAY:
Ben Daniels, Les Liaisons Dangereuses
Laurence Fishburne, Thurgood
Mark Rylance (right), Boeing-Boeing
Rufus Sewell, Rock ‘n’ Roll
Patrick Stewart, Macbeth

BEST PERFORMANCE BY A LEADING ACTRESS IN A PLAY:
Eve Best, The Homecoming
Deanna Dunagan, August: Osage County
Kate Fleetwood, Macbeth
S. Epatha Merkerson, Come Back, Little Sheba
Amy Morton, August: Osage County

BEST PERFORMANCE BY A LEADING ACTOR IN A MUSICAL:
Daniel Evans, Sunday in the Park with George
Lin-Manuel Miranda, In the Heights
Stew, Passing Strange
Paulo Szot, Rodgers & Hammerstein’s South Pacific
Tom Wopat, A Catered Affair

BEST PERFORMANCE BY A LEADING ACTRESS IN A MUSICAL:
Kerry Butler, Xanadu
Patti LuPone (right), Gypsy
Kelli O’Hara, Rodgers & Hammerstein’s South Pacific
Faith Prince, A Catered Affair
Jenna Russell, Sunday in the Park with George

BEST PERFORMANCE BY A FEATURED ACTOR IN A PLAY:
Bobby Cannavale, Mauritius
Raúl Esparza, The Homecoming
Conleth Hill, The Seafarer
Jim Norton, The Seafarer
David Pittu, Is He Dead?

BEST PERFORMANCE BY A FEATURED ACTRESS IN A PLAY:
Sinead Cusack, Rock ‘n’ Roll
Mary McCormack, Boeing-Boeing
Laurie Metcalf, November
Martha Plimpton, Top Girls
Rondi Reed, August: Osage County

BEST PERFORMANCE BY A FEATURED ACTOR IN A MUSICAL:
Daniel Breaker, Passing Strange
Danny Burstein (above), Rodgers & Hammerstein’s South Pacific
Robin De Jesús, In The Heights
Christopher Fitzgerald, The New Mel Brooks Musical Young Frankenstein
Boyd Gaines, Gypsy

BEST PERFORMANCE BY A FEATURED ACTRESS IN A MUSICAL:
de’Adre Aziza, Passing Strange
Laura Benanti, Gypsy
Andrea Martin, The New Mel Brooks Musical Young Frankenstein
Olga Merediz, In The Heights
Loretta Ables Sayre, Rodgers & Hammerstein’s South Pacific

BEST DIRECTION OF A PLAY:
Maria Aitken, The 39 Steps
Conor McPherson, The Seafarer
Anna D. Shapiro, August: Osage County
Matthew Warchus, Boeing-Boeing

BEST DIRECTION OF A MUSICAL:
Sam Buntrock, Sunday in the Park with George
Thomas Kail, In the Heights
Arthur Laurents Gypsy
Bartlett Sher Rodgers & Hammerstein’s South Pacific

BEST CHOREOGRAPHY:
Rob Ashford, Cry-Baby
Andy Blankenbuehler, In the Heights
Christopher Gattelli, Rodgers & Hammerstein’s South Pacific
Dan Knechtges, Xanadu

BEST ORCHESTRATIONS:
Jason Carr, Sunday in the Park with George
Alex Lacamoire & Bill Sherman, In The Heights
Stew & Heidi Rodewald, Passing Strange
Jonathan Tunick, A Catered Affair

BEST SCENIC DESIGN OF A PLAY:
Peter McKintosh, The 39 Steps
Scott Pask, Les Liaisons Dangereuses
Todd Rosenthal, August: Osage County
Anthony Ward, Macbeth

BEST SCENIC DESIGN OF A MUSICAL:
David Farley and Timothy Bird & The Knifedge Creative Network, Sunday in the Park with George
Anna Louizos, In the Heights
Robin Wagner ,The New Mel Brooks Musical Young Frankenstein
Michael Yeargan, Rodgers & Hammerstein’s South Pacific

BEST COSTUME DESIGN OF A PLAY:
Gregory Gale, Cyrano de Bergerac
Rob Howell, Boeing-Boeing
Katrina Lindsay, Les Liaisons Dangereuses
Peter McKintosh, The 39 Steps

BEST COSTUME DESIGN OF A MUSICAL:
David Farley, Sunday in the Park with George
Martin Pakledinaz, Gypsy
Paul Tazewell, In the Heights
Catherine Zuber, Rodgers & Hammerstein’s South Pacific

SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT IN THE THEATER:
Stephen Sondheim

REGIONAL THEATER TONY AWARD:
Chicago Shakespeare Theatre

SPECIAL TONY AWARD:
Robert Russell Bennett (1894-1981), in recognition of his historic contribution to American musical theatre in the field of orchestrations, as represented on Broadway this season by Rodgers & Hammerstein’s South Pacific.

For a complete list of nominees visit the American Theatre Wing’s Web site.

News came down from on high today that Tracy Letts’ August: Osage County, currently on Broadway, won the Pulitzer Prize for drama.

The Chicago playwright and actor is the author of Man from Nebraska (a Pulitzer contender) Bug (also a movie starring Ashley Judd) and Killer Joe, a hit for Marin Theatre Company that transferred to the Magic in San Francisco.

The award is somewhat bittersweet becuse Letts’ father, the actor Dennis Letts, who played the role of the troubled father in August: Osage Country, died in February after a fight with lung cancer.

August: Osage County, which originated at Chicago’s Steppenwolf Theatre (where Letts is an artistic associate) ends its run at the Imperial Theatre on April 20 and resumes production at the Music Box Theatre April 29.

Check out Chris Jones’ Chicago Tribune coverage (includes video of the Pulitzer celebration and scenes from the play) here.

Also nominated this year as finalists in the drama category were: Yellow Face by David Henry Hwang, and Dying City by Christopher Shinn.