Splendid visuals in Lepage’s Needles and Opium at ACT

Apr 06

Splendid visuals in Lepage’s <i>Needles and Opium</i> at ACT

With Needles and Opium, writer, director and theatrical visionary Robert Lepage has created a show that will be remembered – not necessarily for what it's about but definitely for the way it looks.

What began as a 1991 one-man show performed by Lepage himself in his native Québec City has evolved into a theatrical marvel, the kind of show that creates one jaw-dropping image after another.

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A spooky, funny slow burn in ACT’s John

Mar 10

A spooky, funny slow burn in ACT’s <i>John</i>

There are two Johns in Annie Baker's John, neither of whom we actually meet. One wreaked mental havoc on another person and the other is wreaking havoc on a relationship. Both feel like sinister external forces, but they are just two of many in this wonderfully bizarre, engrossingly enigmatic play by one of our country's most original and captivating voices.

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Humanity shines in ACT’s Splendid Suns

Feb 16

Humanity shines in ACT’s <i>Splendid Suns</i>

Let's be honest: sitting in a beautiful theater watching a well-crafted play is an absolute privilege, so where better to challenge our very notions of privilege and confront the reality that much of the world's population is having a very different experience than those of us sitting in the velvet seats? With a play like A Thousand Splendid Suns, the world-premiere adaptation of Khaled Hosseini's 2007 novel now at American Conservatory Theater's Geary Theater.

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Irwin illuminates Beckett at ACT

Jan 12

Irwin illuminates <i>Beckett</i> at ACT

Bill Irwin wants to address everything you've ever wanted to know about Samuel Beckett but were afraid to ask. His casual one-man show On Beckett, now in a short run at American Conservatory Theater's Strand Theater, provides an excellent opportunity to explore the enigmatic Beckett from a safe distance and through utterly delightful filter of the inimitable Irwin.

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Raging with Marty @ ACT’s Strand

Dec 02

Raging with Marty @ ACT’s Strand

If Martin Moran wanted to tell me about his trip to the dentist, I would stop whatever I was doing and listen in rapt attention knowing that Moran is a master storyteller and will inevitably find every telling detail, every character nuance, every link to something bigger than just the story he's relating.

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ACT attempts to solve Stoppard’s Hard Problem

Oct 27

ACT attempts to solve Stoppard’s <i>Hard Problem</i>

All through American Conservatory Theater's production of The Hard Problem you can feel playwright Tom Stoppard making an effort to be accessible. With a play about the very nature of consciousness – the "hard problem" about not just the knowing about what's at our human core but the knowing about the knowing – there's a danger of a) boring a lay audience with intricate lectures on neuroscience or b) becoming so involved in the intellectual pursuits of the play that actual drama. Stoppard slips a little into both camps during his play's one hour and 40 minutes, but it's hard to fault a playwright for being too smart or too passionate about the subject he's exploring.

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