Fractured tales confound in ACT’s Love and Information

Jun 18

Fractured tales confound in ACT’s <i>Love and Information</i>

Confounding and captivating in equal measure, American Conservatory Theater's debut production in the newly renovated Strand Theater certainly lives up to its title. Caryl Churchill's Love and Information sounds like a generic title for just about anything in our short-attention-span world, on or off line, and that seems to be part of the point.

More like a curated collection of scenes and short films than an actual play...

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Ladies’ night at ACT’s Music

May 28

Ladies’ night at ACT’s <i>Music</i>

In the 1970s, Stephen Sondheim was on some kind of roll. From Company to Follies to Pacific Overtures to Sweeney Todd, the decade found at the peak of his considerable powers. He was – and is – a musical theater superhero, but in the midst of all that musical and lyrical genius, he dropped a nearly perfect show that was at once a classic musical – operetta almost – and completely contemporary.

A Little Night Music is a dazzling combination of light and funny, clever and romantic with sharp and incisive, deep and dark. The show has elegance and a light touch with an undercurrent of regret, sorrow and misery to keep it from floating away.

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ACT’s Strand Theater: the new jewel of mid-Market

May 15

ACT’s Strand Theater: the new jewel of mid-Market

A vermillion treasure inside and out, American Conservatory Theater’s new Strand Theater on Market Street is – or should be – the future of San Francisco. This beautiful city is in crisis at the moment, the crisis known as boom, and its character is fading visibly each day. Our diversity, our artists, our culture disappears a little more with every swing of a giant construction crane as gazillion-dollar condos and apartments crowd the airspace.

City government’s slow reaction to this crisis of rampant success means we have lost people and organizations we’ll never get back. Galleries, theater companies, artists, musicians, dancers, actors gone, and with them, a piece of what made San Francisco special. And how have our fearless leaders responded in offering assistance to the evicted, the rent increased, the displaced, the non-tech zillionaires? A shrug and a promise of “meh.”

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A hitch in the getalong: Looking back at 2014′s best

Dec 22

A hitch in the getalong: Looking back at 2014′s best

Reviewing the shows I reviewed this year, I was struck by two things: first, and as usual, there’s an abundance of talented people doing great work at all levels of Bay Area theater; second, this was a lesser year in Bay Area theater. Perhaps the reason for the later has to do with the changes in the Bay Area itself – artists are fleeing outrageous rents,...

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Speaking words of wisdom, Mother Mary testifies at ACT

Nov 06

Speaking words of wisdom, Mother Mary testifies at ACT

Has any mother ever inspired so much and such varied art?

Colm Tóibín's Testament, now at American Conservatory Theater, is another in a long line of interpretations of Mary, mother of Jesus. In is version, which started life as a Dublin play, then became a novel before being turned into a different play on Broadway last year, Toibin is interested in the humanity of Mary, a mother first and foremost, and a citizen caught up – rather unwillingly – in a dangerous rebellion.

Directed by ACT Artistic Director Carey Perloff and starring revered Canadian actor Seana McKenna ...

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Irwin and Shiner: Old Hats are the best hats

Sep 18

Irwin and Shiner: <i>Old Hats</i> are the best hats

I will be the first to admit that clowns have never been a favorite of mine. Not circus clowns, not hobo clowns, not mimes, not even a lot of commedia dell'arte rigamarole. Occasionally, however, I get it – I get the comedy, I get the poignancy, I get the masterful balance of comedy and tragedy in the pursuit of laughs. And by far my favorite clowns – the ones who do it better than just about anybody – are Bill Irwin and David Shiner.

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