2017 theater in review: Reflections on a powerful year

Dec 28

2017 theater in review: Reflections on a powerful year

If you're a theater fan, 2017 was a very good year. If you're an American, depending on your point of view, 2017 was a terrifying year. Quite often, it seemed, the theatrical stage and the national stage were in direct conversation.

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Be mindful of the gap: Small Mouth Sounds howls at ACT

Oct 27

Be mindful of the gap: <i>Small Mouth Sounds</i> howls at ACT

The cast of Bess Wohl’s Small Mouth Sounds, an almost entirely wordless play presented by American Conservatory Theater at The Strand Theater, includes (clockwise from left) Ben Beckley, Brenna Palughi, Connor Barrett, Edward Chin-Lyn, Socorro Santiago and Cherene Snow. Below: Six urbanites experience the awkward tension of a silent meditation retreat. Photos...

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Peter Brook creates sacred space in Battlefield at ACT

May 04

Peter Brook creates sacred space in <i>Battlefield</i> at ACT

The elegance of simplicity creates space that allows for the profound reward of listening, truly listening. Peter Brook probably wouldn't want to be labeled a legendary director, but he is. His more than 70-year career is festooned with innovation, genius and the fascinating arc of an artist following his muse rather than his ego. In Battlefield, now at American Conservatory Theater's Geary Theater, the 92-year-old director achieves something sublime in its stripped-down beauty and incredibly moving in its poetic grappling with the meaning of life.

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Splendid visuals in Lepage’s Needles and Opium at ACT

Apr 06

Splendid visuals in Lepage’s <i>Needles and Opium</i> at ACT

With Needles and Opium, writer, director and theatrical visionary Robert Lepage has created a show that will be remembered – not necessarily for what it's about but definitely for the way it looks.

What began as a 1991 one-man show performed by Lepage himself in his native Québec City has evolved into a theatrical marvel, the kind of show that creates one jaw-dropping image after another.

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A spooky, funny slow burn in ACT’s John

Mar 10

A spooky, funny slow burn in ACT’s <i>John</i>

There are two Johns in Annie Baker's John, neither of whom we actually meet. One wreaked mental havoc on another person and the other is wreaking havoc on a relationship. Both feel like sinister external forces, but they are just two of many in this wonderfully bizarre, engrossingly enigmatic play by one of our country's most original and captivating voices.

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Humanity shines in ACT’s Splendid Suns

Feb 16

Humanity shines in ACT’s <i>Splendid Suns</i>

Let's be honest: sitting in a beautiful theater watching a well-crafted play is an absolute privilege, so where better to challenge our very notions of privilege and confront the reality that much of the world's population is having a very different experience than those of us sitting in the velvet seats? With a play like A Thousand Splendid Suns, the world-premiere adaptation of Khaled Hosseini's 2007 novel now at American Conservatory Theater's Geary Theater.

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