I never loved Camelot, not ever once in silence. Not in the lusty month of May. Never. And I wanted to because how could you not love the work of Alan Jay Lerner and Frederick Loewe, the guys who created the masterwork known as My Fair Lady? I'm also genetically inclined emotionally hard wired to love anything involving Julie Andrews, who followed up her star-making turn as Eliza Doolittle by playing the placid Guenevere in Lerner and Loewe's adaptation of the King Arthur stories as told in T.H. White's The Once and Future King. But the fact is that the role of Guenevere, like the show in which she's stuck, is a big drag.
How exciting, then, to hear that San Francisco Playhouse was going to re-imagine Camelot as something darker and grittier.Read More