Ramping up the teenage angst in Crowded Fire’s Truck Stop

Oct 06

Ramping up the teenage angst in Crowded Fire’s <i>Truck Stop</i>

The whole time I was watching Lachlan Philpott's Truck Stop, a Crowded Fire Theater production at Thick House, I was working myself into a state of anxiety imagining being the parent of a teenage girl. How do you fight the global objectification of women and instill a sense of self-worth that comes as much from intellectual, spiritual, emotional places and not just the physical and sexual, which it seems is all the world cares about if you're watching TV or movies, reading magazines or listening to music.

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Uneven tone tilts ACT’s Monstress double bill

Oct 03

Uneven tone tilts ACT’s <i>Monstress</i> double bill

Two of the Bay Area's most interesting theater artists, Philip Kan Gotanda and Sean San José, were asked to adapt a short story from Lysley Tenorio's 2012 collection Monstress for American Conservatory Theater's Strand Theater as part of the company's San Francisco Stories initiative and the New Strands play development and commissioning program.

The results make up the double bill Monstress now at the Strand, and while both plays...

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Performances make Dogfight musical sing

Oct 01

Performances make <i>Dogfight</i> musical sing

There are two very good reasons to see the musical Dogfight at San Francisco Playhouse. The 2012 stage adaptation of the 1991 movie starring River Phoenix and Lili Taylor has its moments (mostly thanks to the emotional score by Benj Pasek and Justin Paul), but what really makes it connect are the lead performances by Jeffrey Brian Adams as a U.S. Marine with more depth under his gruff military exterior than even he may realize and Caitlin Brooke as a San Francisco waitress/folk singer who is smarter, stronger and more compassionate than anyone the Marine has ever known (or probably ever will know).

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Curran Theatre roars back to vibrant life

Sep 24

Curran Theatre roars back to vibrant life

Carole Shorenstein Hays is doing something very exciting with the her jewel of a theater, the Curran Theatre. The 93-year-old neighbor to the Geary Theater in San Francisco's Union Square neighborhood is undergoing refurbishment, but most of the improvements are happening front of house, which leaves the stage available. So Hays, formerly of Best of Broadway and SHN, has launched a performance series called Curran: Under Construction, which brings smaller but notable performances to the Curran stage, where the audience also happens to be seated.

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Ferocious Lotus unfolds a lovely Crane

Sep 22

Ferocious Lotus unfolds a lovely <i>Crane</i>

The Ferocious Lotus world premiere of JC Lee's Crane is the kind of theater that makes me happy. Here's a small company taking a step up with its first solo production. They're tackling a notable playwright (Lee's work has been seen locally at Impact Theatre and Sleepwalkers Theater and he's a writer for ABC's "How to Get Away with Murder" and HBO's "Looking"), and with a small budget in a small theater (NOHspace), they're making something beautiful.

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