Beautiful, ambitious and with the kind of depth we’ve come not to expect from musicals, The Fourth Messenger is a triumph. This world-premiere work is not perfect…yet. But if any new homegrown musical were even half this good it would be considered a major success.

With a book by Tanya Shaffer, music by Vienna Teng and lyrics by both creators, The Fourth Messenger wants to tell an epic story in an intimate way, and in the most essential ways, that works. Shaffer’s book brims with intelligence and wit and Teng’s music feels rich in original ways, full of melody and intricacy captured expertly by musical director Christopher Winslow and his four-piece orchestra (the cello and woodwinds are especially expressive).

Director Matt August’s thoughtful yet robust production…

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