The cast of Steve Silver’s Beach Blanket Babylon celebrates the Summer of Love. Photo by Rick Markovich.
There’s no big anniversary, but there’s still something to celebrate. Steve Silver’s Beach Blanket Babylon is going on 36 years old and is brighter, fresher and funnier than ever. Members of the press were invited to come check out the show recently, and it’s easy to see why producer/co-writer Jo SchumanSilver and director/co-writer Kenny Mazlow are eager to spread the word that the country’s longest-running musical revue is in tip-top condition.
At this point, Beach Blanket is a reliable brand. You know you’ll get a few things when you head to the Club Fugazi, nestled cozily in bustling North Beach. You’ll get broad comedy (often delivered by comic broads), maniacally merry music from every era (Bill Keck is the musical director), fantastic (in every sense) costumes topped by towering hats and the precision popping of popular and political culture. As much as the show changes to accommodate current events and personalities, some things never change. Snow White looks for love and, in the end, turns into Madonna – complete with Jean-Paul Gaultier boob cones – and flies over the audience.
The current edition of Beach Blanket, in addition to some hilarious and timely skewering, finally lands on a way to make that Madonna makeover relevant. Much like the recent “The Power of Madonna” episode of Glee, Madonna is used to represent the ultimate in female empowerment. She’s a pop culture survivor who has remained relevant (relatively speaking) on her own terms and is a role model for women everywhere – at least that seems to be where her image is heading at the moment. Beach Blanket latches on to that, and when Snow White emerges as Madonna, she’s singing a re-worked version of “Defying Gravity” from Wicked, which makes the flying make even more sense. In the tradition of the show, however, the title of the song is now “Surviving Gravity” (look, ma, no chicken arms here!).
Madonna is taking her place in the big pop culture pantheon, so it makes even more sense to have her marry Elvis at show’s end.
From the very top of the 90-minute show, the pop-culture references pile on. Mr. Peanut (one of Silver’s signature Beach Blanket figures) shows up carrying a giant iPad. Within minutes, the stage is hosting a flashback to the Summer of Love as Mr. Peanut morphs into a sort of Jerry Garcia figure while songs from Hair let the sunshine in. The Beatles are there, and so is a woman with a Haight-Ashbury street sign sticking out of her head.
When Snow White (played by Shawna Ferris) visits Rome, her entrance is now heralded with “Be Italian” from Nine, and for some reason, Rome leads to the first big political routine involving 1950s-style Bill and Hillary, Schwarzenegger, Nancy Pelosi, John McCain, Sarah Palin, and Barack and Michele Obama. All of these politicos return toward the end of the show for another new showpiece built on Les Miserables. Fannie Mae, Freddie Mac and the Lehman Brothers join the pity party, but the real triumph of the bit is that the Obamas come out wielding swords and hope – could the reelection campaign be starting at Club Fugazi?
One of the funniest flash bits involves Tiger Woods retreating from his golf club-wielding wife while she sings “It Don’t Mean a Thing If It Ain’t Got That Swing.” And on the way to Snow White’s happy ending, we’ll see Susan Boyle, Lady Gaga, the Jonas Brothers, Britney Spears, Beyonce (singing “Single Ladies, naturally), a fainting Marie Osmond, Harry Potter, a nude Levi Johnston (seen above right, played by Paulino Duran, photo by Rick Markovich), Taylor Swift, Kanye West, Sen. Larry Craig, Al Gore, Barbra Streisand, the gruesome Gosselins, Octomom, Amy Winehouse (unable to finish her number, poor thing), to drop a few names.
Of course we also get the comic wonder of Curt Branom’s lisping, mincing King Louis and the powerhouse vocal stylings of Tammy Nelson (doing her utmost to fill the shoes – and hats—of the dearly missed Val Diamond). But the Beach Blanket MVP is Renée Lubin (seen at right as Am I Blue Lady, photo by Kevin Berne), who is in her 25th year with the show. Still in great voice and fine comic form, Lubin is the show’s star and a clear audience favorite. Her duet with Phillip Percy Williams on “I’ll Be There” is a musical highlight.
Special mention must also be made of Doug Magipong, who is celebrating 20 years in the show. He heads a Michael Jackson tribute that is completely straightforward – no jokes – as he leads the cast through the “Thriller” choreography (the whole high-energy show is choreographed by Mazlow with assistant director/choreographer Mark Reina).
The trademark Beach Blanket ending still functions like clockwork: “Shout,” “Happy Trails,” the San Francisco hat, the wedding hat, “San Francisco” and we’re done. The smiling audience files out past the T-shirts and souvenirs and into the San Francisco night. Entertainment is a valuable commodity, and Steve Silver’s Beach Blanket Babylon remains an abundant source of riches and a true San Francisco treasure.
FOR MORE INFORMATION
Steve Silver’s Beach Blanket Babylon performs at 8pm Wednesdays and Thursdays, 6:30 and 9:30 pm Fridays and Saturdays; 2 and 5 pm Sundays. Audience members under age 21 welcome at Sunday matinees. Tickets range from $25 to $80. Call 415-421-4222 or visit www.beachblanketbabylon.com.
Steve Silver’s Beach Blanked Babylon and the Diablo Theatre Company know the meaning of synergy. Recently, Diablo’s education coordinator, Rena Wilson, a talented performer in her own right, joined the cast of Silver’s show. And two former members of the show will be appearing in Diablo’s production of “Into the Woods,” opening June 4 and playing through June 20 at the Lesher Center for the Arts in Walnut Creek. Tracy Ciappone, enjoyed a six-year run with the San Francisco show, playing Barbra Sreisand, Linda Tripp and Martha Stewart among others. She’ll be the witch in “Woods.” Jessica Fisher, who’ll play the baker’s wife, was in the “Babylon” show for two-and-a-half years.